One of the great strengths of DC's digital-first line of comics is that it's a showcase both for emerging talent and for some unorthodox storytelling approaches. DC's digital wing plays to the strengths of the anthology format, telling the sort of stories that the main line just isn't interested in telling. For a character like Wonder Woman, an icon beloved by a lot of people who aren't invested in the rigmarole of month-to-month continuity, the approach is especially liberating.
The latest writer to tackle Wonder Woman for the digital-first Sensation Comics series is Amy Chu, an up-and-comer who we've profiled in the past. Chu has collaborated on short stories with Larry Hama, Steve McNiven, and Janet K. Lee, and has self-published her comics through her Alpha Girl Comics imprint. Her Sensation Comics story, 'Rescue Angel,' tells a Wonder Woman tale with a focus on a different female warrior, a young combat pilot, with art by Bernard Chang and colors by Wendy Broome.
If you've been wondering why people have been asking you "a/s/l?" all day and then following it up with a friendly "haha nice," it's because it's Cyber Monday! Today, we all set aside a little time for the tradition of shopping as our ancestors did so many snowy winters ago: on the internet in pajamas. Truly, it is the most wonderful time of the year.
To that end, a lot of your favorite online retailers are having sales today, including the digital comics retailers at Comixology! In fact, there's so much on there that we have decided to take it upon ourselves to guide you to the best of Comixology's Cyber Monday Sale!
When ComicsAlliance first heard that Gilbert Hernandez would write and draw a Wonder Woman story for DC's digital first Sensation Comics series, we were excited to see what the master Love & Rockets illustrator would would do with the character. We also assumed he'd be the author of the story about Wonder Woman as a rock star.
Anyone following Sensation Comics now knows that the rock star story was Margeurite Sauvage's excellent work, while Hernandez spun a tale about a brainwashed Diana going toe-to-toe with fellow heroes Supergirl and Mary Marvel. The first half of his two-parter, "No Chains Can Hold Her," is already available. DC sent us this exclusive preview of part two, available this Thursday.
Readers demand a lot from superhero comics: consistency, continuity, adherence to the rules of the universe, compelling heroes, magnetic villains, satisfying endings, and the list goes on.
But those of us who have been reading for years (if not decades) are chiefly looking for one big thing above all else: novelty. We want to see something we’ve never seen before; characters we recognize as the heroes and villains we love being put into scenarios and settings wholly unlike what’s come in nearly 80 years of superhero comics.
That’s notoriously hard to do. Many times, stories end up being very similar to what’s come before, and when creators do try something new, they elicit complaints from readers who don’t like particular changes or decisions. But what if you could strip away those pressures and build a superhero comic that’s so strange and unique that it’s a must-read?
That’s what Jiro Kuwata’s 1960s Batman comics, currently being republished as the DC Digital Series Batman: The Jiro Kuwata Batmanga, are. A strange combination of classic Batman comics, the 1960s Batman TV-show, Marvel-Age science-based storytelling, mysticism, cartoon physics, Tokusatsu, and of all things, Scooby-Doo, it isn’t like any comic I’ve ever read. It’s endlessly surprising, and I love it.
Like so many major films released these days, ‘Interstellar’ has a comic book tie-in. But unlike most comic book tie-ins, this one is actually written by the original film’s director and is premiering online. And yes, you can read the whole thing right now, free of charge. We’re going to jump straight into spoilers right at the end of this sentence, so if you haven’t had a chance to see Christopher Nolan‘s science fiction adventure yet, you may want to consider turning around.
This week's creative team is comprised of longtime Warner Bros. Animation talent Michael Jelenic, best known for his work on Teen Titans Go!, Thundercats, and, of course, the animated Wonder Woman feature film. He's joined by veteran comics artists Drew Johnson and Ray Snyder, alumni of the famous Jolly Roger Studio, and colorist Lizzy John, whose work we've seen before in Archaia's line of Jim Henson Company comics and graphic novels. The cover comes courtesy of illustrator Paul Davey, whose contribution here represents his first comic book work, as far as I know.
As you can see in this exclusive preview, the team's story falls along the lines of the traditional adventure story with the kind of mythological, majestical scale to which Wonder Woman lends herself so well.
The Humble Bundle continues to be one of the best values in comic books, and as you might expect, this week they've turned their attention to the morespoooooky side of things. And by that, I mainly mean comics where Pinocchio uses his endless wooden nose to stab vampires.
In addition to several books without pictures -- which I find strange and frightening -- the current Horror Book bundle added a bunch of horror comics today, including The Mocking Dead by Fred Van Lente and Max Dunbar, a volume of Valiant's Shadowman by Peter Milligan and Roberto de la Torre, the first omnibus of Dark Horse's Buffy the Vampire Slayer comics, the first two issues of Roberto Aguirre-Sacasa and Francesco Francavilla's Afterlife With Archie, and more.
If you're the kind of person who keeps up with news about people spending truly massive amounts of money on comic books, then you're probably aware that there was a copy of Action Comics #1 rated at 9.0 that sold for $3,000,000 earlier this year. On one level, that makes sense. It is, after all, an incredibly important historical artifact, featuring the first appearance of Superman and Lois Lane in a story that kickstarted the entire superhero genre. On the other hand, if you really want to read that comic, you don't need to spend three mil. You can get it for like fifteen bucks.
Either way, the CGC corporation put the entire issue online to read for free -- presumably to prove that these crisp, unblemished pages really are as good as they say they are -- and there's a lot more in there than just Superman, whose first appearance has naturally overshadowed the numerous other short features contained in this most coveted comic.
Those of you who keep track of the ComicsAlliance staff for shipping purposes may have been wondering what former editor Caleb Goellner has been up to since he left the site earlier this year. As it happens, he's been over at Wacom, and while working on tablets used for digital art is still pretty close to comics -- indeed, many comics artists use the technology to create their comics -- the company is nudging even closer with the announcement of the first-ever Wacom comics anthology.
Built around the theme of "Pressure/Sensitivity" (geddit?), the anthology will feature the talents of cover artist and ComicsAlliance favorite Ulises Farinas with stories by the equally esteemed Meredith Gran, Ming Doyle, Giannis Milanogiannis and more. Even better, the 32-page anthology will be free to download when it's released in January.
On November 19, DC Comics will release Batman '66: The Lost Episode, a bookshelf-format one-shot by writer Len Wein and penciller José Luis Garcia-López -- superhero comics legends, both -- adapting a previously-unknown story that Harlan Ellison wrote for the classic Adam West and Burt Ward TV show: the introduction of Two-Face. The project is a very special companion to DC's popular and critically acclaimed digital-first Batman '66 series. In addition to its prestigious veteran storytellers, the book also features inking by Joe Prado, colors by Alex Sinclair and cover art by Alex Ross, all industry leaders in their disciplines.
At New York Comic Con this past weekend, we had the opportunity to sit down with Wein and discuss the origin of the project, his friendship with Ellison, and the experience of adapting an unfilmed television episode into the comic book format.
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