Goddess. Windrider. Queen. Leader. Storm has worn multiple hats during her existence; roles that have aided in her evolution as one of comics’ most significant and abiding heroes. Yet although Storm’s pop cultural significance is great, her characterization has seen glaring inconsistencies from comic book to screen. Fans of the '90s cartoons remember a majestic leader whose long winded monologues became part of her appeal, but fans of the films were subjected to an unimposing and rather useless version of the character.
But what was lost in translation? What is it about Storm that the movies' writers and producers failed to understand?
There are many things you can point to in superhero comics as examples of sexism and gender essentialism. Today we will ignore those. Today, we come not to bury comics and their handling of gender issues, but to praise them. Today we salute those brave men who stare down a world of gender-coded clothing choices and say, "No. Not on my watch. Not around my waist."
ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate has some advice for people starting out in comics, on being aware of the ways that people might try to take advantage of you, and on the importance of building a support network.
The 2015 Hugo Awards took place at the 73rd annual Worldcon in Spokane, Washington, on Saturday, recognizing achievements in science fiction and fantasy storytelling. Administered by the World Science Fiction Society, the awards are considered the most prestigious in their field, and many of this year's winners reflected the progressive edge of the genre --- a trend perhaps exemplified by the winner for Best Graphic Story (aka the comics category); Ms. Marvel Vol. 1: No Normal, by G. Willow Wilson, Adrian Alphona and Jake Wyatt, published by Marvel.
A: Never before in the history of this column has there been such a complicated, open-ended question that could be answered with a picture of Superman with a lion head. I mean, let's be honest with each other here: That pretty much covers it, and if you can look at Superman, cursed with the head of the most noble of beasts, lamenting about how his girlfriend must forever be condemned to date a lion-man now, and not think that it's at least a little bit awesome, then there's not a whole lot I'm going to be able to tell you to change your mind.
With Fables having just wrapped up after 13 years of combining fantasy characters and creatures with a more-or-less real world setting, there's no better time to pick up Shutter. Joe Keatinge and Leila del Duca's comic charts Kate Kristopher's reluctant journey through a world of ghost ninjas, fire-breathing Victorian robots and crocodiles in adorable bell-boy jackets, as she tries to uncover the mystery of her family's past – and save her own behind from the aforementioned creatures.
It remains a bleak time for the female comic audience, and for other minority audiences. The recent debacle with Hercules is merely the latest of Marvel’s many ghastly faux pas; for every two steps forward, it seems to take two steps back: it publishes more female titles only to end the majority of them with Secret Wars, and it tantalizes us with Hercules only to promote the status quo inside of continuity.
It is easy to lose faith in the publisher’s ability to reform from within, but Marvel has had the key to equal, positive representation for over fifty years now.
Many of comics’ most popular characters have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most significant characters decade by decade. This week, we’re taking a look at the best Joker comics.
Zombillenium is French animator and cartoonist Arthur De Pins' ongoing series of graphic albums about a horror theme park run by actual monsters... pretending to be regular people pretending to be fake monsters... all as an elaborate way of hiding in plain sight. Published first in France, it's being translated and republished by NBM in English. The third volume, Control Freaks, was just released this summer.
Strange Fruit: Uncelebrated Narratives from Black History by Joel Christian Gill is a narrative history for young readers. The book was released in May of 2014 to some acclaim, but didn’t quite break through to a wider audience. Mark Waid and JG Jones' controversial recent Boom project of the same name has made Gill'’s excellent book a topic of conversation again. J.A. Micheline and Megan Purdy dig deep into Gill's exploration of some of the forgotten faces in black history.
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