October is finally upon is, and here at ComicsAlliance, and one of the best parts of the month is gearing up for Halloween with costumes! It’s the one time of year when even people like me who could never cut it in our Best Cosplay Ever feature can drop by the local department store and walk out with the ability to dress up as our favorite characters.
But is that really a good thing? I have my doubts, which is why I’m spending every day taking on the store-bought costumes inspired by our favorite things. Today, things get even creepier with the “Second Skin” costumes.
Most creators would probably consider a con to be successful if they had one big project announced. This weekend at NYCC, Fred Van Lente, who's already had a big year with G.I. Joe, Brain Boy and Archer &Armstrong, managed to land himself two. Not only will he be part of Dynamite's Gold Key relaunch as the writer of Magnus: Robot Fighter, he'll also be taking over Dark Horse's Conan the Barbarian at #26.
I sat down with Van Lente at NYCC's Artist's Alley to find out more about these projects, as well as why G.I. Joe #3 is the best single issue of the year -- and why he's leaving that book after #11.
Q: Outside of the opening credits to Batman: The Animated Series, what's the most effective opening to an 80s/90s "kids" show? --@chudleycannons
A: You know, Chudley, I like that you went as far as putting the quotation marks around "kids" as though being a 31-year-old who gets up every morning to watch an episode of Jem and the Holograms over a cup of coffee is something that is perfectly normal for my demographic. But there's no shame in my game, friend, so let's talk a little about cartoons and how they open.
There are, of course, more to kids' shows than just cartoons, but if we expanded out into live-action shows, it would just be me spending the next 1500 words trying to figure out why Zordon needed "teenagers with attitude" to fight against a moon-witch, and why that "attitude" mostly turned out to be "helpful and responsible." Besides, I like cartoons. Or at least, I used to. I saw five minutes of Johnny Test yesterday and now I don't know if I like anything.
Maybe I'm biased having spent the better part of sixth grade painting spare Spider-Man toys to look like Citizen V, but having seen USA Today's reveal of Hasbro's San Diego Comic-Con 2013 exclusives all I can really think is, "It's about dadburn time we got some Thunderbolts action figures."
Over a lifetime of reading comics, Senior Writer Chris Sims has developed an inexhaustible arsenal of facts and opinions. That's why, each and every week, we turn to you to put his comics culture knowledge to the test as he responds to your reader questions!
2009's G.I. Joe: The Rise of Cobra was a resoundingly stupid movie, but I'd be lying if I said I didn't kind of love it. I'll readily admit that I'm a sucker for anything that could be classified as "Destro-related media," but every inexplicable, awful piece of that movie combined into something that was at least inoffensive. It was
G.I. Joe: Retaliationhits theaters this weekend, and the early word on the sequel (that's more like a reboot) is good news for die-hard Joe fans. The film proudly wears its influences on its sleeve and actually feels like a real-life recreation of t
Critics who thought the Veronica Mars Kickstarter campaign didn't live up to the site's spirit of funding unlikely-to-be-financed projects from otherwise unknown creators are in for an even bigger shock. If they thought Hollywood insiders using the site was bad, wait until they get a load of the new campaign from international super-terroris
One day a little over a year ago, illustrator and graphic designer Ethan Mongin was bitten by the nostalgia bug and began drawing his favorite characters from G.I. Joe. A year later, he's still going strong, creating dozens of off-kilter portraits and illustrations of ch
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