Listen, I gotta tell you about this dream I had last night. It was so weird 00- DC comics had launched a line of comics based on Hanna-Barbera cartoons, but they were doing these completely bonkers takes on all of them. Like, Scooby-Doo was set in the apocalypse and Scooby had a techno-monocle that allowed him to communicate through emojis, and Wacky Races was mashed up with Mad Max: Fury Road, and they even got one of the designers from the movie for it, and there was a big crossover with Space Ghost and Jonny Quest. And the weirdest thing of all was that the Flintstones were just the Flintstones, but drawn by Amanda Conner. Bizarre, right?
Wait a second... I'm just catching up on the news, and --- holy cats. It wasn't a dream. DC Comics is actually doing a Hanna-Barbera line with post-apocalyptic Wacky Races and emoji-monocle Scooby-Doo. This is actually happening.
October traditionally marks the end of the summer con season, when retailers, creators and exhibitors return to their caves for hibernation, secure in the knowledge that they have done everything they can to promote their wares. But before we all get our rest, the fitful sleep before the rattling of chains in January that signals the first email about registering for San Diego, there's one last stop: New York Comic-Con, coming at you on October 8 through 11, complete with a very fun roster of variant covers!
In addition to getting Andy Kubert's art for Dark Knight III on the cover of the con program, DC is marking the occasion by offering up six exclusive variants that you can grab at the Javits Center next month. But if you're not going to be there, don't worry too much: You can check 'em out right here.
Ever since it was first announced last April as the brainchild of Mike Marts and Joe Pruett, AfterShock Comics has been talking a pretty big game. They've signed an impressive roster of talent, but there hasn't been much news about the actual projects --- until today, when AfterShock announced the titles, teams, and release dates for its first four titles.
All four are set to hit shelves in December, with new titles from Paul Jenkins and Andy Clarke, and Marguerite Bennett and Ariela Kristantina, leading the way.
Not everyone can make it to San Diego Comic-Con to see what's happening in person, but ComicsAlliance has you covered! We know that it's not just about the news that comes out of the biggest con of the year --- it's also about seeing the booths, checking out new collectibles, and putting faces to names of your favorite creators. Thankfully talented photographer Pat Loika is on hand to document as much as he can for your enjoyment.
AfterShock Comics, the new publisher formed earlier this year by Joe Pruett, has announced a huge slate of writers who'll be penning creator-owned stories for their eventual launch line - including Justin Jordan, Garth Ennis, Marguerite Bennett and Amanda Conner.
Since her 1941 debut, Wonder Woman has been one of the cornerstones of DC Comics, and of superhero comics in general.
In her 74-year-history, scores of artists have put their spin on the character, from subtle changes to her classic red, white, blue and gold costume to the "new" Wonder Woman of the late 1960s to some far more maligned interpretations that featured jackets and long pants. We've compiled a gallery of some of the most iconic Wonder Woman artists of the past seven decades, along with some positively stunning modern designs.
A few days ago DC casually outed two characters that everybody had always thought were a couple, even if it had never been actually stated on-panel anywhere. Responding to the question, "Are Harley and Ivy girlfriends?" the official DC Twitter account confirmed: "Yes, they are Girlfriends without the jealousy of monogamy."
That's a breakthrough of sorts, but it’s not as though DC could do anything but confirm the relationship, at this point! The best creative team in comics could tell a decade-long story in which Harley falls in love and marries a man, has kids, and settles down into monogamy, and fans would still stoke the fires driving the Harley/Ivy ship onwards.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
The success of Harley Quinn seems to have taken everybody by surprise – including DC Comics, who suddenly finds itself with one of the most successful female-led ongoing series on the stands. Written by Amanda Conner and Jimmy Palmiotti, with art (mostly) from Chad Hardin and colorist Alex Sinclair, letters by John J. Hill, Harley Quinn has proven to be a huge success with readers and retailers. And with volume one collected and out now in hardcover, it seemed like a good time to look back across the first nine issues and get a look at what all the fuss has been about.
Of all the spooky characters that I throw the spotlight on at Halloween, there's one that I've never really written too much about: Vampirella. That seems like a pretty big oversight, too. I mean, I once wrote about the Tomb of Dracula anime for Halloween, you'd think I could muster up a few words for one of the most recognizable horror characters of the '70s, right?
Well, the fact is, Vampirella's not actually that scary. I mean, despite her name, she's not actually a vampire. She's an alien from planet Drakulon, a planet where water has the same composition as blood. Or at least, I think that's how it worked, until 1997, when it was revealed that Drakulon was the product of memory implants and she was actually the daughter of Lilith, mother of all vampires, who sent her to destroy a 2,000 year-old conspiracy organized like a vampire Catholic Church (complete with a Vampire Pope) with the help of a time-traveling nun. Hoo boy. This is going to get complicated.
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