Welcome back to All For the Wookiee, where we take a look at the recent Star Wars universe offerings from Marvel and pick the most Star Wars-ish moments. It's another jam-packed installment, with two-fers for Star Wars, Kanan and Lando, alongside Darth Vader issue #8. We'll take a look at the highs, the lows, the in-betweens and rate the Star Wars-iness of each moment.
The Marvel Comics line is about mid-way through its giant line-wide crossover event Secret Wars, in which reality has been rewritten by god-emperor Doom, and the heroes have been re-imagined more than a dozen times over in different domains paying tribute to stories from throughout Marvel's publishing history.
One of those domains is a version of House of M, another reality-rewriting crossover event that cast the Marvel heroes in different roles, which ran ten years ago. House of M launched the current era of Marvel events, kicking off a steady steam of universe-shaking storylines that continues into Secret Wars. To mark the tenth anniversary of House of M, and ten years of event-driven storytelling, we're asking you to determine which of these events was the very best.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
I think we can all agree that Nextwave was the pinnacle of superhero comic books as an art form. Of course, while I'm not sure the world could have handled more than 12 issues of beautiful perfection, I will say that if Marvel isn't going to have more comics about Elsa Bloodstone beating broccoli monsters to death with a shovel and declaring herself to be President Frankenstein, the least they can do is give us more comics featuring the incredible art of Nextwave's Stuart Immonen.
In the process of writing my article about muscles vs curves, and how the big dudes of superhero comics typically fail to represent the tastes of most androphile women, I gathered a collection of images and recommended artists from my correspondents that illustrate the sort of art they'd love to see more of -- but which there's sadly very little of compared to all the T&A fan-service targeted at straight men.
I had far too many recommendations to put in the article, so I've compiled the collection (and a few personal favorites) into a very special one-off post. The collection includes pin-ups, fan art, sketches, and some traditional superhero art from artists who aren't afraid to put a little male eye candy in their work!
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
August offers a feast of shape and color, with striking covers by Scott Fischer, Victor Santos, Chrystin Garland, and Tula Lotay, some bold juxtaposition, and a quirky take on a pulp archetype or two -- including a Nazi airship and some poor sap being held in a giant hand. It's a classic!
On Tuesday morning Whoopi Goldberg and the hosts of The View announced that Marvel will relaunch Thor this October with a 'worthy' woman brandishing the hammer. Marvel followed that announcement with two more high profile switcheroos on Wednesday night as Entertainment Weekly revealed a new-ish and possibly superior Iron Man, and Marvel Chief Creative Officer Joe Quesada joined comedian Stephen Colbert on The Colbert Report to announce that a new guy will take up Captain America's shield.
That in itself isn't much of a surprise -- original Cap Steve Rogers has passed on his mantle a few times, before eventually yanking it back. After spending some time in Dimension Z and fighting the Iron Nail and whatnot, he's now too old to Avenge from the front lines. The big reveal is that the new Captain America will be Sam Wilson, the African-American superhero currently known as Falcon.
Canada is comics’ secret super-power. As far back as 1938, when Toronto-born Joe Shuster created Superman with Cleveland’s Jerry Siegel, Canada has been a vital partner -- a Wild Child to America's Sabtretooth. (Age of Apocalypse version.)
”We have so many great artists and writers to choose from, it’s such an embarrassment of riches,” says Ty Templeton, a writer and artist who has worked for most major publishers and on most big name characters, and who knows just about everyone in the business. When he says Canada's creative community boasts an embarrassment of riches, he knows what he's talking about. So on this beautiful and proud Canada Day, we at Comics Alliance have to ask; why hasn't a Canadian creative team ever taken on Canada's best-known superhero team, Alpha Flight?
Getting all the way to issue #25 without a relaunch is a legitimate accomplishment for a Marvel Comics series in 2014, so the publisher and writer Brian Michael Bendis are doing it up big for next month's All-New X-Men #25, with a more than formidable list of contributing artists.
When Marvel announced the concept of All-New X-Men, we were sceptical. A comic book about the original teenage X-Men in the present-day Marvel Universe felt like a crazy idea for a miniseries, much less an ongoing. Yet Brian Michael Bendis and Stuart Immonen won us over; All-New X-Men is solid entertainment, earning a spot in ComicsAlliance's list of the Best Comic Books of 2013.
And yet, 15 months and 24 issues later, Marvel Girl, Beast, Iceman, Cyclops and Angel are still with us, and we're still kind of waiting for the other shoe to drop. Is this really the new status quo? Is it really sustainable to have two different versions of so many major characters rocking around the Marvel Universe?