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Peepo Choo

From ‘Peepo Choo’ To ‘Ghost Rider’: The Unusually Cool Career Of Felipe Smith [Interview]

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Felipe Smith lived the dream of a thousand starry-eyed DeviantArtists when, in 2008, his nerd-skewering masterpiece Peepo Choo debuted at Kodansha-owned manga magazine Morning 2. When asked about what went into accomplishing this feat — becoming fluent in Japanese, keeping pace with the manga industry’s rigorous schedule, being an American noticed by the manga industry at all — Smith is all shrugs and smiles. His work spans the globe, he’s completely reinvigorated Marvel’s Ghost Rider, and, as friends pop by his booth, he slides smoothly in and out of the three languages he speaks, but you know, no biggie. Smith takes it all in his stride.

Peepo Choo, a gleefully lurid tale of cultural fetishization, yakuza, teenage boys, and gravure idols, lies far afield from Ghost Rider in terms of content. But Smith’s zingy, earnest voice unites the two works, and it is this voice that makes Smith such an exciting creator with such a tantalizingly unpredictable future. ComicsAlliance sat down with him at San Diego Comic-Con to discuss living and working in Japan, nerd culture around the world, and what Robbie Reyes brings to the superhero table.

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Don’t Ask! Just Buy It! – December 22, 2010: He Will Hit You With His Axe

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Savage Critic and "Reading Comics" author Douglas Wolk runs down the hottest comics and graphic novels coming out this week.

KEY
* Hero vs. the supernatural
% Hero vs. technology
^ Hero vs. thing with tentacles
¢ Her

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