One of the great strengths of DC's digital-first line of comics is that it's a showcase both for emerging talent and for some unorthodox storytelling approaches. DC's digital wing plays to the strengths of the anthology format, telling the sort of stories that the main line just isn't interested in telling. For a character like Wonder Woman, an icon beloved by a lot of people who aren't invested in the rigmarole of month-to-month continuity, the approach is especially liberating.
The latest writer to tackle Wonder Woman for the digital-first Sensation Comics series is Amy Chu, an up-and-comer who we've profiled in the past. Chu has collaborated on short stories with Larry Hama, Steve McNiven, and Janet K. Lee, and has self-published her comics through her Alpha Girl Comics imprint. Her Sensation Comics story, 'Rescue Angel,' tells a Wonder Woman tale with a focus on a different female warrior, a young combat pilot, with art by Bernard Chang and colors by Wendy Broome.
There’s some maybe not-so-great news here to report: the ‘Wonder Woman’ film is reportedly in negotiations with a screenwriter following the hiring of director Michelle MacLaren. And although we had our fingers crossed that WB would also hire a woman to script the film, their screenwriter of choice is Jason Fuchs, who is, as you may have guessed, a dude. He’s also responsible for the screenplay for the upcoming ‘Pan’ movie, which doesn’t seem very promising. But there’s still hope! Don’t feel too bad yet!
Over the past few years, Gabriel Hardman and Corinna Bechko have quickly become one of the creative teams that I look forward to seeing the most, and this week, they're giving me a pretty good reason to be excited. Today marks the release of the first installment of their three-part story in Sensation Comics, the digital-first Wonder Woman anthology, which finds DC's Amazon Princess sent on a rescue mission to Apokolips, the home of the evil New Gods.
To find out more, I spoke with Bechko and Hardman about their approach to Wonder Woman, their take on Jack Kirby's cosmic evil, and just why it is that page turns are so magical.
A few weeks ago we reported that ‘Breaking Bad’ director and producer Michelle MacLaren was in talks to take the helm on WB’s ‘Wonder Woman’ film, which was incredibly exciting news on its own. Today brings word that MacLaren has officially signed on to not only direct, but also formally develop the film, working with the writers to bring the iconic superhero to the big screen in her own solo movie.
Azzarello and Chiang's Wonder Woman has been praised for putting forth an epic, cohesive and narratively self-contained superhero drama with flourishes of the urban fantasy that once defined DC's Vertigo imprint, but has also been criticized for the changes it made to Wonder Woman's core myth. What's not in dispute is that the pair have created the most memorable and talked about Wonder Woman story in years -- maybe in decades -- and to mark the conclusion of their work, we caught up with Chiang and Azzarello to look back at their run and talk about their novel take on the feminist icon.
When ComicsAlliance first heard that Gilbert Hernandez would write and draw a Wonder Woman story for DC's digital first Sensation Comics series, we were excited to see what the master Love & Rockets illustrator would would do with the character. We also assumed he'd be the author of the story about Wonder Woman as a rock star.
Anyone following Sensation Comics now knows that the rock star story was Margeurite Sauvage's excellent work, while Hernandez spun a tale about a brainwashed Diana going toe-to-toe with fellow heroes Supergirl and Mary Marvel. The first half of his two-parter, "No Chains Can Hold Her," is already available. DC sent us this exclusive preview of part two, available this Thursday.
In what is probably the best rumor of the week already, WB has apparently got their collective studio eyes on Michelle MacLaren to direct their upcoming 'Wonder Woman' movie. MacLaren is best known for her work on television, where she's directed some of the most riveting episodes of 'Breaking Bad' and 'Game of Thrones,' so she knows a thing or two about action and what makes for a compelling, complex character.
'Wonder Woman' will be the first solo female superhero film to grace the big screen since 2005's best-forgotten 'Elektra,' and with fans clamoring for a female superhero movie, it has the distinct pleasure of having a metric ton of expectations placed on its figurative shoulders. WB has made the right call in deciding to hire a female director, and one of the names that's been tossed round online is Lexi Alexander, who previously directed 'Punisher: War Zone' -- but you can go ahead and cross her name off the list because according to her, she's definitely not interested in the job.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Longtime ComicsAlliance fave Marguerite Sauvage had already established herself as a fashion and commercial illustrator with work for companies as varied as Marie Claire, Playstation, and Louis Vuitton, not to mention animation art and writing and drawing comics for the French market. It was only recently that Sauvage made waves in the US with her celebrated work in Sensation Comics, where she reimagined Wonder Woman as a contemporary feminist rock star. Just this week, Sauvage was announced as the artist of a new Thor story to be written by Lumberjanes co-creator Noelle Stevenson.
Is she a being of love adrift in darkness, as portrayed by Brian Azzarello and Cliff Chiang in their recently ended run? A dowdy wallflower, eternally at war with her own glamorous alter ego for Steve Trevor’s affection? George Pérez’s goddess of truth? Robert Kanigher’s wannabe wife? Greg Rucka’s diplomat? Gail Simone’s savior? Robert Valley's hot rod heroine? The Justice League’s secretary? Superman’s girlfriend? Batman’s girlfriend? Lynda Carter in satin tights? William Moulton Marston’s herald of benevolent matriarchy or the sexed-up uberbabe I met as a comics-curious child? Or, in the most macro sense—the one that most of the public operates on, when it comes to Wonder Woman—is she merely the century’s most generic t-shirt symbol of girl power?
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