Oh, Gotham. You’re a show about the city that created Batman. The city that raised Poison Ivy, Catwoman, and the Penguin. With so much about these characters’ behavioral profiles already established by DC Comics, don’t you have at least a basic responsibility to teach us something about the development, manifestation and course of psychopathology? We’re watching because we want to know what led these characters down such crooked paths, and how Bruce Wayne rose out of his trauma to create the formidable crime-fighter we know as the Dark Knight. We already know the future’s end, so tell us something worthwhile about the beginnings. It’s the least you can do.
Last week, Agents of SHIELD came back strong, and not, "oh, it's better than it was" strong, but "oh, it might actually be good" strong, with the new ragtag outsider premise making for much more interesting dynamic -- and the use of the Absorbing Man pushing all the right nerd buttons.
This week's episode, 'Heavy Is The Head', directed by Jesse Bochco and written by Paul Zbyszewski, picks up where last week's ended -- but can it keep up the pace, the energy, and the quality? Has Agents of SHIELD ever had two good episodes in a row? Could this be that blessed day? Find out, thanks to our ComicsAlliance-exclusive S.H.L.E.I.D. recap system.
Since the launch of the New 52 reboot in 2011, DC Comics has seemingly gone out of its way to find new ways to make its superhero darker. Its current Futures End weekly comics event is one in which everything has become even more dour and depressing in the span of five (narrative) years, for example.
But there's one character that DC writer Geoff Johns simply can't view as dark, however: The Flash. In an interview with Nerdist, former Flash comics writer Johns answered a question about the lighter tone of the new The Flash TV series by saying that Barry Allen simply can't be a gloomy character.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, it's that adaptation of X-Men Annual #3 that you wanted. What's that? Well, somebody wanted it.
Just how many times have we watched a young Bruce Wayne witness the murder of his parents? No origin story for the Caped Crusader has been without it, and FOX's Batman prequel series, 'Gotham,' is no different. As the new drama premiered this week, kicking off with the brutal death of Mr. and Mrs. Wayne, a new supercut has hit the web of all the time's we've seen this scene onscreen -- and it's quite a number of times.
Fox’s most buzzed about new television drama, Gotham, premiered this week with its youthful James Gordon, li’l Bruce Wayne, and a handful of DC Comics scoundrels, outcasts, and criminals in their formative, pre-supervillain years—The Riddler, Catwoman, Poison Ivy, and the Penguin. Detective Gordon seems to be the golden thread that connects everyone together as he begins his journey through Gotham’s depraved fractures. But are the city’s inhabitants and their intertwined stories portrayed with psychological realism? Do their hardships, devastation, and violence rationally add up to the mythology that we know will inevitably create the Batman?
Hello, friends. How was your summer? Good, I hope. But all that is behind us now; it's time to get back to work. Deflate the beach balls; put away the flip-flops; unpack the waterproof poncho. Agents of SHIELD is back, and I'm back to recap it. (Inexplicably, I was not fired for my recaps last season. I was actually promoted. Sorry, everyone.)
Long-time readers will recall that my major objection to Marvel's Agents of SHIELD is that it just didn't make enough use of its Marvel Universe playground. It didn't need Chris Evans pouting beautifully in every episode; it just needed to exploit the assets it had. Season one never did; yet everything I've heard about season two makes me want to give the show another chance. Because, like Doctor Doom, I'm very smart but I never learn.
On this episode of The Arkham Sessions, we revisit the weird love triangle between Bruce Wayne, Selina Kyle and...Batman. Will Bruce ever win Selina's heart? Does he even really want to? And will he ever be able to look past her criminal history?
The great thing about Fox News is that it's only Tuesday and you're already about to see the dumbest thing you'll see all week.
In this case, it's a clip from Fox's weekend morning show, where three people with the collective brains of a sack of doorknobs turn their reasoned and well-thought out opinions to the world of comic books. Specifically taking on Jason Aaron and Russell Dauterman's upcoming run on Thor, where the iconic Marvel hero will get a new identity as a woman, and complaining about Wonder Woman's costume in the upcoming Batman v. Superman: Dawn of Justice film by comparing it to Jim Lee's redesign from four years ago that, according to them, appears to be a product of what they characterize as fundamentalist Sharia Law.
No, really, this dope on the left actually says that.
Beware the Batman and Young Justice are two examples of animated shows that haven't exactly been treated well. Both Warner Bros. series were unceremoniously pulled from Cartoon Network, only to return to burn off episodes, sometimes in the middle of the night.
Treatment like that would seemingly indicated little commitment to release the series on home video, but never fear, fans. Warner Archive announced this week that it will release the second part of Beware the Batman's first season and the complete first season of Young Justice on Blu-Ray. Along with those, the company will also offer the full second season of Batman: The Brave and the Bold, and the classic 1960s Aquaman animated series will be available through Warner Archive's streaming service.