I know that we all love the Great Pumpkin, but if you ask me, Dracula is the Santa Claus of Halloween. I don't know what your family traditions are, but I always like to imagine the Lord of the Undead flying through the night of October 31, dragging bad children off to the depths of Castlevania and bringing the good children feasts of blood. It's... probably a good thing that I don't have children of my own.
Anyway, the point is that at this time of year, I'm even more into Dracula than usual, and I spend a pretty good amount of time diving back into comics featuring the King of All Vampires and looking for the best stories -- and there aren't a whole lot better than "Night of the Blood-Stalker."
For eleven months out of the year, I can take or leave horror comics. Unless it's something exceptional like Hellboy or Tomb of Dracula, they don't tend to be things that I actively seek out, Until, that is, September becomes October and the scent of pumpkin spiced coffee is on the air, at which time I promptly start scrambling like a lunatic to find as many comics about ghosts, mummies and miscellaneous tentacled horrors that I can fit into the next 31 days.
Sometimes, every now and then, that search through quarter bins brings me something amazing, like a comic where creators like Dwayne McDuffie, Ernie Colon and Gil Kane told the story of a war raging in Hell itself between every single monster from the Lord of the Vampires to Baba Yaga over who would have the right to destroy humankind once and for all. And sometimes, that story turns out to be the comic book version of Monster In My Pocket.
When you consider that I'm spending a good portion of every week recapping the '90s X-Men cartoon, you might think that I'd have my fill of '90s mutant nostalgia, but that is definitely not the case. If anything, going back through that show has made me want to go back and revisit that stuff even more. That's why I went out a few days ago and grabbed one of the most treasured artifacts of my childhood: the four-part X-Men Collector's Edition comics released in 1993 and sold at Pizza Hut.
Seriously, you guys. There was a time in this country when you could go out and get a pizza and comic books about the X-Men jacking into cyberspace in the same building. If we want to make America great again, I suggest we start there.
You know that movie, Class of 1984? If you've never seen it, the basic idea is that a new teacher comes to a crime ridden urban high school and finds that his students are murderous sociopaths, and ends up having to kill them all with a series of deathtraps while the band plays the 1812 overture. If you have seen it, then you probably thought the same thing I did when I was watching it: "This story would be way better if Superman was in it."
Well rest easy, friends, because that exact thing has already happened, in a Jerry Siegel / Al Plastino classic with the truly amazing title, "The Three Tough Teen-Agers!"
It was only a few days ago that I wrote about why Marvel's Godzilla comic was one of the most fun titles of the Bronze Age. The thing is, doing an overview of an entire 24-issue series doesn't really give you the opportunity to go into the specifics and explain just what it was that made it so great. So if anyone still has any doubts about whether they should be spending some time digging through back issues boxes to put together a run, I thought it might be a good idea to go a little deeper to one of the many high points of the run.
And by that, I mean the time that Godzilla shrank down to tiny size, had a fistfight with the Thing, and then went back in time to have a wrestling match against Devil Dinosaur.
Look: I have read a lot of weird old DC comics. It's kind of my thing. But the great thing about them is that no matter how crazy they get, every time I think I've seen the weirdest thing that comics have to offer, they always somehow manage to top themselves. Case in point: a Cary Bates/Ross Andru/Mike Esposito classic from 1968 that has somehow managed to outdo every other comic I have ever read. I realize I say this all the time, but this is, without question, the absolute balls-out craziest comic I have ever read.
Seriously, folks, I'll go ahead and tell you right now that Batman casually mentions owning a time machine in this one, and as far as weird stuff goes, that's not even in the top five.
For those of you who never caught their appearance on Walker: Texas Ranger, here's the basic idea of The Power Team: They're a group of Christian strong-men who travel around the country to churches and schools, bending frying pans, smashing cinderblocks with their heads and in order to lead people to the message of Jesus Christ. That might sound a little weird, but trust me. If you grew up in the South, it makes perfect sense.
They're still around today, but in the '90s -- that grim, far-off past where you couldn't just type "dude breaks baseball bat" into YouTube and had to wait for months to see it live -- they were a pretty big deal. So big, in fact, that they had their own comic book, and yes, it is every bit as amazing as you want it to be. Especially the issue where they fight Internet Devil Worship.
If you've been reading ComicsAlliance for a while, you may recall that I was less than thrilled with the premise of the Injustice: Gods Among Us pequel comic. The major sticking point there was the scene where Superman, tripping balls on Kryptonite mushrooms or whatever it was, drags Lois Lane out into space and kills her. It's not great.
A few weeks ago at HeroesCon, I was going through quarter boxes when I found a run of Punisher 2099. I bought the whole thing as soon as I saw it, and while that might just sound like a normal comic-con impulse buy, keep in mind that I was so excited that I forgot I already owned a full run of Punisher 2099. Admittedly, that might say more about me than it does about these comics, but I don't really mind having extras, because Punisher 2099 is amazing. Seriously.
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