Spider-Women, the multi-part crossover between Spider-Woman, Silk and Spider-Gwen has been something to look forward to almost every new comic book day for the past month or so, as Silk and Spider-Woman find themselves stranded on Spider-Gwen's Earth. With the conclusion mere weeks away, Marvel has provided us with an unlettered preview of Spider-Women Omega #1 by Dennis Hopeless, Robbie Thompson, Jason Latour and Nico Leon to prepare you for the finale.
The three Spider-Women who all somehow have solo titles right now are having their inevitable crossover, and it all starts in Spider-Women Alpha #1. This book leads into an eight-part crossover between Spider-Woman, Spider-Gwen, and Silk. The crossover is written by Jason Latour, Dennis Hopeless and Robbie Thompson, with art by Vanesa Del Rey, Bengal, Javier Rodriguez, and Tana Ford. Thompson and Del Rey are handling this first chapter.
All-New X-Men has quickly proven itself to be a fan-favorite title within the X-Books since it started last year, with Dennis Hopeless, Mark Bagley, Nolan Woodard and Cory Petit bringing together a team of young teen characters to valiantly surge forward through a world that hates and fears them. Despite having everything stacked against them, the cast have struck home with readers due to their determination to fight back and proudly stand up for who they are... and not what the world thinks they might be.
Although characters like X-23, Beast, Cyclops, Iceman, Idie, and Angel all stand poised in the dark shadows of their past and possible futures, the series stands out as a more purely entertaining and character-driven series than anything else. It's fun, and a lot of that fun is down to the immediate creative synergy between Bagley and Hopeless. ComicsAlliance caught up with Hopeless to get a closer look at the unruly team of teen heroes he's assembled, and to get a glimpse into what awaits the characters over the next few months.
The second story arc of Dennis Hopeless and Mark Bagley's All-New X-Men run begins in issue #4 next month, and the first chapter of "Flesh Wounds" sees Wolverine jumping headfirst into a fight with the Blob. Good old Fred Dukes appears to be powered up since his last appearance, and he's wearing a suit and tie. So regardless of how this story goes, congrats on getting it together, Blob!
The beginning isn’t always the beginning, especially in comics. The All-New X-Men #1 that came out this week, written by Dennis Hopeless and drawn by Mark Bagley, is not the first comic with that title and number. The previous All-New X-Men series began in 2012 and ended a few months ago with the departure of writer Brian Michael Bendis and the beginning of Secret Wars.
And of course, the All-New X-Men were never exactly all new. That first series told the story of the original five X-Men — Cyclops, Marvel Girl, Beast, Iceman, and Angel — being plucked out of the past from their early days with the team and into the present, which to them was dark future timeline. This series picks up their story — minus Marvel Girl, who’s over in Extraordinary X-Men instead — and takes it in a direction that really does feel “all new.”
As everyone knows, Spider-Man's costume is the best; a true masterpiece of design. The webbing, the colors, the chevron belt, the split arms, the wide-eyed mask; it's all perfect. Steve Ditko smashed it out of the park. It's also inspired some amazing costumes, like the black Spider-Man costume designed by Mike Zeck in 1984 (reportedly based on a suggestion by fan Randy Schueller), and this year's Spider-Gwen costume by Robbi Rodriguez.
And then there's Spider-Woman. Her costume was designed in 1972 by Marie Severin, and it hasn't really changed since -- and I hate it almost as much as I love Spider-Man's costume. It's ugly, tacky, and it doesn't match the personality of Jessica Drew, the woman behind the mask. So I'm delighted that artist Kris Anka has given Jess a new set of togs that look chic, modern, and appropriate to her character.
Last weekend at the "Women of Marvel" panel at San Diego Comic-Con, Marvel Comics announced a new ongoing Spider-Woman series that will debut in November, from writer Dennis Hopeless and artist Greg Land, which will follow directly on from events in the Spider-Verse crossover. We had the opportunity to have a quick chat with the creative team in the wake of the announcement, and ask a few questions about their plans for the series.
The annual Women Of Marvel panel at San Diego Comic-Con is always one of the most positive places to spend Sunday morning at the show. This year it plays host to Marvel's final Spider-Verse announcement of the weekend, with the news that writer Dennis Hopeless and artist Greg Land will oversee a new Spider-Woman ongoing series launching out of the Spider-Verse event in November.
Kansas City's Planet Comicon has steadily grown into what may be the biggest comics and pop culture convention in the Midwest. After spending several years in the Overland Park Convention Center, a mid-sized facility in a suburb of Kansas City, last year Planet Comicon moved to Bartle Hall, a much bigger facility in the heart of downtown. This year, the convention doubled in floorspace, drew cosplayers likes flies to vinegar, and brought in a litany of television and pop culture stars, including legendary rapper Darryl "DMC" McDaniels, pretty much the entire cast of Star Trek: The Next Generation, and the puffy one himself, Sir William Freaking Shatner.
But this site is called ComicsAlliance, and what we really care about are the comics and the creators who make them. Click onwards for a sometimes-blurry Blackberry camera gallery of guests, friends, and artist alley residents of one of the fastest-growing cons in the country.
Last week's Uncanny Avengers, by Rick Remender and Steve McNiven, killed off a whole bunch of characters. The last issue of Avengers Arena, by Dennis Hopeless and Kev Walker, came out the same day with that book's final death tally. It was a good day for funeral directors in the Marvel universe.
The deaths in these two titles ran the gamut from newly minted minor characters seemingly created just so they could die to major Marvel heroes with substantial fanbases and decades of history. Does that distinction matter in a genre that takes such a light view of death?
Spoilers for Uncanny Avengers and Avengers Arena follow.