After selecting the best sci-fi movies of the last 25 years and the best comedies of the last 25 years, ScreenCrush decided the only logical way to wrap up the #CountdownToUltron and Avengers 2 was to choose the best superhero movies of the last 25 years as well. Initially, this was just supposed to be a brief essay. But on an innocent field trip to the world’s most advanced genetics lab, this blog post was bitten by a radioactive list and transformed into the gargantuan piece you see before you. On that day, we all learned a valuable lesson: That with great power must come great listicles.
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By now, it's the "slut" heard 'round the geek world: during their press tour for Avengers: Age of Ultron, actors Jeremy Renner and Chris Evans referred to Black Widow respectively as a "slut" and a "whore." They've since apologized - well, Evans apologized, Renner offered something else. Plus, a new clip from the movie reveals a rape joke - something proud feminist Joss Whedon should know better than doing. But is the fuss about these things worthwhile?
Well, yes. Words have meaning. And the words chosen by Renner, Evans, and Whedon in these situations happen to be words that demean women. When Black Widow is routinely left off of Age of Ultron merchandise, the fact that major players in the movie chose these words is extra uncomfortable.
Q: Batman RIP: What's going on in this book? I like Morrison, but I do not follow the plot. -- @daingercomics
A: My friend, you have come to the right place. I generally think Grant Morrison gets a bad rap for writing superhero stories that are too complex --- a complaint that you see about almost everything he writes going all the way back to "Rock of Ages" in JLA, and probably back to Animal Man if you go looking for it --- but R.I.P. is a story with a whole lot of moving parts that can be pretty hard to keep track of unless you're the kind of person who has been obsessing over the details of 75 years of Batman comics for their entire life.
Fortunately for you, that's exactly what I am, which is one of the reasons that Batman R.I.P. is probably my favorite Batman story of all time.
Yesterday, DC Entertainment announced a new consumer products line called DC Super Hero Girls, which will involve them teaming up with partners like Mattel, Random House, and Lego to create product for girls ages 6-12. This is a big deal not just in terms of comics, but in terms of licensed products for kids. But is this kind of gendered initiative what we need? Or is it, as some have stated, "pandering"? Unsurprisingly, I have a lot of thoughts on this matter.
I’ve never liked the Transformers. The franchise never really got its hooks into me when I was a kid, and while I’ve tried to give it a shot as an adult, it’s never really clicked. But now, with the recommendations of almost everyone I know and a well-timed Humble Bundle sale, I’ve found myself in possession of three years worth (and counting) of IDW’s More Than Meets The Eye and Robots In Disguise comics. I’m working my way through a story arc every week, and if I have to read about these robots, you’re coming with me.
This week, the Transformers split into two groups, and Rodimus's crew encounters the ultimate in alien terror!
Kamala Khan is a superstar now. Introduced only a year ago by Marvel, she’s become a bona fide figurehead for the publisher. A young Muslim girl in America who develops powers and uses them to try and help people, her story has caught on with a mainstream audience and turned the Ms Marvel series into a real, actual hit, especially among the growing digital readership.
What’s fascinating about the character, though, is how clearly she’s embedded into the tradition of superhero comics, and how you can draw a direct line from her back through Marvel’s history, to some of the company's most popular female superheroes. Kamala broke through at just the right moment in time, in just the right way, for the readership to embrace her, but she owes a debt to several characters that came before her.
ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: A dude name Bill who hangs out in the Congo.
He’s called “The Man Without Fear”: Blind New York City attorney Matt Murdock, who secretly lives a double life as Daredevil, the vigilante who protects the brutal streets of Hell’s Kitchen. On Friday, The Man Without Fear comes to Netflix in a brand-new original series that brings Marvel and its hugely successful Cinematic Universe to streaming television. Daredevil is the first of several Marvel shows on Netflix — but it’s not the first Daredevil show on television. In fact, The Man Without Fear made his TV debut over 25 years ago in a forgotten film that was nonetheless a significant moment in Marvel’s transformation from comic-book publisher to one of the most powerful studios in Hollywood.
We presume you know all about Ultron by now. He's big and shiny and angry. But, what of Quicksilver and Scarlet Witch? In the trailers and posters we see them fighting alongside both Ultron and The Avengers. Are they good? Bad? Who are these guys?
ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: Faster than a speeding bullet, the Man of Steel arrives on the big screen.