Coco Chanel once opined that “fashions fade, only style remains the same.” In channeling the latter through the former, Gwen Stacy’s Spider-Woman disagrees to great effect in the self-contained Edge Of Spider-Verse #2, on sale now and nominally part of Marvel's Spider-Verse crossover event. The electric color palette and the asymmetrical hairdos and the wildly winged eyeshadow might look dated in a few years’ time, sure, but these pages bleed a fluorescent adolescent attitude found across time and space, from 19th century Spain’s hipster majos to Siouxie Sioux. This is a Gwen that owes as much to Peter Parker as she does to Tank Girl. This is a Gwen—and a comic—with style.
If you weren't already sold on writer Jason Latour (Southern Bastards) and artist Robbi Rodriguez (FBP) doing a re-imagining of Gwen Stacy in which she is a new version of Spider-Woman in Edge of Spider-Verse #2, what if I offered you this to sweeten the deal: Gwen is the drummer in a band, they're called the Mary Janes, and they have a song that ruminates on Mary Jane Watson's classic "Face it tiger, you just hit the jackpot" line from Amazing Spider-Man #42.
Wait, you thought Gwen Stacy was dead, right? Edge of Spider-Verse is a prelude to Marvel's Spider-Verse event, which brings in "every Spider-Man ever," including versions from alternate universes, to fight a common threat. This version of Gwen Stacy is one of those alternate universe characters. Possessing her own spider-powers and a rad costume, she's already been a hit with Spidey fans based on the few images seen so far.
Marvel really likes to spread its announcements around at San Diego Comic-Con, and that's never more evident than at the publisher's final panel of the weekend, which it calls 'Next Big Thing', possibly because Columbo has a prior claim on using the phrase, 'One More Thing,' just as you're getting ready to leave.
The major new announcement out of the Next Big Thing panel is that Marvel is finally going to publish a new S.H.I.E.L.D. book (which I'll henceforth refer to as SHIELD, because no-one has time for that much punctuation). Mark Waid will write the new series, with Carlos Pacheco on issue one and a rotating team of artists thereafter. Agent Phil "Cheese" Coulson will be the book's lead, and each issue will tell a self-contained story.
One of the things I love most about Spider-Man (and let me tell you, there's a lot I love about Spider-Man) is how adaptable the character is to different situations, settings, and even different characters taking on the role.
Amazing Spider-Man writer Dan Slott and an assembled team of writers and artists are picking up that ball and running with it in the upcoming "Spider-Verse" event, and they're getting a little bit of a head start with what they're calling "Edge of Spider-Verse," a series of one-issue stories that introduce readers to the various iterations of Spider Men and Women. Marvel has released solicitations for the first three issues of the five-issue series, which feature Spider-Man Noir, a new spin on Spider-Woman, and a futuristic Spider-Man who wears a helmet (and who probably isn't from 2099).
This week, Chris and Matt get a little sidetracked while talking about Batman Eternal #4, which is scripted by John Layman and has art by Dustin Nguyen, and get into a discussion about writing comics like TV shows. After that, their discussion about Southern Bastards #1 by Jason Aaron and Jason Latour weirdly heads into a discussion about Bruce Jones' Incredible Hulk run. Finally, they talk about CMYK #1, and some of the controversy around it.
It was beginning to feel like Jason Aaron and Jason Latour were holding back. Not holding back their talents, obviously, but not showing us just how savage they could be. In the year and a half since the conclusion of Scalped, Aaron has written a slew of great Marvel books. After the last issue of the razor-sharp Loose Ends, Latour penned an arc of Winter Soldier and is now taking on Wolverine and the X-Men. Since the ends of their respective creator-owned series, everything that each creator has done has been top-notch superhero comics. But they were still superhero comics.
As great as their work in superheroes may be, Aaron and Latour have done their best work far outside that realm. In their best books, bullets kill you dead, horrible people do horrible things, and there always seems to be a redneck around the corner. After hanging around the superhero world for a while, the pair team up for a trip down south with the new redneck crime series Southern Bastards. And baby, it feels like going home again.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
Tuesday marked the second annual Image Expo, the banner event where Image Comics announces its slate of upcoming projects for the year to come. Last year's expo featured announcements of a slew of new comics; this year's had a similar abundance of news, so much of it from established Marvel creators that comics creator Phil Hester took it upon himself to (probably jokingly) announce via Twitter that Marvel's creator-owned imprint Icon "is done."
Last year Marvel launched Infinite Comics, a digital comics initiative designed specifically for mobile devices, for the purpose of creating content meant to take advantage of the creative and technological opportunities those devices provide. The idea behind