Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate comes to a startling conclusion about Catwoman.
Latest News Page 4
Some of you may remember that Lumberjanes, easily one of our favorite comics of the year, was originally slated to be an eight-issue miniseries. Fortunately for everyone, it was upgraded to an ongoing by virtue of being completely rad, but next week marks the release of the eighth issue of the series from Noelle Stevenson, Grace Ellis and Brooke Allen, closing out the first arc of friendship, merit badges, and creepy, creepy woods. And as you might expect for the start of a final chapter, things are not looking so good for our heroines.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
The main character of this show, the one who goes by John Constantine, is an impostor. I know John Constantine, sir, and you are no John Constantine.
Mondo, you are killing me with this.
As part of their year-long celebration of Batman's 75th Anniversary, Mondo has produced an art show, posters, and a truly beautiful soundtrack album that sold out of all five designs at San Diego, and now, they're giving me the most compelling reason yet to get into vinyl: a die-cut single of Danny Elfman's theme from Batman: The Animated Series. I definitely do not need this because I don't even own a record player, but y'all... it's shaped like a bat. How can I not get this?
Have I ever told you about the time I was hanging out in a bar at a convention years and years ago and I was talking to a Marvel editor about how they should do something with Rocket Raccoon, and the editor told me that would never, ever happen? Well, it turns out there are no bad characters, only characters that haven't been turned into Funko Pop vinyl figures yet.
Flash forward to late 2014, and Marvel just announced a sixth Guardians Of The Galaxy ongoing title. Turns out raccoons make big bank. The new book is called Guardians Team-Up, and it features Guardians, teaming up. Brian Michael Bendis will write and Art Adams will draw the first story, co-starring the Avengers. They will probably fight first. (The Guardians and the Avengers. Not Bendis and Adams.)
Q: What are your thoughts on Catwoman and how her role has evolved over time? It's unique, isn't it? -- @spudsfan
A: Here's a warning that you're about to read way too many words on what looks like a simple question: Yes and no.
It's not going to surprise anyone when i say that I love Catwoman as a character, and a lot of that comes from how adaptable she is. In her long history, she's been one of the few characters who's been able to transition from villain to hero and back again, and she has a relationship with Batman that has allowed for both characters to grow in ways that no other character has, or even could. But at the same time, she's probably the single most successful example of a cliché that bugs me to no end: The Villainous Love Interest.
The Legend of Korra has been about many things—generational divides, anarchy, teen romance—but mostly, it’s been about power. Where Korra saw divine talent, Amon saw an underclass maintained by the caprice of nature. Where Korra saw vengeful dark spirits, Unalaq saw a grave imbalance that had pained the world for thousands of years. Where Korra saw an inept, but inevitable monarchy, Zaheer saw a tyrant whose willful ignorance kept her people destitute. Where Korra was absent, Kuvira, in her own words, “stepped up.” Where Korra sees status quo, others see the cruelty of those in power—and the opportunity for change.
In October, DC launched Klarion, Ann Nocenti and Trevor McCarthy's new series re-imagining Jack Kirby's cult-favorite "witch boy". Klarion, in this incarnation, is a magical being from a parallel earth who lands in New York City and proceeds to act in the manner one might expect from a hyper-powered juvenile with a taste for chaos.
Nocenti and McCarthy have big plans for their strange little boy. CpmicsAlliance caught up with the creative team at New York Comic-Con to talk about decoding Kirby, planting secret messages in art, and letting the character lead the weirdness.
I've always been a pretty big fan of DC Collectibles' line of Batman: Black and White statues. Like the comic series of the same name, they put the spotlight onto visionary artists' distinctive interpretations of the character, and the results have been pretty awesome. Over the years, being invited to design a statue for the line has become a prestigious achievement and recognition of creating a memorable vision of the Dark Knight.
Now, though, after offering up stylish Black and White versions of characters like the Joker, Harley Quinn and even the Penguin, the line is expanding with its first ever Batgirl statue -- and it's based on Cameron Stewart and Babs Tarr's new Batgirl of Burnside design.