Teased for years and finally launched in 2014, The Multiversity is a universe-jumping series of DC Comics one-shots tracking the cosmic monitor Nix Uotan and an assemblage of star-crossed heroes as they attempt to save 52 universes and beyond from a trippy cosmic existential threat that, like much of Morrison’s best work, represents something far more mundane and relatable. Tying back into the very first Multiverse story in DC’s history, the heroes of these universes become aware of this threat by reading about it in comic books… comic books that, it turns out, take place in neighboring universes. Indeed, writer Grant Morrison continues his streak of highly metatextual DC cosmic epics with this eight-issue mega-series (plus one Tolkienesque guidebook).
Described by Morrison as “the ultimate statement of what DC is”, The Multiversity naturally offers the reader much beyond the surface level adventure, and that means annotations. Rather than merely filling out checklists of references, my hope with this feature is to slowly unearth and extrapolate a narrative model for Morrison and his collaborators’ work on The Multiversity; an interconnecting web of themes and cause and effect that works both on literal and symbolic levels.
We’ll be focusing here on the third issue of the maxiseries, The Just, written by Morrison with artwork by Ben Oliver and color assistance from Dan Brown (the excellent colorist, not the literary hack).
We'll be focusing here on the second issue of the maxiseries, the unwieldily titled The Multiversity: The Society of Super-Heroes: Conquerors of the Counter-World, written by Grant Morrison with pencils by Tom Strong's Chris Sprouse, inks by Karl Story and Walden Wong, and gorgeous colors by Dave McCaig.
I'll admit here from the beginning that while I can talk about this series' relationship to the DC Universe and Morrison's oeuvre, I'm close to clueless about the vagaries of early 20th century pulp fiction and would be incredibly interested in hearing from more learned readers whatever I've missed from that angle. That said, there's still a great deal of meat to dig into in this issue, which serves as a sort of conceptual counterpoint to Final Crisis's opening scene, showing us the end of Anthro and Vandal Savage's 40,000-year feud.
It's not really surprising that Katie Cook and Andy Price's My Little Pony: Friendship Is Magic comic from IDW is a pretty great read. Not only does it have two great creators behind it, but it's managed to perfectly capture the feel of the show and the sense of humor that made it such a crossover hit. And with that sense of h
Well, we're back. (I realize I never got to the Leviathan Strikes oneshot, and I swear on the graves of Thomas and Martha Wayne I'll get to it soon enough.)
But it's a new #1 issue, in a New 52, and there are new readers, so let's sit back and absorb the 22 (!) pages of the first issue of Batman Incorporated volume two, by Grant Morrison, Chris Burnham and Nathan Fairbairn, who continue to prove themselves insanely well-matched for Morrison's scripts. I hope these guys collaborate for a long time to co
After a long hiatus, we're back with more detailed annotations of Grant Morrison's epic Batman Incorporated! In this installment, we'll take a look at #7 and #8, the former a Western adventure featuring Chief Man-of-Bats and Raven Red, and the later a high-tech videogame-inspired digital romp featuring Oracle.
Welcome back to our (admittedly delayed) annotations of Jonathan Hickman's hugely successful run on FF, formerly Fantastic Four! Chris Eckert of Funnybook Babylon and Savage Critics and I have been taking a look
Our Batman Incorporated annotations are back, this time taking a look at the incredibly dense and referential fourth issue. Not only does this issue feature writer Grant Morrison's new origin of the original Golden Age Batwoman, an appearance by the new Batwoman, and stunning art from Chris Burnham with coloring from Nathan
Welcome back for the second installment of ComicsAlliance's annotations of Grant Morrison and Yanick Paquette's criminally fun Batman, Inc. This issue we'll see hints at the origin of Lord Death Man, the fate of Mr. Unknown, heartbreak in an ambulance and a gigantic gorilla wearing a Ninja Turtle mask.
Benito Cereno, James Harren and Ed Brisson's Santa Claus vs. The Martians is a book I've been looking forward to ever since it was first announced. In fact, I even interviewed Santa Claus himself (along with Cereno) about it back
Welcome back to our ongoing annotations of Jonathan Hickman's Fantastic Four run. This time around, we're taking a look at the second two parts of the opening "Solve Everything" arc, issues 571 and 572 with art by Dale Eaglesham, collected in this trade. Joining me again to provide historical background
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