Our judges have adjudicated; our readers have voted. We’re proud to present to you the outstanding creative team of 2015 — and four great runners up.
Last weekend at Baltimore Comic-Con, the 27th annual Harvey Awards were held, and in one of the least surprising developments in the history of the Harveys, Brian K. Vaughan and Fiona Staples' Saga took home a few more awards to add to a shelf that I'm sure is already collapsing under the weight of its many honors.
Named for MAD Magazine editor and cartoonist Harvey Kurtzman (who, interestingly enough, did not win the award he was nominated for this year), the Harveys are voted on by industry professionals, and this year's winners represent a pretty interesting crop of current comics, including CA favorites like Lumberjanes, Hellboy In Hell, and even Dick Tracy. Check out a full roster of winners and nominees below!
Apple has rejected issue #10 of Jason Aaron and Jason Latour's Image Comics series Southern Bastards from its store, and odds are it isn't because of Latour's widely shared essay about the Confederate flag in its back matter.
The likely reason is an explicit sex scene that opens the issue. In virtually every previous case of Apple rejecting specific issues of comics, it's been over sexual content, not language or violence. (The one possible exception is the Johnny Ryan library of comics. It's hard to know where the offense was there.)
Marvel's steady stream of announcements ahead of next week's Previews reveal continued today, first with the surprising reveal of the new team on Captain Marvel, and then with news of Spider-Gwen's return. The latter announcement is less groundbreaking, but still very welcome, and it comes with a twist. The original Spider-Gwen creative team of writer Jason Latour and artist Robbi Rodriguez will continue to be the Spider-Gwen creative team after Secret Wars --- and Gwen's adventures will continue to take place in a separate reality from the main Marvel Universe.
Created in 1964 by Bill Everett and Stan Lee --- with substantial input from Jack Kirby and Wally Wood --- Daredevil has been brought to life on the page by an extraordinary roster of comics greats, including Gene Colan, David Mazzucchelli, Frank Miller, Alex Maleev, and, in recent years, Chris Samnee, Paolo Rivera, and Marcos Martin. The striking red suit that he's worn since his seventh appearance is one of the best costumes in comics, and creates an irresistible contrast against the grime of Hell's Kitchen. For this special gallery, we've picked out some of our favorite Daredevil pin-ups and images to pay tribute to ol' hornhead.
You don't have to look too hard to see the prevalence of difficult father-son relationships in the work of Jason Aaron. In Scalped with R.M. Guera, Dashiell Bad Horse was adrift in a sea of father figures, unable to choose his own path and incapable of avoiding the same fates that befell the father who left him. In 2014, Aaron launched Southern Bastards with Jason Latour, about a conflicted man who returns to the home of his dead father, a legendary lawman; and Men of Wrath with Ron Garney, is about a father-to-be on the run from his own dad, a hired killer.
Despite the prevalence of the topic in comics, Aaron has carved out his own niche when it comes to father-son relationships, with an unflinching perspective that rings truer than most.
Everyone needs to get on board the Spider-Gwen train, because the hooded Gwen Stacy Spider-Woman was one of the most exciting new (or improved) characters of 2014, with our favorite new costume of the year, and with February's Spider-Gwen #1, by Jason Latour, Robbi Rodriguez, and Rico Renzi, she'll aim to really make her mark as the best spider-themed hero out there. OK, that's a tall order. But definitely in the top three, which places her in the top 1% of spider-heroes.
Marvel has released a three-page unlettered preview of Spider-Gwen #1 showing Gwen in action, plus a look at three awesome variant covers by Adam Hughes, Skottie Young, and Kris Anka. The Hughes cover offers a glimpse of classic Gwen; Young serves up another of his fantastic baby variants; and Anka treats us to a shot of an unmakes Spider-Gwen delighting in the joy of webswinging. It's a gorgeous image that shows Gwen every bit at home on the end of a webline as Peter Parker. (She might want to put that mask back on, though. J. Jonah Jameson would kill for this picture.)
If you've been wondering why people have been asking you "a/s/l?" all day and then following it up with a friendly "haha nice," it's because it's Cyber Monday! Today, we all set aside a little time for the tradition of shopping as our ancestors did so many snowy winters ago: on the internet in pajamas. Truly, it is the most wonderful time of the year.
To that end, a lot of your favorite online retailers are having sales today, including the digital comics retailers at Comixology! In fact, there's so much on there that we have decided to take it upon ourselves to guide you to the best of Comixology's Cyber Monday Sale!
Gwen Stacy was meant to stay dead. Her death back in 1973 in Amazing Spider-Man #121, by Gerry Conway and Gil Kane, was a mark of maturation for the genre, a sign that superhero comics were ready to embrace more sophisticated storytelling. Her death became as defining to Spider-Man's story as that of his Uncle Ben. It could never be undone.
But there's no such thing as "never" in superhero fiction. Gwen Stacy is back -- sort of. The character's debut as another reality's Spider-Woman in Edge of Spider-Verse #2 by writer Jason Latour, artist Robbi Rodriguez, and colorist Rico Renzi was so well received that the character will spin off into her own ongoing series, Spider-Gwen -- created by the same team, and set in a world where Peter Parker is just as dead as Gwen Stacy is in the main Marvel Universe. ComicsAlliance spoke to Latour, Rodriguez, and Renzi, to find out more about their plans -- and their response to Spider-Gwen's new-found popularity.
Image Comics' Southern Bastards has a lot to offer people who enjoy a good crime/revenge comic like I do. There's palpable tension, a sense of some serious wrongs that need to be righted, and people fighting each other with bats (one of them the remnant of a tree that grew out of a grave and was struck by lightning) in the middle of the street.
But, you might say, there are lots of crime comics out there. Heck, Jason Aaron, the writer of Southern Bastards, has penned a good many himself. Scalped and his Punisher run, to name a couple. Southern Bastards is something really special, though, because of the way Aaron and artist Jason Latour embrace its setting so deeply and wholeheartedly.