Movie rumors on the Internet are notoriously difficult to verify or confirm. (What I've started referring to as the Katee Sackhoff Incident is proof enough of that.)
So take this with the appropriate grain of salt: Collider, citing unnamed sources, is reporting that Marvel Studios is moving ahead with an Inhumans movie, with a script written by Joe Robert Cole, a writer who worked his way through the studio's in-house writing program.
Guardians Of The Galaxy just enjoyed a very successful weekend at movie theaters, taking home around $94m, far in excess of expectations. The movie also stands at 92% positive reviews on aggregator site Rotten Tomatoes, joining all previous Marvel Studios movies in receiving predominantly favorable notices.
Marvel Studios is doing very well. In six years and ten movies, it has avoided both critical and commercial disasters, and frustrated naysayers who hailed the demise of the superhero movie at every step. Marvel's rivals at Fox, Sony Columbia, and Warner Bros, have enjoyed commercial success as well -- but not with the acclaim, consistency, or proliferation of Marvel. So how does Marvel do it, and can they keep doing it?
Director James Gunn's Guardians Of The Galaxy is a big gamble for Marvel Studios. It's an unknown quantity even to most comic fans. It's a space opera at a time when non-Lucasfilm space operas don't perform well. It's a movie with a talking raccoon at a time when even Disney princess movies don't have talking animals.
Of course, all of Marvel's movies have been gambles. Iron Man wasn't a household name, despite how we think of the character now. Thor was a sci fi fantasy movie -- what could be worse? Captain America seemed an impossible sell for overseas markets. Bringing those franchises together for Avengers? Insanity. Marvel Studios' safest bet was probably Hulk -- a household name and a proven quantity -- and that's been the studio's weakest performer. So it looks like the big gambles are where Marvel excels. If Guardians Of The Galaxy is the studio's biggest gamble to date, it makes a weird kind of sense that it's also one of the studio's most delightful successes.
With hundreds of panels to choose from at San Diego Comic-Con, the show can be an overwhelming experience — and it’s far too easy to miss a panel you think you might have loved, or to find yourself on the wrong side of the con floor five minutes before a great panel is about to start!
Take heart, brave reader. ComicsAlliance has sifted through the schedule to offer up our pick of the best programming at the con. Today we offer our suggested highlights for day three, Saturday July 26, 2014 — with an emphasis on comics programming. We’ll also let you know where and when you can find ComicsAlliance contributors at the San Diego show.
Marvel Studios and director Edgar Wright have both been pretty mum about the reasons for why they ended up parting ways on the Ant-Man movie, but Marvel Studios head Kevin Feige did open up a bit to The Guardian last week to try to quash some of the scuttlebutt about Wright's vision being too out-there for Marvel.
This week's issue of Entertainment Weekly goes behind the scenes on the set of the Avengers movie sequel Age of Ultron, directed by Joss Whedon -- and the cover offers a first glimpse of the movie version of the tin-plated villain who'll be giving the Avengers so much trouble. Or, technically, versions.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
As we reported on ComicsAlliance last week, Rosario Dawson has joined the cast of the Netflix Daredevil TV show in a guest role -- but Marvel won't say who she's playing. Bleeding Cool guessed Elektra. Our own Matt D. Wilson suggested Milla Donovan. Multiversity Comics put their money on Maya Lopez. Speculation is rife, and nobody really knows anything.
The only clues we have to go on are Dawson herself -- a New Yorker in her mid-30s with Afro-Caribbean roots -- and a brief description of her role; "a dedicated young woman whose quest to heal the wounds of Hell’s Kitchen brings Matt Murdock unexpectedly crashing into her life, while her own journey forever alters the course of his battle against the injustices of this broken city."
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