The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, Xavier battles against the Shadow King, something that I'm sure we'll all care about eventually if they keep talking about it.
This week, Chris and Matt gush about the amazing work Matt Fraction, David Aja, Matt Hollingsworth and Chris Eliopoulos do on the highly experimental and enjoyable Hawkeye #19. Then they talk about the Brian Buccellato-written Detective Comics Annual #3, which features collaborations with a whole slew of artists. Speaking of big groups of artists, they then pivot to talking about the new Vertigo series Bodies, which is written by Si Spencer and has art by Meghan Hetrick, Dean Ormston, Tula Lotay and Phil Winslade.
Director James Gunn's Guardians Of The Galaxy is a big gamble for Marvel Studios. It's an unknown quantity even to most comic fans. It's a space opera at a time when non-Lucasfilm space operas don't perform well. It's a movie with a talking raccoon at a time when even Disney princess movies don't have talking animals.
Of course, all of Marvel's movies have been gambles. Iron Man wasn't a household name, despite how we think of the character now. Thor was a sci fi fantasy movie -- what could be worse? Captain America seemed an impossible sell for overseas markets. Bringing those franchises together for Avengers? Insanity. Marvel Studios' safest bet was probably Hulk -- a household name and a proven quantity -- and that's been the studio's weakest performer. So it looks like the big gambles are where Marvel excels. If Guardians Of The Galaxy is the studio's biggest gamble to date, it makes a weird kind of sense that it's also one of the studio's most delightful successes.
Saga co-creator Fiona Staples is one of the best cover artists in the industry, so it's no surprise that Marvel should want to borrow some of her magic for their new Thor series, by Jason Aaron and Russell Dauterman. And it's no surprise that the result is awesome, with the new Thor wielding the mighty Mjolnir to smash a frost giant right in his big frosty face.
With the still-can't-believe-they-actually-made-this-one Guardians of the Galaxy opening this weekend, it’s time again to break down the convoluted history of comics in the recurring feature we call Comics, Everybody! Courtesy of cartoonist Chris Haley of Let’s Be Friends Again and colorist Jordan Gibson, the subject of this edition has an uncommonly strong claim to the title of unlikely hero. Or at least, unlikely movie star. That's right, we're talking about Star-Lord, the Marvel Comics space hero created by Steve Englehart and Steve Gan.
Whether you’re new to Guardians and Star-Lord and curious to learn more about his ridiculous history or you’re a hardcore Marvel nerd looking to Um-Actually this feature into oblivion, you’ll be sure to enjoy this special tribute to the galaxy's newly famous nobody.
It's never a safe bet to think the United States Supreme Court will take on any particular case -- it only accepts a handful each year -- but the credibility of Jack Kirby's family's case against Marvel Comics got another big boost recently.
Attorney Tom Goldstein, the founder of SCOTUSblog, one of the most widely-read online sources for Supreme Court commentary, has opted to co-represent the Kirby family as it fights for copyrights for characters Kirby co-created between 1958 and 1963, which include the Hulk, the X-Men, the Fantastic Four, and a slew of others. Goldstein's name puts considerable muscle behind the Kirby family's claim, which Marvel has asked the Supreme Court to dismiss because it doesn't "merit review."
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
July's comic book covers bring some gorgeous high contrast images and striking character portraits. There's a moment of grief; a moment of action; a moment of reflection; and a moment of revelation. Check out amazing work from Christian Ward, Eleanor Davis, Tommy Lee Edwards, and Lucy Knisley.
Arguably the "biggest" announcement of Comic-Con weekend was Marvel's unveiling of the creative teams for its first three all-new Star Wars comics. The new books have been hotly anticipated since plans for Marvel Star Wars books were first announced back in January, shortly after the company's corporate parent, Disney, acquired Star Wars creator George Lucas' Lucasfilm.
Kieron Gillen and Salvador Larroca will team for a Darth Vader ongoing series; Mark Waid and Terry Dodson will author a five-issue Princess Leia miniseries; and Jason Aaron and John Cassaday have been named as the creative team for a Star Wars ongoing series. The three series will launch through the first quarter of 2015, each telling original stories set between the events of Star Wars and The Empire Strikes Back — the obvious place within the original trilogy to expand the universe and explore the characters.
The core Star Wars title from Aaron and Cassaday will naturally focus on the adventures of Luke Skywalker, Princess Leia, and Han Solo as they go up against Darth Vader’s imperial forces. To learn more about the project, ComicsAlliance spoke with Aaron and series editor Jordan D. White (unfortunately Cassaday was not available for comment before publication time).
Test footage from the unlikely-but-not-impossible Deadpool movie has been appearing and disappearing all over the Internet for the past few days, with a high-res version popping up on Vimeo (since deleted) and DailyMotion (the player above).
Here's what we know about it: director Tim Miller and actor Ryan Reynolds made the two minutes or so of footage back in 2012 to convince 20th Century Fox to greenlight a film. It hasn't convinced them yet, and Reynolds has been less than optimistic about the movie's chances in recent interviews. Fans can assume that if there had been (or could be) a Deadpool movie, it would have looked a lot like this. There's a lot to like about what's in here, and a few things that seem to be missteps. Let's take a look.
Last weekend at the "Women of Marvel" panel at San Diego Comic-Con, Marvel Comics announced a new ongoing Spider-Woman series that will debut in November, from writer Dennis Hopeless and artist Greg Land, which will follow directly on from events in the Spider-Verse crossover. We had the opportunity to have a quick chat with the creative team in the wake of the announcement, and ask a few questions about their plans for the series.
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