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The Understated Brilliance Of Steve Dillon
When Steve Dillon passed away on October 22, 2016, comics lost one of its greatest masters of the invisible art. In a long and storied career, Dillon's work was characterized by concise layouts, subtle manipulations of time and space, and a remarkably expressive cartooning style that gave his c…
Say My Name: The Pleasures Of The Spoken Superhero Logo
There are a lot of ways that a comic book can reinforce the iconography of the superhero. A snappy costume; signature powers; an artist that defined the look of the book for a generation. But part of the iconography of the superhero is a good logo, and part of establishing that iconography is that h…
Negative Space In Greg Smallwood’s ‘Moon Knight’
Greg Smallwood is one of the most fascinating artists to have emerged in the last five years. His breakout book Dream Thief showcased his innovative approach to page design, classic figure work, and the clever incorporation of sound effects and simple iconography into his layouts. He's not just…
The Influence Of Alex Toth On Chris Samnee’s ‘Black Widow’
Chris Samnee is one of the best artists working in comics today. His stock has risen steadily since 2010 as he went from Thor: The Mighty Avenger to The Rocketeer: Cargo of Doom, to a long, esteemed run with Mark Waid on Daredevil, winning both a Harvey and an Eisner award along the way.

Now on Bl…
Okay So Here’s Why Beast Should Be Sent to Prison [Mutant Week]
Our ongoing ranking of the definitive inarguable Top 100 X-Men of All Time brought up a lot of different arguments from our panel of judges. Some people liked Cyclops, some people liked Jean Grey, and nobody could agree on Gambit at all. But the one thing I still get messages about was my comment wh…

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