Though his work has been divisive over the past decade or more, it's hard to deny just how big a name Frank Miller is in the world of comics. He's one of just a handful of comics creators you might consider a household name, in part because so many of his comics have become cultural landmarks, and in part because of his influence and participation in the film industry. Like him or not, Frank the Tank, born on this day in 1957, is an institution.
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Daredevil fans finally got their wish with news that Season 2 would feature famous Marvel femme fatale Elektra, though character creator Frank Miller revealed himself none-too-enthused with the prospect, denouncing any take but his own. Word naturally reached Season 2 showrunners Doug Petrie and Marcos Ramirez, who now seem to have taken the criticism in stride.
Hal Jordan, or at least the strange version of him that exists in Frank Miller's Dark Knight Universe, gets the spotlight in Dark Knight Universe Presents: Green Lantern #1, a 12-page mini-comic that will be included with Dark Knight III: The Master Race Book 3. Miller is collaborating with Brian Azzarello on the writing, and with John Romita Jr. on art.
The second issue of the still mindblowingly titled Dark Knight III: The Master Race arrives in comic book stores on Wednesday, December 23rd, and DC Comics has just revealed five limited variant covers by Cliff Chiang, Klaus Janson, Eduardo Risso, Jim Lee, and Frank Miller himself.
Unsurprisingly, all five of the cover artists are male, but at least three of them are people of color. I don't know that that mitigates the stigma of the series title, but hey, it's something.
Marvel’s Netflix Daredevil sought to right prior adaptations with smaller focus on the character’s comic history, leaving Season 2 to tackle more recognizable foes like Punisher and Elodie Yung’s Elektra. That said, Elektra creator Frank Miller isn’t terribly pleased with Netflix’s adaptation, despite not having seen Daredevil Season 1.
As you may have heard, we're only a few days away from the release of the first issue of Dark Knight III: The Master Race, a new Batman story from Frank Miller, Brian Azzarello, Andy Kubert and Klaus Janson that was billed as the final chapter in a trilogy that began in 1986 with the groundbreaking The Dark Knight Returns. Now, however, it looks like the trilogy might be surprising us all by becoming a tetralogy.
In an interview, Miller said that he's planning on a fourth (and final) installment of what he's now calling a four-part series of stories, and that when the time comes for Dark Knight IV, he'll be writing it solo.
Next year will be the 30th anniversary of The Dark Knight Returns, which for the three of you who have never heard of it, is considered one the landmark Batman stories of this generation. The story by Frank Miller, Klaus Janson and Lynn Varley not only shaped the way numerous creators and fans viewed Batman, but also opened a space in comics for more mature tales aimed squarely at the adult audience. There's also that new sequel coming, The Dark Knight III, which actually begins later this month. This time around, Frank Miller will actually be teaming with several other creators, including Andy Kubert and Brian Azzarello, to tell the third installment of the aged Batman's adventures.
To commemorate the anniversary of the seminal tale, as well as the latest chapter in the saga, DC Collectibles will be releasing two new pieces featuring this futuristic Batman. Both new collectibles were sculpted by Alterton, and manage to capture both the gritty intensity of Frank Miller's original design and the cleaner, imposing figure that Andy Kubert's linework provides in the upcoming sequel.
The '90s were an era of amazing comic book crossovers. This was especially true at Dark Horse, where the licenses for Terminator, Predator, Aliens and even Robocop all resided at one time or another, giving the company the ability to mix and match these action film brands for some truly epic encounters. In fact, one such crossover was the impetus for a series of mini-series starring Detroit's number one lawbringer. Written by Frank Miller and drawn by Walt Simonson, Robocop vs. The Terminator played out like a fever dream from fans of the franchises, pitting the man formerly known as Alex Murphy against the entirety of Skynet in the future. The series was such a hit, it even spawned a set of video games for the Super Nintendo and Sega Genesis.
Last summer, NECA continued its fan-favorite retro video game figure series with a collection based on the classic Robocop vs. The Terminator. The line provided a few different Robocops and a few different T-800 Endoskeletons and battle-damaged Terminators, all of which got paint schemes based on their 16-bit interpretations. However, outside of the proposed Terminator dogs (unreleased to this point), it seemed like NECA was finished with the license. Until this week.
More than a decade after it was originally announced back in October 2004, one of comics' long-lost projects, Batman: Europa by writers Brian Azzarello and Matteo Casali and artists Jim Lee and Giuseppe Camuncoli, is finally releasing its first issue in November.
The book was previously solicited for a January 2011. Now DC has exclusively revealed to ComicsAlliance the new solicitation and Lee Bermejo's variant cover for Batman: Europa #1, ahead of next week's November solicits. DC also unveiled details of a series of special collector's editions for Frank Miller's Dark Knight III: The Master Race.
Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.