There is an espionage term called a "floating box," where a target of observation is tailed and watched from multiple angles, forming a box that moves as the subject moves. This term never appeared in Queen and Country, but it wouldn't be out of place, because Queen & Country always tried to keep its espionage as realistic as possible, consequences be damned.
Queen & Country itself had a floating box around it, coordinated by series writer Greg Rucka and carried out by a small army of comics' finest, observing its ongoing narrative from a variety of perspectives and angles. None of the various artists that Queen & Country employed were rubber stamps of each other. No slight is intended on the other terrific artists who worked on Queen & Country, but for the purposes of brevity, this article will be focusing on three of the most distinct, and how their styles shaped the book.
Mad Max: Fury Road takes place in a world so full of detail and imagination that it shouldn’t come as a surprise to learn that director George Miller has a backstory for just about everything on screen. In the finished film, everything feels like it has a history. Every corner of every frame is alive.
Rather than confine this information to his imagination, Miller has put it in a comic book.
We at ComicsAlliance are suckers for a good mystery, and over the past six issues Peter Milligan and Leandro Fernandez's The Names has proven to be exactly our cup of tea – this high-suspense psychological financial thriller follows Katya Walker, a woman seeking information about her husband’s sudden death, who comes into conflict with a world-dominating techno-financial cabal called The Names, and finds herself in an uneasy partnership with her stepson Phillip, fighting for her life while searching for answers.
It's a story full of brutal action, advanced technology, hairpin plot twists, and carefully layered concepts, populated by psychopathic murderers, mind-controlling financiers, corrupt cops, and mysterious digital beings known only as "The Dark Loops" – and, courtesy of DC/Vertigo, we're excited to bring you this exclusive first look at pages from issue #6, which hits comic shops next week!
This past September, Vertigo launched Peter Milligan and Leandro Fernandez's nine-issue limited series The Names. It's the story of Katya Walker, a woman who finds herself searching for answers after her husband's apparent suicide and fighting for her life against a world-dominating techno-financial cabal known only as the Names. We last spoke with Milligan six months ago, just before The Names #1 was released, and now that the story has reached its halfway point, we're excited to follow up with another in-depth conversation about the series.
Today sees the release The Names #1 by Peter Milligan and Leandro Fernandez. Published by Vertigo and described as Kill Bill meets The Wolf Of Wall Street, the book tells the story of Katya Walker, a woman who is thrown into a web of financial and technological intrigue after the sudden suicide of her husband -- a suicide that we learn in the first pages of issue #1 was not committed out of despair but at the behest of a man called the Surgeon, working for a world-dominating cabal of financiers known only as the Names. Dubious that her husband would take his own life, Katya's search for the truth takes the reader through a violent, decadent and technologically advanced world of money and power that teaches the young woman not just about the chilling reality of how the world works, but about the role her husband was subtly preparing her to take should the Names ever go too far.
Drawn in a wildly expressive and sexy style by Leandro Fernandez with delicate, mood colors by Cris Peter, The Names is has some aesthetic and narrative similarities to Vertigo's revenge epic 100 Bullets, but with a very contemporary theme obviously inspired by current events such as the Global Economic Crisis and, presumably, the enduringly frustrating fact that its cruel architects have not been brought to justice.
ComicsAlliance sat down with Milligan to talk about the real-world inspiration for The Names, his plans for the project, and to break down some special moments from its first issue.
Many of Marvel's loner heroes populate the pages of Peter Milligan's five-part masterless samurai story, 5 Ronin, but it seems he and interior artist Leandro Fernandez may have saved the craziest for last...
It's time for the Punisher to pay the price for wearing the mask of Captain America in Punisher War Journal #11! Red hot scribe Matt Fraction and special guest artist Leandro Fernandez bring you the confrontation you demanded-Winter Soldier (formerly Cap's sidekick Bucky) versus Frank Castle, whose Cap inspired threads have not gone unnoticed
Over the last six years, the Marvel MAX imprint has changed the way people see mature readers comics-and things are about to get even more exciting! With the 50th issue of the critically acclaimed Punisher and gripping new series such as Terror Inc and Foolkiller arriving this fall, not to mention collections of recent high profile projects such as Wisdom, MAX boldly goes where other comics dare not tread
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