Sometimes, amazing things can come out of casual conversations. That's what happened this weekend when Luke Herr was plotting out an RPG campaign based around the idea of retelling Jack Kirby's classic Fourth World saga as a western, full of gun-slinging cowboys and steam-powered parademons battling it out in a town called Hope, and artist Kyle Latino stepped up to do some redesigns for what they began calling "The 4th West."
Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.
The success of Jurassic World means that superhero movies are over! Forever! Why, we wouldn't be surprised if Fantastic Four and Ant-Man went straight to DVD and studios pulled the plug on the dozens of superhero movies already in production. Dinosaurs are the new superheroes, and in the future we expect all big-budget, would-be blockbuster films to be dinosaur movies.
Does this mean that comic books and graphic novels will lose their coveted place as the breeding ground for Hollywood's favorite source material? Not at all; there are plenty of dinosaur comics, ripe for film adaptation. Let's take a look at some of the more popular ones, and how likely it is that they may be coming to a theater near you... instead of Wonder Woman, Doctor Strange, or Justice League.
On July 2nd 1963, the first issues of two different series hit newsstands, and launched franchises that would some day be recognizable to the entire world: The Avengers and The X-Men, the teams that would truly tie everything together and serve as the cornerstones of the Marvel Universe.
One of these books brought together the company's mightiest heroes; the other featured all-new characters and introduced the idea of mutants battling to save a world that hates and fears them.
This week's rumors that Selma director Ava DuVernay had signed on to direct a Black Panther movie were a bit premature (though talks apparently continue), but the excitement that surrounded the news confirmed one thing: People really want to see Wakandan King T'Challa on the big screen, and they want to see him done right.
Here's some of the best art featuring T'Challa from the past five decades, from Kirby, Denys Cowan and John Buscema, to Francesco Francavilla, Olivier Coipel, and the best fan art around.
One of the noticeable differences between DC and Marvel is the number of prominent superheroes that wear capes. Compare any group shot of any number of Marvel superheroes to any group shot of DC superheroes and chances are good that there will be more capes on the DC side. There's a litany of reasons why this could have taken root in the intrinsic creative works of both companies, but one of the strongest is the role of one artist and creator in the building and evolution of both publishers into what we know of them today: Jack Kirby.
If you've been keeping up with DC's Justice League, then you probably already know that we're barreling towards the book's next big event, "Darkseid War." Set to launch in the next issue, the storyline features characters from Jack Kirby's Fourth World Saga taking on the Anti-Monitor, and while one also assumes that the actual Justice League will also be in somewhere, we now know at least one of the characters who's going to be involved: Mister Miracle, sporting a brand new costume design from artist Jason Fabok.
Q: Do you think Darkseid deserves to be considered the ultimate bad guy of the DC Universe? What are his achievements? -- @Lionel_Leal
A: I don't want to turn this into "Ask Chris About Jack Kirby's Fourth World" --- as opposed to my usual strategy of spending an entire week talking about the moral significance of Batman's utility belt or whatever --- but over the last few years, Darkseid has been a more prominent fixture of the DC Universe than any other time in his forty-year history. I think it probably started with how he was treated on Superman: The Animated Series and Justice League, but just in the past three years we've seen him as the villain that launched the New 52, and the villain who's probably going to show up in a movie about the Justice League at some point. So with all due respect, LL, it's not really a matter of "Darkseid deserves."
Q: How immediately should we should we all be buying the new Orion by Walt Simonson omnibus? -- @atnorwood
A: Every now and then I like to take a swing at a softball question, but this one is just gently wafting over the plate, taking a moment to stop offer me an engraved invitation. So here's the quick answer: Ideally, you should be buying that Orion omnibus right now, if not sooner, maybe going as far as buying it in back issues too so you have something to read while you wait for it to be delivered. As a general rule of thumb, pretty much anything with the words "WALT SIMONSON" written on the cover is something that's going to be worth having on your bookshelf.
Welcome to Recon:Vergence, a weekly look at what’s going on throughout DC’s new reality-smooshing event storyline, Convergence.
Every week until the end of the event, every comic DC publishes will be a part of this giant storyline – and it’s a little confusing, especially for new readers. To help out, we’re going to provide a timeline of events, let you know which Universes are still in the fight, and try and keep everything on track