Every weekend here at CA we’re cracking open the latest and/or just greatest action figures around to see what sets them apart from the articulated plastic pack. This week we're unboxing Bandai's S.H. Figuarts version of Krillin from Akira Toriyama's Dragon Ball Z. Does Goku's best friend measure up to the rest of the DBZ crew Figuarts? Or is he merely the sidekick in the otherwise stellar line? Also... what's with the bazillion swappable hands he comes packed with? Click through the cut to watch our full video review.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson will be following along to see how he fares.
This week, yet another Lance family gathering goes awry, a pilot shows up on Flashback Island and immediately dies, and the Clock King wreaks havoc.
When Mark Waid and Paolo Rivera relaunched Daredevil in 2011, they did so with a radical tone shift that broke away from the direction of the book that had been established for years while still building on the past, and when Waid and Chris Samnee ended the run this month, it was with a shift that was every bit as dramatic. Not to spoil anything for those of you who haven't read it yet, but they earned their upcoming relaunch with a series of huge changes to Matt Murdock's life, the least of which saw them transplanting him from his native Hell's Kitchen all the way to San Francisco.
Before the next volume of Daredevil kicks off, however, Waid and artist Peter Krause are taking readers on the cross-country trip in a digital series called Daredevil: Road Warrior. The journey began this week on Comixology, and in the first installment, Waid and Krause aren't just showing that getting there is half the fun, they're making it the main attraction in its own right.
One of my resolutions this year was to widen my comics reading horizons and try to get a little more into manga, and one of the titles that came most highly recommended, particularly from former ComicsAlliance writer David Brothers, was One-Punch Man. It sounded good, but I'll admit that I was a little reluctant to dive in with a title like that. I mean, I like comic books about punching a lot, so I wasn't sure that I was going to be satisfied with a comic that only promised one. If I'm only getting one punch, I need at least a couple of kicks and maybe someone throwing auto parts at another person. That's just the rules.
Fortunately, last week saw the release of a $6.99 digital collection of the first 200 pages of One-Punch Man, and when I took the risk to see what it was all about, I learned a very valuable lesson: It's not the quantity of punches that's important, it's the quality. And also the quantity of internal organs that go flying out of whoever's getting punched. That's a pretty big deal too.
Season four of The Walking Dead, AMC’s television adaptation of the Eisner Award-winning Image Comics series launched by Robert Kirkman and Tony Moore and now drawn by Charlie Adlard, is well into its second half, and the despair has been turned up to eleven. ComicsAlliance’s John Parker is back again to see who lives, who dies, and who rocks a mullet like his last name is Ray Cyrus.
A massive revelation rocks the world of The Walking Dead to its core! is what I would say if that had happened.
Every weekend at CA we're cracking open the latest and/or just greatest action figures around to see what sets them apart from the articulated plastic pack. This week the spotlight is on Funko and Super7's first foray into the 3.75" tall ReAction line with figures from Alien. Super7's initial figures were already some of our favorite toys of 2013, but does the latest version from its new partner Funko deliver? The toymaker sent us some review copies to help us find out. Hit the jump to see what we thought.
The mid-'80s Michael J. Fox comedy film Teen Wolf, co-written by current head of Marvel Television and bestselling comics scribe Jeph Loeb, was maybe my favorite movie when I was ten. I held it in nostalgic affection for years after -- until I made the mistake of watching it again. It didn't hold up.
Yet even as a fan, I was baffled when MTV announced plans to adapt Teen Wolf as a TV show, and especially as a drama that shared little in common with the original but a bare bones premise -- "teenage werewolf" -- and a few character names. A couple of years later it's one of my favorite shows -- and one of my favorite superhero stories.
Season four of The Walking Dead, AMC’s television adaptation of the Eisner Award-winning Image Comics series created by Robert Kirkman and Tony Moore and drawn by Charlie Adlard, has returned from its mid-season break. ComicsAlliance’s John Parker is back again to see who lives, who dies, and what fire does to zombies.
As the rest of the survivors struggle with hope, a familiar face returns, some new faces appear, and other faces do stuff. It's pretty face-heavy.
Lawyers are not heroes. I don't say that to be unkind; I'm sure there are valiant and principled people in the law as in most walks of life. Jennifer Walters, the eponymous star of the new She-Hulk ongoing series from writer Charles Soule and artist Javier Pulido, is one of those good people.
Yet as a profession, lawyers do not represent "good" the way that superheroes do. Soule, a practicing lawyer himself, clearly recognizes this; he even has one character state, "I am neither bad nor good. I am simply Legal." The muddy ethics of lawyering provide a very different set of challenges to a superhero used to punching out their problems.
As horrifying as it is has become to utter the words "Dragon Ball" and "Evolution" in the same sentence since the 2009 live action film, I've got to say, Viz's new Dragon Ball Color (which begins at Dragon Ball chapter 195 a.k.a. Dragon Ball Z chapter 1) feels like the natural next step for Akira Toriyama's beloved 30-year-old manga. After reading the story of Goku in almost half a dozen different formats since Viz began localizing the manga in 1998, I was skeptical about whether reprinting the manga in color would do anything for me -- especially since the anime served to bring the story to life in living color already. Turns out, it scratches a certain kind of Saiyan itch. You can watch my full video review after the cut.