2012's Dredd was easily one of the best comic book movies of all time, and it's a testament to just how good it was that it left fans wanting more --- not just from Judge Dredd in general, but from that particular version of the character, portrayed by actor Karl Urban. Unfortunately, it doesn't seem like we're going to be getting another big-screen take soon, but the good news is that there are some pretty awesome stories set in the movie's universe.
This week sees the release of Dredd: Urban Warfare, the cleverly named collection of three movie-verse stories that originally ran in the pages of Judge Dredd Megazine. To mark the occasion, we spoke to writer Arthur Wyatt about his work with Henry Flint and Paul Davidson, how they nudged the movie's take a little closer to sci-fi, and the interesting timing of a story about crooked police provoking riots.
Just a few days ago during an interview about Cosmic Scoundrels, Matt Chapman mentioned that one of his favorite comics was 2000 AD's very own lawman of the future, Judge Dredd. This got me to wondering what would happen if Chapman's other co-creations, the cast of Homestar Runner, were mashed up with the Judges to give us characters like Judge Bad or, the one I wanted to see most of all, Judge Sad.
Sadly, we live in a world where that has yet to happen, but the good news is that artist John Cullen stepped up to the plate to provide the closest -- and most awesome -- equivalent: Judge Sadd, a grim-faced Mega City Judge who fights the scourge of future crime... with hugs.
You might know Mezco from its diverse line of figures ranging from Axe Cop and the DC Universe to TV shows like Sons of Anarchy and Breaking Bad. While the company has mostly worked in the more standard (read: affordable) action figure market in the past, Mezco's new One:12 Collective line has a more high-end collector in mind.
Last year, Mezco announced its first One:12 Collective figure, Batman from The Dark Knight Returns. Now, ahead of Toy Fair 2015, the manufacturer has provided new images of the second figure in the One:12 Collective line--none other than Mega-City One's Judge Dredd.
The last twelve months offered comic book readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies, and the return of old favorites to the emergence of exciting new talent. It was a busy and productive year for the industry, and one we’re pleased to celebrate with what we’re certain will be an uncontroversial, unenumerated list of awards that will prompt only resounding agreement and unbroken fellowship amongst our readers in the comments below.
Whether there's ever going to be an official sequel to 2012's Dredd is up in the air, but in the meantime, producer Adi Shankar is doing his best to keep the franchise going with a series of "bootleg" short films. The latest of the bunch is an animated miniseries called Superfiend, and it looks bananas.
I'm going to go ahead and assume that if you're reading this, you're probably already familiar with Grant Morrison. That said, even if you've gone back and read through everything from Animal Man on up trying to put together a comprehensive, unifying theory of his work, then there's still a piece of the puzzle that you might be missing: Zenith, the story about a teenage superhero that he and Steve Yeowell created in the pages of 2000 AD. Aside from a limited edition hardcover that sold out quick last year, it hasn't been reprinted until this week, when 2000 AD released it as the first title that they've ever simultaneously printed on both sides of the Atlantic.
There are a lot of things that happen regularly in comics that I've never really understood, and chief among them has been the sheer number of superhero crossovers with Aliens and Predator. I mean, I understand wanting to see Aliens and Predators fight each other because they're both these mysterious, lethal alien enemies, where one's a cunning, vicious hunter and the other's an almost mindless biologically driven killing machine, a natural contrast that makes them cool opponents for each other and a deadly combination for anyone who gets trapped between them. The thing I don't get is why you'd want to throw Superman or Batman in there, if only because of the sheer amount of storytelling gymnastics you have to do to make it work. And yet, they happen all the time, and I have long since accepted that it's Just Not My Thing.
And then I read Predator vs. Judge Dredd vs. Aliens, and now I get it. Mostly because the first story in this collection ends with Dredd taking off his shirt (while leaving his helmet on, of course), and fighting the Predator with a knife.
The way I've always understood anthology series is that you never want every story to end at the same time, because the idea is that by chaining everything together, the reader never has a chance to jump off. That might sound mercenary, but really, it's just simple economics: If everything you're into ends all at once, then you've got a lot less incentive to come back for the next issue. Right? Right.
Well, it seems that last week's issue of 2000 AD went against that little bit of conventional wisdom by capping off every story that they had going so that they could set up this week's offering: Their 1900th issue, which celebrates the milestone by launching three new stories, and provides a perfect jumping-on point. If you haven't been reading 2000 AD and want to see what all the fuss is about, this is the issue to get -- and you should definitely get it, because all three stories are pretty awesome.
With more than 200 panels to choose from at San Diego Comic-Con on Thursday alone, the programming at the show can be completely overwhelming -- and it's far too easy to miss a panel you know you might have loved, or to find yourself on the wrong side of the con floor five minutes before a great panel is about to start!
Take heart, brave reader. ComicsAlliance has sifted through the schedule to offer up our pick of the best panels, screenings, and events, starting with programming for Thursday 24th July -- with an emphasis, of course, on comics programming.
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