In 2014, Toronto publisher Alternate History Comics launched a Kickstarter for an anthology of indigenous comics, with the goal of “showcasing the rich heritage and identity of indigenous storytelling.” The resulting anthology, Moonshot: The Indigenous Comics Collection, Volume 1, is now available, and it presents a unique and much needed look into aboriginal storytelling in multiple aspects.
It’s easy, as an indigenous person, to slip into what sounds like hyperbole when discussing a project like this. This is one of the most important comics of the year! But it’s easy for the same reasons that make it hard for any statement to actually be that hyperbolic; the blunt reality of comics as a business and popular medium is that there really aren’t that many aboriginal stories being told, and what few aboriginal characters there are usually employ crude stereotypes. These stereotypes aren’t continued out of any real sense of hatred, but out of the almost complete lack of aboriginal people involved in the telling of these stories.
With the exception of perhaps Marvel, Dark Horse Comics may have been the publisher that broke the most news about its upcoming books at New York Comic-Con this year. That includes new stories from Eric Powell and Sergio Aragonés, the latest adventures from the Eisner-winning Itty Bitty team, prestige collections of Kabuki and Pistolwhip, brand new horror tales from some of the masters of the form, and much more.
Over the last twelve days, Dark Horse has thrown a spotlight on twelve new creator-owned titles that they plan to promote at this year's San Diego Comic-Con. The series include the Fight Club sequel from Chuck Palahniuk and Cameron Stewart, a new Hellboy series from Mike Mignola and John Arcudi, and Joëlle Jones and Jamie S. Rich's Lady Killer.
Also in the mix; new series from Jeff Lemire, Matt Kindt, Rafael Albuquerque, and Cullen Bunn, and sequels to Colder, from Paul Tobin and Juan Ferreyra, and Alabaster, from Caitlin R. Kiernan and Joëlle Jones.
The world of comics fans who also love larger-than-life horror rock acts from the 1970s (so everyone who read Kiss: Psycho Circus) was abuzz Thursday upon news of a new Dynamite Entertainment Alice Cooper comic series by writer Joe Harris (The X-Files), artist Eman Casallos (The Ninjettes) and cover artist David Mack (Kabuki).
Dynamite's description of the new series, which launches in September, touts it as the story of Cooper's secret role as "The Lord of Nightmares." He's apparently been locked out of his kingdom by a usurper and is struggling to regain his title. That sounds pretty cool, but does it really encompass all that is Alice Cooper? We don't think so. Here are some other aspects of Cooper we hope to see in the comic's pages.
Getting all the way to issue #25 without a relaunch is a legitimate accomplishment for a Marvel Comics series in 2014, so the publisher and writer Brian Michael Bendis are doing it up big for next month's All-New X-Men #25, with a more than formidable list of contributing artists.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
After last week's tragic events in the city of Boston led to the postponement of Boston Comic Con, the show's organizers collaborated with New England's local comic shops to put together a variety of events throughout the weekend, to the delight of the convention's would-be attendees. Local comic retailers held their own free mini-conventions, wherein each shop set up an artist alley featuring a handful of Boston Comic Con's gu
If you didn't get enough of Brian Bendis writing about Marvel's Man Without Fear in his 55-issue run on Daredevil, then you are in luck: Next month, Bendis, along with co-writer David Mack and artists Klaus Janson, Bill Sienkiewicz and Alex Maleev return to Daredevil for End of Days.
To coincide with this summer's Captain America: The First Avenger feature film, Marvel has commissioned a series of themed variant covers to be made available with comics on sale in June and July. Titles from across the line will have alternate "I Am Capt
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