The deluge of Avengers: Age of Ultron merchandise is almost upon us, and in some places, it's already begun. We got our hands on some of Hasbro's Age of Ultron All-Star Series figures ahead of their scheduled release, and while they lack the articulation of the Marvel Infinite series, they get the job done well enough.
Nightwing is comics' hottest male superhero. His superior hotness is a fact so indisputable that, when we compiled our list of the 50 Sexiest Guys In Comics a while back, there was never any serious doubt that he would come out on top. His appeal is not only recognized by fans, but also by creators and even by publisher DC, which has been known to pander to his fans on several occasions. In an industry that doesn't generally make time for the female gaze, Dick Grayson has emerged as one of the medium's few male sex symbols.
But what is it about Dick Grayson that sets him apart among the macho mannequins of superhero comics? Is it his personality? His history? His character design? His butt? ComicsAlliance spoke to Dick Grayson experts Tim Seeley and Devin Grayson, and several of the character's fans, and undertook an intense study of the source material, to get to the lovely bottom of this great question.
Q: Can Batman defeat a pro wrestler in his natural element? --@ykarps
A: At first glance, this seems like one of the easiest questions I've ever tackled in this column. I mean, of course he could, right? He's Batman. While the rest of us were learning algebra in 8th grade, this dude was traveling across the world learning how to be the best possible expert at everything, just in case he needed it for his never-ending war on crime. Surely that would have to include professional wrestling, the King of Sports, if only because there's no other discipline that combines theatricality and combat in the way that would serve him so well back in Gotham City.
And yet, the more I think about it, the more I realize that, as shocking as it might be for me to say this as the World's Foremost Batmanologist... I doubt even Batman could beat a pro wrestler in his natural element.
Listen, there was no way that Snake Eyes: Agent of Cobra wasn't going to be my favorite comic of the week. I mean, my love of G.I. Joe has been chronicled pretty extensively here at ComicsAlliance, and the two parts of that franchise that I love with an almost overwhelming fervor are Destro and Snake Eyes, the two characters who take the spotlight in this issue. The only way it could be closer to what I wanted out of a comic would be that if it involved Batman and pro wrestling, and since DC already put one of those out last month, it's as close as we're going to get.
But while I've been in the tank for this series since it came out, I can tell you that it's great for reasons that go beyond the starring characters. It's the continuation of a smart, slick take on the G.I. Joe franchise that kicks off with a premise that's inherently exciting. It just happens to also involve two of the best characters ever.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.
This week: The rapture doesn't happen, as the title may imply. In fact, people are pretty upset or in denial about last episode's apparent death. Also, Vinnie Jones shows up and is pretty awesome.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episode, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s (for now) second-fastest man, Barry Allen, more widely known as The Flash.
This week, we’re back from hiatus and looking at the tenth episode of the first season, “Revenge of the Rogues,” featuring a double-shot of dastardly villains, plus Danger Drones, butt-splosions and Joe West's Business Beanie™.
Naoki Urasawa's Pluto is one of the best comics I've ever read, period. It's engaging on every level, doing the impossible by retelling the single most famous story from the single most famous manga creator of all time -- Astro Boy, by Osamu Tezuka -- as a murder mystery that has an incredible amount of tension and drama. On the rare occasion that anyone asks me for manga recommendations, Pluto is always at the top of my list.
That said, it's also the only Urasawa comic I've ever read. As much as I know that I should dive in for more, Monster and 20th Century Boys are two of the most prominent entries on the long list of comics that I'm sure are great but just haven't gotten around to.
When Viz announced last year that they were going to publish the complete Master Keaton, though, I decided not to let the opportunity pass me by again. After all, this was a book that sounded right up my alley; a world-traveling combination of Indiana Jones and MacGyver, and while it might not come as much of a surprise, I can assure you that the first volume is amazing.
Followers of ComicsAlliance's Best Art Ever (This Week) feature are doubtlessly familiar with the work of Killian Eng, but for those who aren't, get ready to meet your new favorite artist. Based in Stockholm and also known as DW Design, Eng has cultivated a loyal audience of illustration and commercial art aficionados for his imaginative synthesis of science fiction, surrealism, film design, architecture, and a liberal dose of vintage prog-rock album art. His work stands out even among the mighty roster of outfits like Mondo, for whom Eng has created posters for films like Heavy Metal, The Matrix, Starship Troopers and Ghost in the Shell. But because of the exclusivity of those products, it's relatively difficult to take Eng home with you. Thankfully, Floating World has made it easier with a long awaited reissue of the out-of-print Object 5, collecting Eng's early work.
The 1966 Batman television show was one of the most successful and influential adaptations of comic books to mass media of all time. Over the course of three seasons and 120 episodes, the series became a cultural force with its unique combination of tongue-in-cheek humor, thrilling superhero adventure and celebrity guest stars, and shaped the way the public would view the Caped Crusader for the next five decades. Now, in the midst of a well-deserved renaissance of the show, ComicsAlliance is proud to present The Batman '66 Episode Guide, an in-depth examination of every single adventure, arch-criminal and deathtrap cliffhanger of the series.
This week, Zelda the Great plots to ensnare Batman in an Inescapable Doom Trap... and attacks Wayne Manor to do it!
The Image Comics slate for 2015 is something of an embarrassment of riches, with new work coming from some of the most exciting creators in North American comics, including those who've been building their fan bases with acclaimed work at Marvel and DC Comics for several years.
Among those who'll be creating original work for the first time in a long time is Dustin Nguyen, who's been one of DC's most reliably great artists of the decade. Known for his fantastic chibi book Li'l Gotham, beautiful backups in Superman Unchained and all sorts of striking work in the Batman line, Nguyen's inkwash and watercolor technique has sort of typecast him as a go-to cute and/or gothic artist. But those who've followed his career closely know that Nguyen is passionate about science fiction. He's worked on DC's Justice League Beyond and his own Wildstorm creation Manifest Eternity, but what's likely to be the cartoonist's biggest impact in the genre he loves so much is Descender, his new Image monthly with Jeff Lemire.