In a universe brimming with unique superheroes, and a franchise full of cool looks, Nightcrawler stands out. Kurt Wagner was born looking like a monster, but he takes pride in his appearance and makes great use of his teleportation power to focus on being a Big Damn Hero.
I've always liked Nightcrawler, and was happy when my friends gifted me a print of the cover to the first issue of the 1985-1986 Nightcrawler miniseries, written and drawn by his co-creator Dave Cockrum. I'd heard good things about the series so I bought it on Comixology and wound up having a fun, funny ride that was a joy to be on.
We’ve been celebrating Mutant Week all week here at ComicsAlliance, and it’s fair to say that everyone has had a lot of fun. However, now it’s time to get serious and talk about the stuff that really matters, that being: What the heck is Xorn’s deal?!
If you’re unaware, Xorn was a character with a cool design and a cool hook, introduced by Grant Morrison and Leinil Francis Yu in New X-Men Annual way back in 2001. He had a star for a face, he was a healer, and he taught the remedial class at Xavier’s School For Gifted Youngsters. Then, Grant Morrison pulled the rug out from under us with a reveal so drastic that Marvel spent years trying to to undo it in a satisfying way.
Who are the greatest X-Men of all time? To mark the release of X-Men: Apocalypse, we came up with the ultimate list of the top 100 characters ever to wear the X as part of the extended family of Professor Charles Xavier's Westchester school. These are the very best heroes (and sometimes villains) in more than fifty years of stories about Marvel mutants fighting for a world that hates and fears them!
The final list was determined by a combination of our expert panel's rankings and our readers' votes, and as you might expect, the results offer an amazing selection of icons, powerhouses, and gorgeous freaks --- not to mention a few unexpectedly popular weirdoes. But it wouldn't be the X-Men without embracing the appeal of the weird.
Welcome to Together Breakfast, the new feature where Elle Collins and Katie Schenkel come together to dig in and relish every last drop of Cartoon Network’s Steven Universe.
In this week’s episode, Peridot puts her best foot forward, Lapis Lazuli is unreceptive, and something pretty scary arrives. “Barn Mates” was written by Hillary Florido and Lauren Zuke, and directed by Joe Johnston and Jasmin Lai.
It’s time for another installment of Pointed Commentary, the feature where grizzled Arrow watcher Matt D. Wilson and newcomer Chris Haley dig into the details of Team Arrow cleaning up the filthy, crime-ridden streets of Star City.
This week’s season finale, “Schism,” features the big, final showdown between Team Arrow and Damien Darhk, with the fate of the world in the balance as thousands of nuclear warheads blast toward the world’s cities. You know, regular stuff. John Behring directed the episode, based on a story by Greg Berlanti with a script by Marc Guggenheim and Wendy Mericle.
Our ongoing ranking of the definitive inarguable Top 100 X-Men of All Time brought up a lot of different arguments from our panel of judges. Some people liked Cyclops, some people liked Jean Grey, and nobody could agree on Gambit at all. But the one thing I still get messages about was my comment when ranking for Hank McCoy, aka Beast.
I said “HE BELONGS IN JAIL” and left it there. But why? What did Hank ever do to deserve such condemnation? He’s a bouncing blue ball of furry sarcasm, right, Steve, you Yorkshire Monster? How can you even make these sorts of ridiculous claims and keep a straight face?
Okay, fair enough, I should've explained myself properly Here’s the case for the prosecution.
The same X-Men series has been running (with some timeline jumps) since 2000, and it’s been a mixed bag at best. Even as people are excited for X-Men: Apocalypse, a lot of fans have suggested that it might be about time to shake things up. So what would an X-Men reboot look like?
This week is the fourth in a four part series spanning the month of May, which envisions a full reboot of the X-Men movie franchise. This time we're looking at the '90s era of the X-Men, and the return of Magneto.
It used to be a truth universally acknowledged that any time a robot gets emotional, comics are about to get real bad. But bucking the trend and breaking the mold are the Transformers, and specifically the Transformers of the Lost Light in More Than Meets The Eye #53, by James Roberts, Alex Milne, and Hayato Sakamoto. Those robots are in a real devil of a pickle now, and they're making their peace with it the best they can.
Wolverine is, as the saying goes, the best there is at what he does. And what James "Logan" Howlett does best is make Marvel a ton of money. Since his first appearance fighting the Hulk in a comic by Len Wein and Herb Trimpe in 1974, to joining the X-Men, to making Hugh Jackman a box office draw, all the way to his recent death, Wolverine is one of the House of Idea's true superstars.
But the unspoken truth is that very few Wolverine stories are out-and-out great. Sure, there's a ton of great Wolvie moments out there --- "Now it's my turn!," that bit in his Civil War tie-ins where he survives being burned to atoms, "Tell Cyclops I made him a convertible" and so on --- but very few Wolverine-centered comics are classics. One exception to that rule is the original 1982 Wolverine mini-series by Chris Claremont and Frank Miller.
Welcome back to Up To Speed, in which Flash TV show veteran Dylan Todd and newbie Ziah Grace break down the latest episode of The Flash, dispense some Flash Facts, and talk about what works, what doesn’t, and where the series might be headed.
This week, the battle with Zoom comes to a flashy conclusion with an inevitable foot race and a lot of confusing pseudo-science, and the identity of the man in the iron mask is finally revealed. "The Race of His Life" was directed by Antonio Negret and written by Aaron Helbing & Todd Helbing.
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