I think we can all agree that the best comics are cheap comics, which is why I always keep an eye on Comixology's sales page to see if there are any good deals to be had. This week, they're offering up a handful of Superman collections for six bucks each --- which in a couple of cases is 70% off --- and while that's a pretty great deal, it also raises the question of just which ones you should pick up.
Fortunately, I've read all of these stories, so in order to help you make an informed decision, I've picked out a few best bets for picking up some cheap reads with the Man of Steel, if only to keep anyone from accidentally buying Earth One thinking that it might be good.
I think we can all agree that if there's one problem with Superman, it's that he doesn't have enough powers. Now, at long last, this glaring oversight is about to be remedied.
In this week's Superman #38, Geoff Johns, John Romita Jr., Klaus Janson and Laura Martin are adding another weapon to the Man of Steel's arsenal for the never-ending battle against the forces of evil, and on top of that, a new costume to go along with it. As for just what that new power is, all we really have is a name provided by an infographic sent over by DC Comics: Super Flare. The good news is that art chosen for the infographic gives us a look at what this new power might involve, but the bad news is that the infographic is woefully incomplete.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episode, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s (for now) second-fastest man, Barry Allen, more widely known as The Flash.
This week, we’re back from hiatus and looking at the tenth episode of the first season, “Revenge of the Rogues,” featuring a double-shot of dastardly villains, plus Danger Drones, butt-splosions and Joe West's Business Beanie™.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the latest episode of The Flash, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka Funkmaster Flash, aka The Flash.
This week, we’re looking at the fourth episode episode of the first season, wherein we’re introduced to a pretty cooooool guy. (This is clever wordplay because the villain is a guy named Captain Cold who has an ice-gun.) Let’s get started on, “Going Rogue”!
Since the launch of the New 52 reboot in 2011, DC Comics has seemingly gone out of its way to find new ways to make its superhero darker. Its current Futures End weekly comics event is one in which everything has become even more dour and depressing in the span of five (narrative) years, for example.
But there's one character that DC writer Geoff Johns simply can't view as dark, however: The Flash. In an interview with Nerdist, former Flash comics writer Johns answered a question about the lighter tone of the new The Flash TV series by saying that Barry Allen simply can't be a gloomy character.
Last week there was talk that a Supergirl TV show was in development from Arrow and Flash executive producer Greg Berlanti. This week CBS has jumped straight to a series order for the show, meaning Supergirl is just about guaranteed to make it to air (or else the network pay a hefty kill fee) -- and we can all start wildly speculating about who they'll cast as the lead and which version of the character will make it to the screen.
If you were hoping to see Arrow's Stephen Amell make an appearance as the emerald archer in Batman V Superman: Dawn of Justice or in the upcoming Justice League movie, DC Comics Chief Creative Officer Geoff Johns has some bad news for you.
"We will not be integrating the film and television universes," he said at the Television Critics Association press tour for The Flash. Seems pretty cut and dried.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes up at WarRocketAjax.com on Mondays.
This week, Chris and Matt talk at length about the five concurrent stories in Geoff Johns and Doug Mahnke's Justice League #31, using Superman #32, by Johns and John Romita Jr., as a measuring stick for comparison. Once that examination is all over, they pivot to Michel Fiffe's Copra #15.
To say that I've been a pretty vocal critic of a lot of the stories that Geoff Johns has written over the past decade is putting it pretty mildly, but I was holding out a lot of hope for what he and John Romita Jr. would do on Superman when they took over the book with this week's issue. I mean, the last time Johns was the writer of a Superman book, it was with a run on Action Comics that had a thrilling cross-time adventure with the Legion of Super-Heroes; one of the best Brainiac stories ever; and a story where Superman briefly got the power of Superman Vision, a red-blue-yellow beam from his eyes that turned whoever it hit into Superman. It was fun, exciting and new in a way that Superman stories are always criticized for never being, and if Johns could return to that kind of storytelling alongside an artist that I love as much as I love Romita, I wanted to be there to read it.
With Superman #32, Johns and Romita have in fact captured a little bit of that magic. This inaugural issue is loud, it's bright, it's honest in the way that Superman needs to be, and it's definitely exciting.
The only real problem is that while it does its level best to be new, a lot of what this first issue does feels like it's going back over ground that we've already been walking on pretty recently.
Influential Marvel Comics artist John Romita Jr. begins his run on Superman with writer Geoff Johns this week, and while you'd expect this would just be another notch in the incredibly accomplished artist's belt (he's drawn popular runs with virtually every major Marvel character you can think of) he's apparently pretty intimidated by the prospect of taking on the very first comic book superhero.
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