This weekend, the Hugo Awards nominations were announced, and almost every category was affected by the "Sad Puppies" campaign, which encouraged anti-liberal voters to push specific works by conservative authors. While every award event with nomination voting has people pushing for votes in specific directions, this systematic approach to affect every single category and make it less about the quality of the work has made these nominations pretty useless. The good news is that the campaign had very little effect on the "graphic story" category, which covers comics, but the Sad Puppies voters did manage to get their one selection in that category into the nominations as well.
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All-New All-Different Avengers is one of two Marvel Free Comic Book Day titles, alongside Secret Wars #0, and while the latter sets the stage for Marvel's multiversal summer event, the former is our first look at what the new Marvel Universe will look like after Secret Wars --- so of course, Marvel is only telling us so much. The publisher has now revealed a cover for the Free Comic Book Day All-New All-Different Avengers comic, but most of the cover remains in silhouette.
Still, that won't stop us from wildly speculating (and maybe even making some informed guesses).
Marvel has announced a new bi-monthly book called A-Force Presents that will collect issues of various Marvel comics featuring female heroes in trade paperback format. Rather than the traditional collection of a single storyline, these collections will be more of sampler of what's going on at Marvel at any given time. This is a great idea from Marvel, and a really exciting example of how the publisher is taking women seriously as an audience.
Next Saturday at the Long Beach Comic Expo the first ever winner of the Dwayne McDuffie Award for Diversity will be named, and today the organizers revealed an impressive roster of nominees that includes a tribute to the first Chinese-American superhero, a blaxploitation revival, and the most prominent Muslim superhero in North American comics.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions.
In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
Boom Studios has a reputation in the comics industry for publishing an increasingly diverse group of books and creators. This commitment to diversity in genre and people is reflected in an all-new initiative the publisher announced today in Previews with a letter from founder Ross Richie. While 2015 is the 10th anniversary of Boom, the publisher wants to talk about what's next rather than what's come before. They call this discussion of the future Push Comics Forward and they don't want it to be only about Boom.
Push Comics Forward is Boom's way of focusing on the ongoing conversation about diversity and the future of the industry. To learn more about this initiative and what to expect from Boom for the next ten years and beyond, we spoke with Editor-in-Chief Matt Gagnon.
Street artists in San Francisco are using Kamala Khan (aka Marvel's Ms. Marvel) to block out bus ads from the "American Freedom Defense Initiative" that compare Islam to Nazism. The art pasted over the ads features Kamala saying things like, "Calling all bigotry busters," and, "Free speech isn't a license to spread hate." The protest was organized by the group Bay Area Art Queers Unleashing Power, which runs the Facebook page where photos of the improved ads appeared, Street Cred - Advertising for the People.
Marvel publisher Dan Buckley gave a three-part interview with comic industry blog ICv2 this week in which he discussed the company's performance in 2014 and its strategies for the year ahead. The interview ranged across digital sales, graphic novel sales, and the impact of the Marvel movies on the comics -- but of particular interest to ComicsAlliance were Buckley's comments on reaching a more diverse audience of new comics customers.
While acknowledging that Marvel and the industry at large has never done much consumer research, Buckley said the company has been "aggressive in trying a lot of diverse product over the last two years," as part of an initiative spearheaded by Editor-in-Chief Axel Alonso. According to Buckley, the results of that outreach have been very positive.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions. In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
I'm not excited for Sam Wilson as Captain America, and I'm not excited for a female Thor.
Now, I don't think these are totally wrongheaded things to do. I admire the impulse behind these changes, and I believe they come from a good place. In the abstract sense, I love the idea of Marvel featuring, in big, bold style, the adventures of a black man and a woman against the hordes of iniquity. I believe at least part of the motivation behind these changes is genuine in its altruism, and that it is not entirely invalidated by profit-seeking impulses. I want to believe in this initiative. I want to be excited. I do not want to be the curmudgeon in the corner, needlessly nitpicking everyone else's good time to pieces.
But it feels like a gimmick, and functions like a gimmick, and that’s because it is a gimmick. I give it perhaps two years — two years that only the most hard-core aficionados will end up able to recall, alongside their recollections of the foil covers era and that one time Doc Ock was Spider-Man.