If you've been reading ComicsAlliance for a while, you may recall that I was less than thrilled with the premise of the Injustice: Gods Among Us pequel comic. The major sticking point there was the scene where Superman, tripping balls on Kryptonite mushrooms or whatever it was, drags Lois Lane out into space and kills her. It's not great.
A few weeks ago at HeroesCon, I was going through quarter boxes when I found a run of Punisher 2099. I bought the whole thing as soon as I saw it, and while that might just sound like a normal comic-con impulse buy, keep in mind that I was so excited that I forgot I already owned a full run of Punisher 2099. Admittedly, that might say more about me than it does about these comics, but I don't really mind having extras, because Punisher 2099 is amazing. Seriously.
You may not have heard about it since Warner Bros. is keeping it pretty quiet, but there's a new movie about Superman coming out this week. That means that it's once again time for a new group of people to try their hand at bringing Superman to the big screen, and if there's one thing we've learned from past movies, it's that this is a darn near impossible task. Even in the best of circumstances, even if Clark Kent himself steps up to play the lead role, they're always going to get something wrong.
It probably goes without saying that here at ComicsAlliance, we've been thinking a lot about shocking returns this week, and not just because they'e a pretty well-worn plot device. We've had some first-hand experience with it over the past few days, and I'm not gonna lie: They can be pretty surreal. Of course, we only have the return of a website to talk about, so I can't even imagine how strange it would be if, say, an entire planet came back from the dead one day.
In a lot of ways, Superboy is one of DC's best stabs at capturing the kind of wish fulfillment character that Captain Marvel perfected. It's one of the simplest ideas in comics, taking all the powers of Superman and compressing them down into a pint-sized package that also went to school and was secretly way cooler and smarter than any of his classmates who probably didn't even know about the Bottle City of Kandor. You
If you're a regular reader of the Bizarro Back Issues column, then you may have realized that I've been reading through some of the "classic" '90s X-Men stories lately. A few weeks ago, I broke down the mind-boggling saga of Gambit's ex-wife and Ghost Rider fig
If you asked a bunch of comic fans what the greatest Joker story of all time was, I imagine you'd get a variety of answers. Some would probably point to Alan Moore and Brian Bolland's The Killing Joke, which raised the bar for the Joker's criminal madness. Others might
Over the past few years, I've been completely thrilled by the new approach that Archie Comics has taken with their characters. The Life With Archie series, the introduction of Kevin Keller, crossovers with Glee and KISS, it's all been interesting to see, and pretty entertaining to read. But it's not the
Like a lot of people my age, I have a lot of affection for early '90s X-Men comics. Their combination of bright colors, superpowers built entirely around punching things with knives or making them explode, overblown personal conflicts and the least subtle metaphors ever committed to paper made them almost scientifically designed to appeal to kids of that decade. Of course, they're also some o
Bob Haney and Jim Aparo were the single greatest creative team that has ever worked on Batman, and if anyone says differently, they are wrong and dumb and I hate them forever.
That might be a bit of an extreme rea