DC Comics hosted a special livestream event at WonderCon in Los Angeles on Saturday afternoon to unveil the creative teams behind its DC Rebirth event, which relaunches the entire DC Universe line with new issue #1s and multiple double-shipping titles. The relaunch will set the future course of DC Comics at a time when fans are wondering whether the company will embrace a new and diversifying audience or double down on serving a shrinking core audience.
The event was introduced by DC All Access host Tiffany Smith, with DC co-publishers Jim Lee and Dan DiDio and chief creative officer and Rebirth chief architect Geoff Johns introducing and interviewing the creative teams as they joined them on stage at the Los Angeles Convention Center.
We're less than a week away from the return of Netflix's Daredevil series, and this time, The Punisher and Elektra are coming along for the ride. To celebrate this, Comixology has a fortnight long sale on some of the best Daredevil, Punisher and Elektra stories in recent memory so you can catch up on the comics before the new series begins.
The sale includes the first volumes of classic Daredevil runs, including Frank Miller and Klaus Janson's legendary character defining work with the character from the eighties. Also by Miller and David Mazzucchelli is the seminal Daredevil: Born Again which was a major influence on the first season of the television series.
There is an espionage term called a "floating box," where a target of observation is tailed and watched from multiple angles, forming a box that moves as the subject moves. This term never appeared in Queen and Country, but it wouldn't be out of place, because Queen & Country always tried to keep its espionage as realistic as possible, consequences be damned.
Queen & Country itself had a floating box around it, coordinated by series writer Greg Rucka and carried out by a small army of comics' finest, observing its ongoing narrative from a variety of perspectives and angles. None of the various artists that Queen & Country employed were rubber stamps of each other. No slight is intended on the other terrific artists who worked on Queen & Country, but for the purposes of brevity, this article will be focusing on three of the most distinct, and how their styles shaped the book.
I think I can pinpoint the moment that I fell in love with the backstory of the Dragon Age games as my realization that Thedas, the name of the world in which all your adventures were taking place, was really just an acronym for "The Dragon Age Setting," which just happened to sound like a nifty name for a fantasy world. Even beyond that, though, I love the world-building that goes on in those games, and the way that it's weaved into a story that feels like it has a vast history full of cultures and religions that are engaging and vibrant, with bits and pieces that are even more interesting than the main storyline sometimes.
But as much as I love reading all that stuff in the game itself, and as much as I'd prefer it if there was a way to read all that stuff without having to stop in the middle of my dungeon crawling and page through whatever ancient tome I just picked up, it's not the kind of thing that I thought I'd be into reading, say, an entire novel about. It was going to take a lot to get me to follow it from the game into another medium, which is probably why Dark Horse decided to give the new Dragon Age: Magekiller comic to the creative team of Greg Rucka and Carmen Carnero, and ended up with a comic that's unsurprisingly pretty great.
This week saw the release of the first issue of Black Magick, the new series from Greg Rucka and Nicola Scott, and from the very first page it was easy to see that those two creators were doing something different. The visual style of Scott's watercolors bring incredible depth and expression to a story that blends crime and the occult in a way that's pure enjoyment to read.
To find out more about the series, I spoke to Rucka about his approach to the rituals shown in the comic, the main character's crucial flaws, and the unexpected roots of his love for supernatural stories.
To kick off this weekend's New York Comic-Con, Comixology is currently hosting a pretty massive sale on Image books, and look. I realize that the entire point of the "On The Cheap" column is to help you narrow down your choices into the absolute best of the crop, but this time, I honestly don't know if I'm up to the task.
I mean, there's just too much good stuff in there --- and what's more, it's almost all stuff that we've talked about a whole heck of a lot here at CA. Sex Criminals, The Wicked + The Divine, Southern Bastards, Criminal, and a whole lot more besides. It is, at last, too much to choose from. But I'll do my best.
Welcome back to All For the Wookiee, where we take a look at the recent Star Wars universe offerings from Marvel and pick the most Star Wars-ish moments. This month we'll look at Hutt fanboys, killer cat-people, Sherlock Holmes in Space and a muder-bear celebration.
In this installment, we cover Star Wars #9 by Jason Aaron and Stuart Immonen, Lando #4 by Charles Soule and Alex Maleev, Kanan #6 by Greg Weisman and Jacopo Camagni, issue #9 of Darth Vader from Kieron Gillen and Salvador Larroca and the debut issue of the post-Return of the Jedi miniseries, Shattered Empire, by Greg Rucka and Marco Checchetto.
Lazarus is the current ongoing collaboration between Greg Rucka and Michael Lark, a dystopian sci-fi series about family, class, and poverty, which launched in 2013 from Image Comics. Three collected editions are currently available, and the 20th issue of the series comes out later this month.
At this point, it's difficult to imagine that you, the discerning ComicsAlliance reader, do not already own Gotham Central in at least one format, but I imagine there are some folks out there who have just been waiting to get the whole series in one go. If that sounds like you --- or if you're just looking to pick up one of the greatest DC Comics ever printed in a third or fourth format --- then we have good news: The solicitations for DC's upcoming paperback and hardcover releases have revealed that it's planning a massive Gotham Central Omnibus for release next May.
Many of comics’ most popular characters have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most significant characters decade by decade. This week, we’re taking a look at the best Joker comics.
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