Good news for aspiring supervillains in search of a lair who don't want to go through the trouble of carving a volcano into your own head: As reported by the Washington Post,Dracula's Castle is for sale. Sort of.
Bran Castle, a 13th Century in Romania (formerly Wallachia, better known to fans of spooooooky stories about terrible Victorian dweebs getting what's coming to them as Transylvania), has been put up for sale. And while it's an impressive enough piece of real estate all on its own, this particular Wallachian castle is believed to have inspired Bram Stoker to write Dracula.
Over the past year, DC's digital Adventures ofSuperman anthology has played host to some of the most exciting creative teams working in comics today. With the current story, though, the scale of the whole project has gotten much bigger in both creative team and subject matter. Writer Joe Keatinge has been joined by an incredible roster of talent that includes Ming Doyle, Brent Schoonover, Dave Williams, Tula Lotay and Jason Shawn Alexander to chronicle a three-part epic that spans Superman's life from 1939 all the way to the end of time, and the end result is one of the best Superman stories I've read in a while.
To find out more behind how the project came to be and what he wanted to accomplish with it, I spoke to Keatinge and got his thoughts on the reason for multiple artists, the influence of Jack Kirby on the story, and how he compares and contrasts Superman and Dracula.
I know that we all love the Great Pumpkin, but if you ask me, Dracula is the Santa Claus of Halloween. I don't know what your family traditions are, but I always like to imagine the Lord of the Undead flying through the night of October 31, dragging bad children off to the depths of Castlevania and bringing the good children feasts of blood. It's... probably a good thing that I don't have children of my own.
Anyway, the point is that at this time of year, I'm even more into Dracula than usual, and I spend a pretty good amount of time diving back into comics featuring the King of All Vampires and looking for the best stories -- and there aren't a whole lot better than "Night of the Blood-Stalker."
Q: What makes a monster a Halloween monster? Why is Dracula okay but Godzilla is not? -- @chudleycannons
A: If you're following me on Twitter, then you may already know that earlier this week, I got into a heated argument with comic book writer and holiday enthusiast Benito Cereno over what does and does not constitute a "Halloween Monster." The whole thing sprang out of a Halloween-themed musical countdown that Benito's doling out over at his Tumblr -- stick around to find out how the Garfield Halloween special got him in trouble as a youngster -- that included Blue Oyster Cult's "Godzilla."
My argument -- which I posed to my ex-friend in a very civil and conversational manner that definitely did not start with "hey stupid" -- was that this song wasn't a good fit because Godzilla, while he is definitely a monster, doesn't fit thematically with Halloween. Benito's argument was that it was a fun song. But obviously, as we all know, you can't have fun without rules.
I try to be responsible with my video game purchases, but let's be honest: the key word there is "try." As much as I tend to wait for a price drop for a lot of things, the fact that there's a miniature Dubstep Gun and a rotating Saints Row IV display case on their way to my house at this very moment is irrefutable evidence that I'm a sucker for a good Collector's Edition -- and for the upcoming release of Batman: Arkham Origins, WB Games has gone all out in trying to to get $119.00 out of me. How? Nothing much. Just some posters, art books, a light-up statue. You know, the usual.
Oh, and also Purple Gloves Batman and a documentary narrated by f**king Dracula.
With the exception of Simon's Quest for the NES, I've been a pretty big fan of the Castlevania games for my entire life. That said, I walked away from 2010's Castlevania: Lords of Shadow, a reboot of the franchise that involved Metal Gear Solid's Hideo Kojima, thinking that it was one of the dumbest games I'd ever played. It wasn't the gameplay, which was a solid enough
Halloween is right around the corner, boils and ghouls, and that means that my fascination with the stranger side of comics veers ever so slightly towards the macabre. And for my money, there is nothing more laden with terror (and truly awesome comics) than Comicdom's #1 Fear Magazine, The Tomb of Dracula! So what better way to celebrate Halloween than with the most terrifying tale ever told about the Lord of the Vampires?
You know, the one where he fights a guy from outer space who flies around on a surfboard. That's scary, right?This titanic tussle happened in the page
You might think you know the real story of Count Dracula, but how much can be certain when our only account of the legendary vampire is a composite of multiple persons' different points of view? Who's to say Jonathan Harker wasn't a vicious liar? How do we know Van Helsing wasn't fiercely insane? Those are among the highly dubious positions CA writer Chris Sims has taken in order to create Dracula the Unconquered, a new comic book series that has the audacity to put forth not just the real story of Count Dracula, but also tell us what happened next. Spoiler: it involves a certain amount of rising from the grave, a certain a
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