Do you have burning questions for writer Brian K. Vaughan? Well, good news, because for most of the day today, he's taking over the Panel Syndicate Twitter account and answering people's questions. Just last week, Vaughan and artist Marcos Martin finished their 10-issue maxiseries The Private Eye that they offered under a "pay-as-you-like" model on the Panel Syndicate website. In addition to answering questions, Vaughan is talking about comics he likes, posting videos, and more. He promises no spoilers during his tweeting today, though, so if you haven't read the series yet, you can still check out the feed.
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Yesterday, Karla Pacheco and Steve LeCouilliard launched a brand new comic called Dreadful Sirens based on real female pirates Anne Bonny and Mary Read, which their website promises will be updated weekly at DreadfulSirens.com. It is pretty darn NSFW (even the website before you get to the comics is NSFW) but also pretty great. Dreadful Sirens is a webcomic in that it is on the web, but you have a few options to view it, including reading or downloading through Gumroad and their pay-what-you-like option. This way you can get great, entertaining, apparently misandrist comics for a price you can afford!
Symbolia magazine, the digital comics journalism brainchild of Erin Polgreen (editor and publisher) and Joyce Rice (creative director), just announced that their current issue will be their last. The issue just released is titled "The Future" and sadly marks the end of the magazine's two year run.
When Symbolia began two years ago, the landscape for comics was very different. Particularly when it came to comics journalism (in this case meaning journalism in the form of comics, not journalism about comics), Symbolia's mission was an ambitious one.
Editor Hazel Newlevant is running a Kickstarter campaign for a comics anthology titled Chainmail Bikini, in which women cartoonists create stories about gaming. Given the current environment of the gaming community, this project is a welcome move away from death threats and pathetic anti-"SJW" rhetoric towards a pure expression of love for the medium of games.
Back in 2013, comic book writer Greg Pak, musician Jonathan Coulton and artist Takeshi Miyazawa launched a Kickstarter campaign to fund a comic book adaptation of Coulton's songs called Code Monkey Save World. If you're familiar with Coulton, it probably won't surprise you to learn that the campaign blew through its $39,000 goal in less than twelve hours, and went on to blow through a bunch of stretch goals --- one of which included Pak and Miyazawa producing a children's book based on Coulton's "The Princess Who Saved Herself."
If you were a backer (and I was), then you got that children's book today in a digital format, but the team isn't quite done with it yet. They've launched a new Kickstarter with a goal of producing a physical copy of the book, and to find out why, I spoke to Pak and Coulton about the response to their initial campaign, the origin of the project, and what they hope to get out of it.
You know, just once it might be nice for humanity to awaken an ancient and forgotten threat to the planet that has mellowed out in the years that it's been sealed away, and doesn't want to destroy the planet when it emerges from its eternal slumber. I mean, yes, that would probably not give us a very entertaining story, what with the lack of conflict, but who wouldn't want to see elder unknowable horror from the stars maybe getting a cupcake or catching up on Netflix instead of immediately trying to destroy us for the hubris of our species?
Alas, that is not the case for the characters in Jerry Frissen and Peter Snejbjerg's World War X, in which a set of ancient artifacts unleash monsters poised to annihilate the entire human race in a war that we are clearly not ready for. The Netflix queue, it seems, will remain unwatched.
You don't have to look too hard to see the prevalence of difficult father-son relationships in the work of Jason Aaron. In Scalped with R.M. Guera, Dashiell Bad Horse was adrift in a sea of father figures, unable to choose his own path and incapable of avoiding the same fates that befell the father who left him. In 2014, Aaron launched Southern Bastards with Jason Latour, about a conflicted man who returns to the home of his dead father, a legendary lawman; and Men of Wrath with Ron Garney, is about a father-to-be on the run from his own dad, a hired killer.
Despite the prevalence of the topic in comics, Aaron has carved out his own niche when it comes to father-son relationships, with an unflinching perspective that rings truer than most.
If we're going to be honest with each other, I'm going to go ahead and admit that I am a fundamentally lazy person. Sure, I'll leave the house for the essentials, like food or comic books, but in a perfect world, those things would just show up at my front door, as though magic was involved.
Fortunately, we are inching ever closer to that beautiful world, thanks to an interesting new service from Retrofit that allows readers to subscribe to year's worth of the publisher's comics, including full-length graphic novels and an art book, for $75, including new work from Box Brown, Maré Odomo and more.
At this point, I'm going to go ahead and assume that you're already familiar with Copra, the amazing tribute to Suicide Squad written, drawn, lettered, and published by Michel Fiffe. I mean, it's pretty consistently been one of ComicsAlliance's picks for the best thing going since it started. Unfortunately for newer readers, there was a while where it was pretty difficult to jump on.
Owing to its nature as a self-published project, the single issues of Copra have been extremely scarce -- especially the early ones with a very limited print run. Thankfully, now you can get the whole thing. This month, Copra: Round Two is being solicited, collecting #7 - 12 of what Fiffe calls "The Juggernaut of Violence" and finishing the book's debut story.
I think it's safe to say that we've all gotten used to the idea of webcomics making the transition into print, whether it's through a Kickstarter campaign or being picked up by a publisher. It happens all the time, but it's a whole lot more rare to see it go the other way around, with a printed comic going up on the web -- which is exactly what's happening this week with Brian Clevinger and Scott Wegener's Atomic Robo.
After seven years of science adventures across multiple eras, Atomic Robo is transitioning to a full-time webcomic at Atomic-Robo.com on Wednesday, January 21, The whole series will be online for free, building up to the debut of the tenth volume, Atomic Robo and the Ring of Fire, this Summer.