Bill Sienkiewicz is one of the unquestioned greats of the comic medium, a creator who, over his long and stories career, has constantly pushed the limits of sequential art, blending media, blurring boundaries between seemingly disparate techniques, and creating work that's endlessly innovative and instantly identifiable. And his work hasn't been limited to comics – he's painted cover art for best-selling albums, created animation design, illustrated trading cards, and co-created picture books.
Now he's contributed to a multi-media "post-digital" project entitled H8 Society: How An Atomic Fart Saved The World that combines his visuals with an original sci-fi/comedy ebook by the postmodern duo known as 2Dans. The project also includes a collection of 26 original songs from independent musical artists. It's an ambitiously unorthodox enterprise, and on the eve of its release, we got the chance to sit with Bill and discuss his contribution to the project, his stylistic choices, the balance of artistry and reality, and all manner of other things.
Comics carry a sense of physical prestige. When you pick one up from the shelf, it usually isn’t just lying there, blowing in the wind – it’s often wrapped up in a too-tight plastic bag, boarded with a thin piece of cardboard to ensure you don’t crease a single hair on Superman’s immaculate head. The experience is designed to make you consider each comic as a precious item, something best kept mint so you can sell it and get your grandkids through college in a few decades from now.
The thing is, sometimes we need to be reminded that comics are not immaculate, and actually there’s no reason not to mess them up a little in the course of reading. Some of the most enjoyable moments in comics over the last few years have been those moment where the storytellers step back, wave an arm towards the story they’re telling, and say, “Hey, let’s take a pair of scissors to this, eh?”
Love Machines #4 is interested in romance and time and ideas; the black and white comic anthology is devoted to “love stories about technology with an eye to the past.” Written and published by Josh Trujillo through his Lost Key Comics line, Love Machines is, essentially, about relationships between people and objects through time.
The question most often asked of the ComicsAlliance staff is a variation of, "Which comic books should I be reading?" or, "I'm new to comics, what's a good place to start?" The Wednesday deluge of new comic books, graphic novels and collected editions can be daunting even for the longtime reader, much less for those totally unfamiliar with creators, characters and publishers, and the dark mysteries of comic book shopping like variants, pre-ordering, and formats.
Now that Universal is rebooting their classic monsters franchises with a new expanded universe plan, 20th Century Fox wants to get in on a little of that action with a similarly-flavored reboot of their own: The League of Extraordinary Gentleman, based on Alan Moore’s graphic novel, which features various characters from classic works of literature by authors like Bram Stoker, Robert Louis Stevenson, Mark Twain and more.
Last time Deadpool and Wolverine got together on the big screen, things didn’t turn out so great. The less said about that, the better. But the new Deadpool solo movie looks like it’s finally going to do the character justice, and if Ryan Reynolds gets his way, we’ll also get a little added bonus to help make up for that whole X-Men Origins: Wolverine thing. Oh, sorry, I said we weren’t going to talk about that.
The latest photo posted to Bryan Singer’s Instagram account doesn’t show you a whole lot, but it does tell you quite a bit. Not only will we be seeing Apocalypse in the next X-Men outing, but we’ll be getting another new character from the comic books as well — one who hasn’t appeared in any previous X-Men film: Caliban.
Over the past few weeks, Comixology has done a pretty amazing job of staying on top of DC's Convergence event with a string of sales based on the different eras that were brought into Bottleworld to fight it out. This week marks the end of Convergence and, along with it, the end of this particular set of sales, but they've decided to go out with a bang. In addition to some classic Bronze Age Justice League and fun, continuity-bending Booster Gold, they're shining the spotlight onto one of the greatest --- and most underrated --- DC books of the 21st Century: Kyle Baker's Plastic Man.
With just a hair over a six weeks to go until San Diego Comic-Con, companies have been slowly dropping hints about what to expect in the way of exclusive merchandise at this year's show. As expected, DC Collectibles will have some choice items up for grabs at the event.
Previous SDCCs have seen a fairly diverse line-up from DC Collectibles, but in 2014 the company really only had a limited Batman: Arkham City Harley Quinn statue. Fortunately, the merchandise side of the DC Comics brand is offering two unique collectibles this year that'll be a tiny bit more affordable... provided you can get one at the show itself.
Hire This Woman is a recurring feature on ComicsAlliance that shines a spotlight on female comics creators, whether they're relative newcomers or experienced pros who are ready to break out. In an overwhelmingly male business, we want to draw your attention to these creators --- and to raise their profile with editors and industry gatekeepers.
Busy cartoonist Natalie Nourigat has worked on Deadpool, Bee & PuppyCat, It Girl & the Atomics, and many of her own projects including the webcomic Home Is Where The Internet Is. She's also worked as a storyboard and commercial artist. She's currently working on a graphic novel for Oni Press called Over the Surface.
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