Q: Why do you think the X-Men didn't find their audience until two decades after they were created? -- @godofthunder851
A: I've got a minor quibble with your timing in this question -- it was more like 12 or 15 years, really -- but you've got an interesting point there. I think most comics readers are well aware of that piece of trivia about how the X-Men were about to get the axe before Giant Size X-Men #1 breathed new life into the franchise and set them on the path of becoming what was probably the single most popular and influential franchise of the '80s and '90s, and that's not really how things usually work. In comics, you tend to either come out of the gate to massive, enduring popularity (like Batman or Spider-Man), come out strong and then fade away for whatever reason (like, sadly, Shazam!), or just sort of flounder in the midcard. It's rare that something sticks around on the edge of being canceled for a solid decade before it finds its footing, and nobody bounced back harder than Marvel's Merry Mutants.
But really, what you're asking here is two separate questions: Why didn't the X-Men take off in 1963, and why did they in 1975? So let's look at the history and see if we can't figure it out.
Q: Who is the best wrestler in Marvel or DC? -- @Mike_Zeidler
A: I'll be honest with you, folks: Over the past week, I have pretty much done nothing but watch the new WWE Network for five straight days, so it was a foregone conclusion that this week's column was going to be about pro wrestling. It was either this, or a lengthy examination of what the tag team tournament from Starrcade '89: Future Shock had in common with Secret Wars II, and I don't think any of us want to sit through that.
Now, I've written about comics that were about pro wrestling in the past, but if we're talking about which mainstream superheroes would fare best inside the squared circle, well, there's certainly an obvious answer.
Q: Let's say I know nothing about the Metal Men except some of their names. Should I care about those guys? -- @_lexifab
A: On the off chance that you're wondering why this is the week that people are asking about a relatively obscure team of disposable superhero robots now, I'm going to go ahead and guess that it has something to do with their return in the pages of the brand-new Justice League #28. That's a book that I approached with a whole lot of cautious optimism, because I've been a fan of those characters ever since I was a kid. One of the very first comics I ever read was that John Byrne issue where Chemo absorbed Superman and became a giant lime green Superman that shot toxic waste out of his eyes and straight up killed one of the heroes. When you see that at five years old, that's the imagery that's going to stick with you.
So yeah, I'd say you should definitely care about the Metal Men, even beyond just my childhood affection for 'em. Not only are they one of the most perfect concepts in superhero comics, but they're also one of the most interesting, on the page and behind the scenes.
Q: Since you hate Frozen so much and are stuck in an ice storm, what are some good stories about snow and ice? -- @prograpslady
A:Those harsh words I had for Frozen are going to follow me to my grave, aren't they? Listen, I'm glad you like your little movie about ice puns and slapstick snowmen and I would never take that enjoyment away from you. I just like things that are, you know, good. It's not necessarily that you're wrong, it's just that I have more sophisticated and refined tastes, which is why I like the finer things that cinema has to offer. Like, say, any movie that prominently features a dirtbike or karate.
Anyway, it's true: As I write this, I'm bundled up in a Batman snuggie (the blanket with sleeves and a utility belt) with snow on the ground and ice on the roads. This, of course, is pretty unusual for my home state of South Carolina, so I've been thinking all day about stories where a bitter winter plays a central part -- and really, there's one that stands out right at the top of the list. From Walter Simonson's Thor, the story of Malekith and the Casket of Ancient Winters.
Q: Where do you stand on the modern day love affair with "the toughening" of Alfred Pennyworth? -- @danceformyhorse
A: I've joked before about how I love Alfred more than most people love Batman, but let's be real here: that's only half-joking. Alfred is easily one of my favorite characters in comics, and I could happily read an entire series about the adventures of the Batman's Gentleman's Gentleman, even if it just focused on the problems of how to keep a robotic Tyrannosaurus and a giant penny from getting too dusty while cleaning up Batman's anti-crime basement. So believe me when I tell you, friends, the idea of a tough-as-nails Alfred Pennyworth is far from a modern invention.
Q: What's your take on Wolverine and his many girl sidekicks? Do you think it's important for their stories, and who's best? -- @manuel_mc89
A: I think it's been well-established over my time here at ComicsAlliance that I have a whole lot of affection for the X-Men, and Wolverine in particular. I love that guy, mostly because it was basically unavoidable that I would end up becoming a fan of a dude who could punch you with knives and rode around on motorcycles and didn't play by the rules, man. I mean, I was ten years old in 1992. That I didn't also enter my teenage years as a huge fan of Cable and Shatterstar (his sword has two blades!) is basically miraculous.
Point being, Wolverine's great, and on the list of things he does that I'm always eager to see, mentoring younger characters is right up there with stabbing hundreds of ninjas. And folks, I like Wolverine stabbing ninjas a lot.
A: Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it's also one of those things that, once you start paying attention to it, you'll never be able to not notice it again. I'm not exaggerating even a little bit when I say that it's one of those things that can absolutely ruin a comic if it's done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated.
The thing is, when it's good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.
Q: Why is it that Robin has endured as Batman's teen sidekick, but Jimmy Olsen hasn't as Superman's? -- @doubting_tom
A: I don't know why, but for some reason, I got a lot of questions this week about sidekicks in general and Robin in particular, but this one stuck out for a pretty obvious reason, which is that I really, really like to talk about Jimmy Olsen. It's weird, though, Tom, because you're absolutely right: As much as I might love the guy, he's often ignored in and minimized in superhero stories, something that doesn't happen a lot to someone who was once a fixture of the cast who was popular enough to hold down a solo title for 150 issues. Meanwhile, we're up to our pointy bat ears in Robins, ex-Robins, dead Robins, potential Robins and Future Robins. It seems a little imbalanced.
But at the same time, there's definitely a logic to it, and there are a lot of reasons that those two characters have ended up how they did. It has to do with when they showed up, the role they fill in the story, how they've changed over the years, and the idea that maybe Jimmy Olsen isn't really a sidekick at all.
Q: What is Stan Lee's actual legacy? -- @TheMikeLawrence
A: I don't think there could be a more complicated subject to tackle in a single column than this one, because as an industry and as an art form, I think we all have a lot of complicated feelings about Stan Lee. Depending on who you ask, when you ask them and what he's been up to lately, he's a conniving credit-stealer, a shameless self-promotion machine, a "driven little man who dreams of having it all!!!" and got it by coasting on the hard work of others, or he's a charismatic innovator who got put into that spotlight because he's a natural showman, a smiling ambassador of the medium and everybody's friendly comics grandpa. And it's further complicated because you can't really talk about him without talking about collaborators like Jack Kirby and Steve Ditko, either.
That's what makes him hard to talk about, even if you've spent nearly your entire life being aware of him. There's just so much to get through that's filtered through so many angles, and as a result, I genuinely think that he's simultaneously the most overrated and underrated creator of all time.
Q: Do you think that, for all their superficial campiness, the Adam West Bat-villains are actually the least likely to reform or even feel bad about the crimes they've committed? -- lego-joker
A: I'll be honest with you, folks: I got this question on Tumblr a few days ago, and while I wrote a (relatively) brief answer over there, it's something I've been thinking about ever since. Fortunately, it's my column, which means that the only rule is that there are no rules. And, you know, the weekly deadline. That is a pretty serious rule if I intend to stay employed.
Point is, there's a very simple answer to this question, which is that it's absolutely right. The arch-criminals of Batman '66 will never, ever reform, mostly due to the fact that nothing is ever meant to change on that show. There's a status quo that has to be maintained, one that's even more strict than the one in the comics. But at the same time, that lack of momentum says a lot about how those characters and the world in which they live are constructed.
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