Boom Studios has a reputation in the comics industry for publishing an increasingly diverse group of books and creators. This commitment to diversity in genre and people is reflected in an all-new initiative the publisher announced today in Previews with a letter from founder Ross Richie. While 2015 is the 10th anniversary of Boom, the publisher wants to talk about what's next rather than what's come before. They call this discussion of the future Push Comics Forward and they don't want it to be only about Boom.
Push Comics Forward is Boom's way of focusing on the ongoing conversation about diversity and the future of the industry. To learn more about this initiative and what to expect from Boom for the next ten years and beyond, we spoke with Editor-in-Chief Matt Gagnon.
Later this month, BOOM! Studios will release the first issue of Memetic, an oversized-format, three-part limited series by the team of James Tynion IV (Batman Eternal, The Woods) and Eryk Donovan (The House In The Wall) with colorist Adam Guzowski that puts a distinctly modern spin on classic apocalyptic fiction formulas. The title is an adjective referring to memes -- self-replicating ideas or entities that start with an individual before spreading to more people and across various media.
The story of Memetic is kicked into motion by the unleashing of the kind of adorable animal image many of us have seen and shared. In this case, it's "Good Times Sloth," and it becomes the most viral piece of internet content in history. Unfortunately, Good Times Sloth turns out to be weaponized meme that leads straight to the end of the human world as we know it.
It's a fascinating and unique concept, and to get a bit more insight, we spoke to Tynion and Donovan about the project's inception from initial idea to finished product.
Thrillbent, the digital comics publishing website founded by writers Mark Waid and John Rogers, has spent the past two years offering up free comics for pretty much free.
In a Wednesday blog post, Waid unveiled what he's calling "Thrillbent 3.0," which adds another layer of content that Waid is calling a sort of "Hulu Plus of comics." Fans can pay a $3.99 monthly fee -- about as much as the cover price for most Marvel single issues -- to access a collection of titles including a revived version of Waid, Barry Kitson and Chris Sotomayor's Gorilla Comics/DC series Empire. There's also a free new app available for iOS that gives fans mobile access to the material.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes up at WarRocketAjax.c
Part of the idea of an anthology is they break stories down to their basic components. They tell short stories that are often intended to represent a particular genre or storytelling device.
Perhaps that's the reasoning behind the title of Vertigo's new anthology series, Vertigo Quarterly: CMYK, which is set to debut this spring. The letters of the title refer to the four colors that were, due to printing limitations, the basis of all color in comics for decades. Creators including Jock, Fabio Moon, James Tynion IV, Martin Morazzo, and Tony Akins will contribute stories to the first issue, all of which will relate to the theme the color cyan.
From 52 to Countdown to Trinity, there was a three year period in which weekly comics were a staple of DC Comics' publishing initiative. Now the publisher is returning to the format, as today DC Comics announced Batman:Eternal, a year long weekly series focusing on the Dark Knight and Gotham City. The title will feature a writing team led by current Batman scribe Scott Snyder, and its launch will coincide with the character's 75th anniversary.
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