Over the past few months, we've been slowly freaking out over the Mondo gallery's tribute to Batman's 75th anniversary. Every time a new set of art was revealed, the show looked better and better, and now that it's actually open down in Austin, our suspicions have been confirmed: The art for this show is incredible.
Not only do they have the portraits inspired by Batman '66 and the beautifully designed posters inspired by the movies and classic episodes of Batman: The Animated Series, but the gallery features work from comic book artists Francesco Francavilla and Jock, too. Fittingly enough, the two collaborated on an amazing piece based on "The Black Mirror," the excellent Scott Snyder story they both contributed to, but Francavilla also took on a poster inspired by Kelley Jones and Doug Moench's classic Elsewords Batman & Dracula: Red Rain, and Jock produced a pair of pieces based on Frank Miller's Batman: Year One that I'm pretty sure I desperately need to own.
The 'Doctor Strange' casting has come full circle. After a series of stops and starts (we're looking at you, Joaquin Phoenix), Marvel has returned to one of the very first actors they had their eye on for their upcoming superhero movie: Benedict Cumberbatch. Deadline is reporting that the 'Sherlock' star is in "final negotiations" with Marvel to star in 'Doctor Strange' and, presumably, a number of other big 'Avengers' style crossover movies.
Don Heck is something of an odd man out when it comes to comics history. He was one of the architects of the Marvel Universe, co-creating Iron Man, Hawkeye, and other famous characters; he was held in high esteem by his peers – yet he's rarely mentioned in the same breath as Romita, Ditko, Kirby, Buscema, Ayers, and other Silver Age greats. He was, for many years, the Avengers artist, but often goes unnoticed when fans make their lists of the definitive super-team pencillers. He defined the down-to-earth qualities of Marvel while his contemporaries were pushing toward the cosmos, rooting his characters in reality as others pushed the boundaries of possibility. And while that precise mix of magnificent and mundane was what truly defined Marvel, his contributions were nevertheless destined to be overshadowed by the flashier offerings that the rest of the bullpen provided.
The latter day appreciation of Heck's work continues with TwoMorrows' publication of Don Heck: A Work Of Art, is a handsome full-color hardcover recounting the artist's life story. The layout is clean and clear, the printing is up to TwoMorrows' usual high standards, and the selection of art is nothing short of superb – from published pages and panels, to roughs and sketches, to pieces shot directly from Heck's original art, it's all here, and all reproduced beautifully.
Gwen Stacy was meant to stay dead. Her death back in 1973 in Amazing Spider-Man #121, by Gerry Conway and Gil Kane, was a mark of maturation for the genre, a sign that superhero comics were ready to embrace more sophisticated storytelling. Her death became as defining to Spider-Man's story as that of his Uncle Ben. It could never be undone.
But there's no such thing as "never" in superhero fiction. Gwen Stacy is back -- sort of. The character's debut as another reality's Spider-Woman in Edge of Spider-Verse #2 by writer Jason Latour, artist Robbi Rodriguez, and colorist Rico Renzi was so well received that the character will spin off into her own ongoing series, Spider-Gwen -- created by the same team, and set in a world where Peter Parker is just as dead as Gwen Stacy is in the main Marvel Universe. ComicsAlliance spoke to Latour, Rodriguez, and Renzi, to find out more about their plans -- and their response to Spider-Gwen's new-found popularity.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, it's a flashback to World War II with Captain America, teaming up with Wolverine to fight gigantic Warhammer 40,000 miniatures! It's actually seriously rad.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions. In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
DID YOU GUYS SEE THAT TRAILER? We did. We saw it more than you. We saw it until our eyes blinked. We saw the heck out of that trailer. We love comic book super movies better than anyone! Who are you dressing as for Halloween? Ultron? LOSER. We're dressing up as a destroyed city or a screaming civilian running through the street, because we GET IT and you DON'T.
But you're cool too I guess, so we're going to tell you a few secrets about the Avengers: Age of Ultron teaser trailer. We paused every frame of that trailer (or there were gifs on Tumblr maybe) and now we know every hidden Easter egg, every clever surprise, every cameo that Marvel doesn't want you to see! (Unless they're hoping you'll go see the movie, in which case maybe this is all just marketing and we're playing their game? Holy cheese, I think I just stepped through the looking glass here. Look away you guys! IT'S A TRAP!)
Another week, another batch of Marvel promos for summer 2015 events with familiar titles: Infinity Gauntlet, House of M, Old Man Logan, Inumans: Attilan Rising. They joins a slew of other recycled titles including Armor Wars, Civil War, and Planet Hulk.
Then, today, things changed up a little. Marvel sent out an email for its newest summer 2015 event in the same format as it has been (one image with no text besides a title), but it doesn't have the title of an old series, though it does share a subtitle with a series of books that started about 12 years ago. It's called simply Ultimate Universe: The End.
t's pretty common knowledge that Mighty Morphin Power Rangers was based on the Japanese show, Kyoryu Sentai Zyuranger, but even most fans who loved the show as kids (or in our case, as adults) have never seen the source material. Despite twenty years of popularity for the American adaptation (and fan-subbed releases over the internet), the original shows have never had an official release on this side of the Pacific -- cue dramatic music -- until now!
Teased for years and finally launched in 2014, The Multiversity is a universe-jumping series of DC Comics one-shots tracking the cosmic monitor Nix Uotan and an assemblage of star-crossed heroes as they attempt to save 52 universes and beyond from a trippy cosmic existential threat that, like much of Morrison’s best work, represents something far more mundane and relatable. Tying back into the very first Multiverse story in DC’s history, the heroes of these universes become aware of this threat by reading about it in comic books… comic books that, it turns out, take place in neighboring universes. Indeed, writer Grant Morrison continues his streak of highly metatextual DC cosmic epics with this eight-issue mega-series (plus one Tolkienesque guidebook).
Described by Morrison as “the ultimate statement of what DC is”, The Multiversity naturally offers the reader much beyond the surface level adventure, and that means annotations. Rather than merely filling out checklists of references, my hope with this feature is to slowly unearth and extrapolate a narrative model for Morrison and his collaborators’ work on The Multiversity; an interconnecting web of themes and cause and effect that works both on literal and symbolic levels.
We’ll be focusing here on the third issue of the maxiseries, The Just, written by Morrison with artwork by Ben Oliver and color assistance from Dan Brown (the excellent colorist, not the literary hack).
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