If you haven't been keeping up with Batman '66, DC Comics' digital-first series based on the classic Adam West/Burt Ward television show, rest assured that it has continued to be awesome. Recent issues have seen a terrifying team-up with the Joker and Catwoman, a sinister plot to create a television adaptation of Batman's adventures, and -- perhaps most awesome of all -- the debut of a giant robot version of Batman that fought crime with the power of jet boots and rocket fists. It's... It's pretty great, y'all.
But one of the more interesting things about the last few episodes -- er, issues is that they've thrown the spotlight on some of the more obscure villains from the show who never made it in the comics, like the Minstrel and Bookworm, and this week, it's the harrowing, haunting return of the Black Widow! Not to be confused with Marvel's Natasha Romanoff or Scarlett Johansson.
It's really starting to look like 2014 is the year of the giant, oversized offbeat anthology comic. Not only have we gotten books like Cosmic Scoundrels and Giant-Size Kung Fu Bible Stories, but today, Boom! Studios announced the latest offering from their creator-owned imprint, the Boom! Box 2014 Mix Tape, and it already looks amazing.
Clocking in at an oversized 8.5 x 11", the Mix Tape is set to include a pretty impressive roster, including covers by Teen Dog creator Jake Lawrence and a new Lumberjanes story written and drawn by Noelle Stevenson, and a new story from the award-winning team behind Adventure Time, Ryan North, Shelli Paroline and Braden Lamb. And if that wasn't enough, we have an exclusive look at character designs for four short stories by Rian Sygh, including Teen Prez, which may actually be the Sensational Character Find of 2014.
Otis Frampton's all-ages comic Oddly Normal has been around for a decade now, starting in 2004 as a webcomic, then a four-issue miniseries, a graphic novel, a Kickstarter-funded book in 2012, and now a brand new Image Comics series.
At its core, Oddly Normal is about a 10-year-old girl who wished her parents away. Now Frampton intends to dig into the origins of Oddly, his half-witch protagonist. The new series examines what it's like to be different and how mean kids can be, and explores how the drastic measures kids take when they're fed up with that cruelty can lead to... unintended consequences.
Courtesy of Marvel, ComicsAlliance brings you an advance look at new periodical comic books, collected editions and graphic novels going on sale in December 2014 (and in some cases beyond) from the publisher’s mainline Marvel Universe titles, Ultimate Comics, the mature readers MAX imprint and the creator-owned label Icon. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy.
The change of seasons has brought a chill to the air and widely available apple cider once again, but those are merely a prelude to something better: The new issue of The Devastator, our favorite comedy magazine. In previous issues, Devastator's mix of comics, text pieces, graphs and the occasional board game has taken on topics like hipsters, spies, crossovers and even the apocalypse, but this time, the quarterly mag is taking on anime, manga, and even a few video games in the newest Otaku-themed edition. And yes: The graphs are back, in the form of a pretty amazing flow chart helping you to answer the question of "Is This Hentai?"
Contributions to The Devastator: Otaku include a cover by All New Ghost Rider writer and Peepo Choo creator Felipe Smith, a new installment of The Anime Club by Gunshow and Back creator K.C. Green, and a series of ads for an anime sex pillow dating service featuring Brooklyn Nine Nine's Joe Lo Truglio. Seriously. Check out a preview below!
Tony Millionaire's Sock Monkey stories are a superb example of the unparalleled story-telling that only the medium of comics can offer, so the announcement of a new book featuring Uncle Gabby, Mr. Crow, and Inches the doll is exciting news. For those unfamiliar with Sock Monkey, it's a strange but satisfying amalgamation of traditional, old school children's books (particularly in terms of narrative style), ostensibly following the escapades of a monkey made from a a sock, a stuffed crow, and a creepy porcelain doll, but crossing into darker themes and horror, as the eccentric, superficial innocence of the set-up meets a very human realism.
Written in collaboration with animation director Matt Danners, Into The Woods finds the toys convinced that their human owner, Ann-Louise, has been kidnapped by a vicious monster dubbed the Amarok, and so they embark on a mission into the Haunted Woods to rescue her and bring her home.
If you spent a lot of time watching Cartoon Network when you were a kid (or when you were, you know, in your twenties, no judgment here), then one thing you probably wanted to see more than anything else was a gigantic crossover between all of their original programming. Who didn't want to see Professor Utonium and Dexter swap scientific notes, or find out what would happen if the Powerpuff Girls took on Aku from Samurai Jack?
Well, in case you weren't already aware, that's actually happening right now, in the form of IDW's Super Secret Crisis War, and next week, it hits Foster's Home For Imaginary Friends, courtesy of writer Ivan Cohen and artist Paulina Ganucheau, in a story about Pixel, shape-shifting robot that can duplicate any of the imaginary residents.
About a decade after the formation of the Comics Code Authority in 1954 effectively killed off EC Comics' popular line of horror comics, Warren Publishing aimed to bring back some of that malevolent magic. The result was the anthology series Creepy (and later, its sister book, Eerie). Published as a black-and-white magazine, the series didn't have to adhere to the Comics Code's strict content standards, and as such, was able to push the envelope in ways comics in the mid-1960s generally couldn't.
Now, the book's current publisher, Dark Horse, is celebrating the magazine's 50th anniversary with a big, blowout issue featuring work by Fred Van Lente, Corinna Bechko, Dustin Nguyen, Peter Bagge, Alison Sampson, and Art Baltazar, among others.
In my experience, the best comics are the ones that answer questions that you didn't even know you were asking until you saw them, and Wild's End #1 does that pretty beautifully. The question: Wouldn't War of The Worlds have been better if it was about a sleepy English hamlet populated entirely by friendly anthropomorphic animals? The answer: Yes. Yes it would be.
As weird as that premise sounds, it's not that shocking that the book would turn out great. It's the product of writer Dan Abnett (Guardians of the Galaxy) and artist INJ Culbard (Brass Sun), and if there's one thing I've learned from previous experience with those creators, it's that they're more than capable of taking strange sci-fi premises and running with them to create something incredible -- which is exactly what they've done here.
Hawkeye is building ever closer to its apparent end (next month's issue is "The Finale Part 1"), and from the looks of the issue coming out this week, things are building to a head.
Hawkeye Kate Bishop, who took off to start her own private investigation firm in L.A. a few issues back, is looking for a way back to New York in issue #20 to help out also-Hawkeye Clint Barton, who readers last saw in the jam of all jams, and trying to assemble all the help he could get. But, of course, it isn't going to be easy. She's got cops breathing down her neck and one very angry supervillain in a mask attempting to bring her down.
Check out four pages (plus a recap) from the issue by Matt Fraction, Annie Wu and Matt Hollingsworth, plus a cover by David Aja, below.
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