Batman's movie and TV adaptations have had varying degrees of success over the years, but one aspect of the DC Comics franchise that has been almost universally good for the past five decades or so has been the music.
As if to prove it, the Piano Guys -- a duo consisting of a pianist and a cellist (shouldn't they be the Piano and Electric Cello Guys?) -- have taken three iconic Batman themes, arranged them for their own instruments, and mashed them up in a really creative and compelling way. Not only that, they put it all in an absolutely beautifully shot video.
In case you haven't read it yet (and missed our review), Edge of Spider-Verse #2 by Jason LaTour and Robbi Rodriguez is a fantastic comic. It introduces an alternate-universe Gwen Stacy who become Spider-Woman and is on the run from the cops after being blamed for the death of poor old Peter Parker. It also involves an awesome element: A band called The Mary Janes, in which Gwen is the drummer, Mary Jane Watson is the lead singer/bassist, Glory Grant is the keyboardist, and Betty Brant plays lead guitar.
That'd be cool enough on its own, but a band called Married With Sea Monsters took it a step further. They've actually recorded a version of the song from the comic, "Face It Tiger," and posted it to YouTube.
If you're a die-hard fan of My Little Pony: Friendship is Magic, then there's a chance that you saw the first Equestria Girls movie that came out last year. If that's the case, feel free to skip ahead. Everybody else, settle in, this is going to get weird real quick.
I'll admit that I've never really been into the Smiths, but I have no trouble believing that the X-Men, Marvel's mopiest mutants, would beall about that stuff. I mean, their entire deal is that they combine eye-lasers with angst and occasionally use that mixture to power trips to space, right? It's a perfect match.
Or at least, that's the conclusion that artist Adam Villacin came to with "These Charming X-Men," a series of portraits on display at Secret Headquarters in Los Angeles that mashed up the Children of the Atom with Morrissey's most famous lyrics, resulting in absolute hilarity. Seriously, Cyclops trying to cover his eyes set to "There Is A Light That Never Goes Out" might be the best thing I've seen all day, and that's just where it starts.
Despite all efforts to stop it, there's a new Teenage Mutant Ninja Turtles movie produced by Michael Bay set to be released this week, and to its credit, it is attempting to recreate the single most successful and memorable moment from the Turtles' film history. We speak, of course, of Vanilla Ice's classic "Ninja Rap," an unquestioned high point from TMNT 2: The Secret of the Ooze.
This time around, the tune they're going with is "Shell Shocked" by Juicy J, Wiz Khalifa and Ty Dolla Sign, a song that has found a critic in Vanilla Ice himself. When asked by GQ what he thought of the new song, Ice was dismissive of the song, claiming that it lacked "the Magic" to musically represent what it means to be a "True Ninja."
Nerdcore rapper Adam WarRock, a.k.a. Eugene Ahn, is back doing his thing with a rap tribute to the legendary outlaw Star-Lord -- the soon-to-be-famous leading man of Guardians Of The Galaxy, as played by the internet's boyfriend Chris Pratt. WarRock told ComicsAlliance, "It's weird to me that by the end of the week, everyone will know who Star-Lord is, and actually love him. I mean, it's Star-Lord. But anyway, I'm excited, and hopefully this song gets you even more pumped for the film."
The track is free to download at AdamWarRock.com, and you can find the man himself online on Twitter and Facebook. This isn't WarRock's first Guardians of the Galaxy track; a few months back he recorded "Murdered You," a loving tribute to Rocket Raccoon, which you can also check out right here.
The boutique merchandise arm of the celebrated Austin movie theater the Alamo Drafhouse, Mondo's about to level up with its most ambitious music plan yet: a series of vinyl-only releases of Danny Elfman's music from Batman: The Animated Series.
ComicsAlliance concludes its celebration of the 25th anniversary of Tim Burton's Batman with a presentation of the 1989 Warner Bros. press release announcing Prince's involvement with the film, discovered after an exhaustive search of vintage movie memorabilia.
Rapper Froggy Fresh (formerly known as Krispy Kreme until a certain vendor of fried pastries told him he couldn't do that anymore) has released a music video that should certainly appeal to fans of Power Rangers, Predators getting kicked in the chest, and hip-hop. (In other words, probably the exact sort of person that reads ComicsAlliance.)
In "Street Rangers," Froggy Fresh and his best friend Mike discover a pair of Morphin' Watches and find themselves blessed with the ability to become super sentai sorts. Soon after, they come across a Predator bullying a kid at a playground, as Predators are apt to do when they're not destroying large sections of South American jungle or wreaking havoc in Los Angeles.
In the summer of 1989, primed by "Kiss" and "Alphabet St." and "Sign 'O' the Times" to expect brilliance from the first taste of new Prince music, I raced out to buy "Batdance," the first single to be released from his soundtrack to Tim Burton's Batman. It seemed like a great idea at the time.
I remember my feeling of dazed disappointment the first time I heard "Batdance" lurch to an end. "Batdance" isn't even a song, as such, but a cluster of unrelated chunks of underdone rhythm tracks, ineptly pasted together with chopped-up samples of film dialogue, a couple of lines flown in from other songs, Prince singing the hook from Neal Hefti's '60s Batman theme, and (in its album mix) a very aggressive guitar solo that has almost nothing to do with what's going on around it. Prince and Batman together? How could that not be awesome? What just went wrong here?
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