Today the 2015 Eisner nominations were announced for the awards ceremony that will take place on July 10th during San Diego Comic-Con International. There aren't a ton of surprises in this year's list --- books like Ms. Marvel, Saga, Multiversity, and Bandette led in terms of total nominations --- but as always it's good to see quality books get their due, and it was a year of positive movement in terms of gender diversity, with multiple women nominated in most major categories. We still have a ways to go, but seeing progress is a good sign.
Grant Morrison - Page 2
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at Batman.
Many of comics' most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we'll help you navigate the very best stories of DC Comics' most beloved characters decade by decade. This week, we're taking a look at Superman.
The seventh issue of Grant Morrison's Multiversity, Mastermen, chronicles the story of Earth-10 (the pre-Crisis Earth-X), a world where the Nazis conquered America and won World War II and the Endless Reich is ruled by Overman, who's built a utopia on Hitler's massacres and doesn't feel very good about that fact.
We first met this version of the character in Final Crisis: Superman Beyond, when he was one of the Supermen on the Ultima Thule who traveled with Superman, Ultraman, Earth-5's Captain Marvel and the rest of the gang to try to stop Mandrakk/Dax Novu from destroying the multiverse, and all of the Monitors.
This issue is drawn by DC co-publisher Jim Lee, with inks by Scott Williams (and an assisting crew), and colors by Alex Sinclair (with assistance from Jeromy Cox).
The sixth issue of the series, Guidebook, while certainly the D&D-style sourcebook of the event and a guide to Morrison's vision of the DC multiverse, is also a necessary section of the overall story, answering many questions and asking others, as well as providing the introduction of the Empty Hand, the series' true villain and master of the monstrous Gentry.
It's structured as stories within stories --- Marcus To draws a segment with Li'l Batman and Atomic Batman on Earth-42, while Paulo Siqueira illustrates the New Gods, Kamandi and the history of the DC Multiverse in an intercut sequence taking place on Earth-51. Both of these stories intersect with pages from the Guidebook itself, designed by Rian Hughes with illustrations by a large number of artists.
I think we can all agree that the best comics are cheap comics, which is why I always keep an eye on Comixology's sales page to see if there are any good deals to be had. This week, they're offering up a handful of Superman collections for six bucks each --- which in a couple of cases is 70% off --- and while that's a pretty great deal, it also raises the question of just which ones you should pick up.
Fortunately, I've read all of these stories, so in order to help you make an informed decision, I've picked out a few best bets for picking up some cheap reads with the Man of Steel, if only to keep anyone from accidentally buying Earth One thinking that it might be good.
This week saw the release of the Multiversity Guidebook, a sort of map for a series of one-shot stories that has inspired a lot of contemplation, examination and confusion among comic fans.
To offer an even deeper look into the universe-spanning series and its meaning, ComicsAlliance spoke with writer Grant Morrison about everything we could manage in half an hour: where the idea for The Gentry comes from, Morrison's commentary on Watchmen in Pax Americana, the idea of dangerous knowledge, how these seemingly standalone stories tie together, and just how this sprawling project will wrap up.
Boom Studios has a reputation in the comics industry for publishing an increasingly diverse group of books and creators. This commitment to diversity in genre and people is reflected in an all-new initiative the publisher announced today in Previews with a letter from founder Ross Richie. While 2015 is the 10th anniversary of Boom, the publisher wants to talk about what's next rather than what's come before. They call this discussion of the future Push Comics Forward and they don't want it to be only about Boom.
Push Comics Forward is Boom's way of focusing on the ongoing conversation about diversity and the future of the industry. To learn more about this initiative and what to expect from Boom for the next ten years and beyond, we spoke with Editor-in-Chief Matt Gagnon.
If you've been wanting to read a comic that emphasizes a "long-withheld sneering contempt for our miserable species, with its self-serving, sentimental, suicidal self-delusions and its greedy, willful ignorance," then folks, I have got some good news for you. We are only a few short weeks away from the release of Nameless, the new six-issue Image Comics series from Grant Morrison, Chris Burnham and Nathan Fairbairn, described by Morrison as a straight-up horror comic about the worst that humanity has to offer.
To celebrate that fact -- uh, the release, I mean, not the thing about greedy ignorance and suicidal self-delusions -- Burnham revealed three variant covers for the first issue today, featuring the art of Tony Moore, Nathan Fox, and Jonathan Hickman. A fourth variant has also been commissioned, but they're keeping that secret for now.
Writer Grant Morrison undertook a major magnum opus with Batman Incorporated. As the culmination of his seven-year-run on the character, working in collaboration with artists including Cameron Stewart, Frazer Irving, Yanick Paquette, and Chris Burnham, he offered up perhaps hs definitive deconstruction of the character of Batman through the creation of a global Batman franchise.
Yet as series colorist Nathan Fairbairn tells us, Batman Incorporated experienced an unusual road bump in the form of a line-wide reboot that potentially undermined the thesis behind the whole series. Writing exclusively for ComicsAlliance, Fairbairn reveals how some pages were re-drawn for the book's Absolute collection, which arrived in stores this week.