I'm going to go ahead and assume that if you're reading this, you're probably already familiar with Grant Morrison. That said, even if you've gone back and read through everything from Animal Man on up trying to put together a comprehensive, unifying theory of his work, then there's still a piece of the puzzle that you might be missing: Zenith, the story about a teenage superhero that he and Steve Yeowell created in the pages of 2000 AD. Aside from a limited edition hardcover that sold out quick last year, it hasn't been reprinted until this week, when 2000 AD released it as the first title that they've ever simultaneously printed on both sides of the Atlantic.
Being a subscriber to Youth in Decline's excellent Frontier series of monographs by artists such as Hellen Jo, Sam Alden, Emily Carroll, and more, doesn't make me any less excited whenever the publisher shares sneak peeks and information about upcoming books. The sixth (and final for 2014) installment of Frontier is a new, original comic work by the amazing Emily Carroll titled 'Ann by the Bed,' and once again promises to be another perfectly executed slice of eerie horror from the cartoonist.
As someone who will argue vehemently against the very existence of a second Pipettes album, I've been a fan of Kieron Gillen and Jamie McKelvie's comics about the (literal) magic of pop music since day one. The only problem I've had with them is that they tend to lack the true indicators of quality literature: Explosions and people getting punched in the head with lightning bolts. This, incidentally, is why Street Fighter remains the high point of modern art.
Fortunately, The Wicked + The Divine is out to remedy that with as much explosion-based storytelling as Gillen and McKelvie can cram into it, and this week's issue takes things to the extreme. Not only are there finger-snapping kabooms and electric Falcon punches, there's a full-on riot in the streets going down. And also, I suppose, minor vandalism, but that's a little less impressive in the scheme of things.
Courtesy of Marvel, ComicsAlliance brings you an advance look at new periodical comic books, collected editions and graphic novels going on sale in January 2015 (and in some cases beyond) from the publisher’s mainline Marvel Universe titles, Ultimate Comics, the mature readers MAX imprint and the creator-owned label Icon. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy.
I love Halloween, but if we're going to be honest with each other -- and I think that's important if we're going to remain America's Most Beloved Comic Book News And Opinion Website™ -- then I'll have to admit that my favorite thing about October is seeing Christmas decorations pop up in stores. Yes
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions, graphic novels, toys, statues and other collectibles going on sale in January 2014 (and in some cases beyond) from the publisher’s New 52 superhero line; the mature readers Vertigo imprint; the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles; and the limited edition products from DC Collectibles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
The way things are going, it's won't be much longer before we start referring to Image Comics as "that European sci-fi publisher.... but American." Over the last few years, Image has been host to a string of challenging and offbeat titles with strong Euro SF influences, and so far they've all been exceptional. With the combined comics goodness of Saga, Prophet, Nowhere Men, Black Science, and Starlight, stylish science fiction is trending upwards, and with Ivan Brandon and Nic Klein's forthcoming Drifter, the trend continues.
In advance of the November release of Drifter #1 (final order cutoff is next week, for you pre-orderers and retailers), Image has provided ComicsAlliance with an advance copy of the book, and boy, is it purdy.
Listen, folks: I was already on board for what James Asmus, Fred Van Lente and Kano were doing in the pages of The Delinquents from the moment that I found out it was a superhero team-up about going on a quest for hobo treasure. That is literally the only thing I needed to know before I decided to read it. But then the writers went one better by giving the third issue what may actually be the single best opening line of all time.
Seriously, if you have read a comic that starts out with a better piece of dialogue than "Well first off, what makes you so sure your sugar daddy was behind that ass menagerie?" I would like to read it, and I am not even close to kidding.
I think we can all agree that Nextwave was the pinnacle of superhero comic books as an art form. Of course, while I'm not sure the world could have handled more than 12 issues of beautiful perfection, I will say that if Marvel isn't going to have more comics about Elsa Bloodstone beating broccoli monsters to death with a shovel and declaring herself to be President Frankenstein, the least they can do is give us more comics featuring the incredible art of Nextwave's Stuart Immonen.
In all of comics, is there a villain more suited for Halloween than Judge Death? I mean, not only is he a spoooooky skeleton who has committed spoooooky genocide (which, on reflection, might be a level of horror that requires more than five Os), but he's essentially wearing a Halloween'd up version of the hero's costume. It's great.
Unfortunately, the citizens of Mega-City One aren't quite enjoying his presence as much as I am, largely because he's been rampaging through the city with the rest of the Dark Judges, racking up a massive body count. The one thing he hasn't done is kill Judge Dredd himself, and in this week's Judge Dredd #24, the American-made IDW Publishing series by Duane Swierczynski and Nelson Daniel, it turns out that there's a reason for that.