Numerous artists have had a crack at DC Collectibles' Batman: Black and White series over the years. The long roster of creators to have their styles translated into sculptures is filled with both classic and current favorites, though there is always room for that roster to expand. While we've seen some of the true masters of the form take their crack at the series, one of DC's brightest silver age stars is only now seeing his style make the leap. That's true of the characters included in the statue series as well. Where once Batman: Black and White was solely focused on the Dark Knight, recent years have seen the line grow to include the rest of the Bat-cast, such as the Joker, Batgirl, Harley Quinn, and now Robin as well.
Announced this week (via MTV), the Batman: Black and White statue series will soon see Carmine Infantino's Batman and Robin join the team. Previously, we'd seen the likes of Dick Sprang, Frank Miller, David Mazzucchelli and Neal Adams get statues based on their immediately recognizable styles, but Infantino's interpretation of Batman had largely gone unappreciated in the line. Now, not only will his Batman be celebrated, but his Robin, too.
Now that Supergirl's a big hit on TV, it's only a matter of time before they start riffing on some of the classic Supergirl stories of the comics, right? I mean, Flash had Jay Garrick showing up in a pie-tin helmet to re-enact the cover of "The Flash of Two Worlds," and Arrow had... well, I'm sure there was some Green Arrow story they did a TV version of between fighting Batman villains and having the best match at SummerSlam.
Point being, it's all but inevitable that they'll turn their attention to some specific moments from the source material. And when they do, I hope it's the story where someone actually says the phrase "What use could we possibly have for 12-inch Supergirls?!"
Like a lot of people who started reading comics at an early age, I learned a lot of things from superheroes. Most of it was trivia, like all the Army slang that you can pick up from back issues of GI Joe --- and a lot of it was completely wrong, like that thing about only using 10% of your brain --- but comic books have always been full of weird little facts that creators decided to build entire stories around. Like, say, the time that Batman devoted his considerable resources to finally battling the most pressing scourge of 1964: Elephant Crime.
No, not crime involving elephants, like, poaching or illegal ivory smuggling. This is crime committed by elephants. And that's not the weirdest thing about this story.
As the genre of superhero comics has become increasingly event-driven over the last thirty years, the need to push each event as more important than the last has increased with it. Every new event promises, somehow with a straight face, that “nothing will ever be the same again.”
There are, in fact, comics that actually affect everything that comes after them one way or another — Action Comics #1, Amazing Fantasy #15, Uncanny X-Men #132 — but they rarely come with much fanfare, or with empty and overreaching promises. One such comic debuted on this day in 1961: Flash vol 1 #123, “The Flash of Two Worlds.”
As much as I love Batman, and I think the record will show that I love Batman a whole heck of a lot, I haven't really been looking forward to sitting down and cracking open the new Batman: A Celebration of 75 Years hardcover. Last year's Superman anniversary hardcover was a disaster of revisionist history, 300 pages that would have you believe that one of the world's greatest superheroes did nothing for seven and a half decades but cry. With that in mind, I had no idea what DC Comics was going to do with Batman. If you'd asked me to bet on it, I would've put good money on a prediction that they'd craft a narrative that acknowledged Batman only as a scowling vigilante, consumed with vengeance and every bit as crazy as the villains he fought.
But it turns out I didn't have to worry. The Batman hardcover is exactly what it says it is -- a celebration of Batman across different eras, with a roster of stories that highlights one of the character's true strengths: How well he works across different kinds of stories.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we've created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web...
Carmine Infantino, the legendary comic book creator who played an integral role in the American comic book business both as an artist and editor, passed away today. Regarded by many as one of the greatest pencillers the industry has ever known, he is perhaps most associated with his work in revitalizing the DC Comics character The Flash, a move that signaled a return of popularity for superheroes and ushered in what is fondly referred to even today as the Silver Age of American comics...
In the house of Carmine Infantino, the notable Silver Age comics artist and DC Comics editor, there resides a very special and unique piece of original art: a drawing of Batmanby Peanuts creator Charles Schulz where the Dark Knight lies supine on Snoopy's doghouse...
It appears that you already have an account created within our VIP network of sites on .
To keep your personal information safe, we need to verify that it's really you.
To activate your account, please confirm your password.
When you have confirmed your password, you will be able to log in through Facebook on both sites.
It appears that you already have an account on this site associated with . To connect your existing account just click on the account activation button below. You will maintain your existing VIP profile. After you do this, you will be able to always log in to http://comicsalliance.com using your original account information.