Eight years is certainly long enough for the bloom to wear off the rose a bit, but we can all agree that 2008's The Dark Knight is still at least a pretty good movie, right? I mean, Batman suplexes a truck in that film, and while there are certainly other concerns to be taken into account when you're trying to decide the merits of a piece of media, you can't get around the fact that Batman suplexes a truck, and that has to count for something.
Point being, if you're a fan what Christopher Nolan, Christian Bale, and Heath Ledger did in that movie and you're also going to Emerald City Comic-Con in Seattle next weekend, April 7-10, you might want to go ahead and clear a spot on your wall, because Mondo is releasing its latest print, in which Jock takes on The Dark Knight with predictably awesome results.
This week, Comixology launched a pretty big sale on Vertigo books, and as you might expect, the usual suspects are really well represented. Classics like Preacher and Transmetropolitan, long runs like Y The Last Man and 100 Bullets, a pretty huge chunk of Hellblazer, and even more recent hits like American Vampire and Coffin Hill are all well represented, and really? If you don't have Preacher, then getting the entire series for under thirty bucks is a pretty solid deal.
But way down at the bottom of the list, buried near the end of the "More Great Hits!" section, is an even better one: 32 darn-near perfect issues of Andy Diggle and Jock's The Losers, one of the best action adventure comics of this century, for ten bucks.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at the best Green Arrow comics.
Right now, Comixology is offering a big sale themed around DC's various TV projects, and with the impending return of Gotham and its story of a ten year-old billionaire destined to beat up a bunch of senior citizens, it shouldn't come as much of a surprise that Gotham Central is right there, front and center. And yes, obviously you should get that if you don't have it already, because while it was coming out, it was literally the best Batman title of the decade.
But here's the thing: We talk about Gotham Central on this site all the time. I have literally already written a column about how great it is this week, so if you haven't checked it out by now, then it's not for lack of recommendations. If, however, you dig a little deeper into the sale, you're going to find some under-appreciated gems that don't get quite as much press despite being truly fantastic comics --- and by that, I mostly mean Green Arrow: Year One.
Wytches is a horror comic from writer Scott Snyder and artist Jock, with colors by Matt Hollingsworth, published by Image and debuting in October 2014. The series follows a family that relocates to escape the trauma of a troubling past, only to discover that there's something far more sinister lurking in the woods by their new home.
Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.
The first arc of Scott Snyder and Jock’s Wytches drew to a close with the release of issue #6 and finished just as strongly as it began. Snyder managed to do three things I wasn’t sure he could accomplish in just one issue: he provided satisfying conclusions for the major relationships, demonstrated the scope of the wytches’ power, and left room to continue the story while still delivering a fully-contained arc. Even if the series wasn’t set to continue this Fall/Winter, these six issues would have provided a suspenseful journey into the terrors that live just beneath the surface, complete and yet compelling enough to warrant re-reads.
Created in 1964 by Bill Everett and Stan Lee --- with substantial input from Jack Kirby and Wally Wood --- Daredevil has been brought to life on the page by an extraordinary roster of comics greats, including Gene Colan, David Mazzucchelli, Frank Miller, Alex Maleev, and, in recent years, Chris Samnee, Paolo Rivera, and Marcos Martin. The striking red suit that he's worn since his seventh appearance is one of the best costumes in comics, and creates an irresistible contrast against the grime of Hell's Kitchen. For this special gallery, we've picked out some of our favorite Daredevil pin-ups and images to pay tribute to ol' hornhead.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it is awesome.
Over the past few months, we've been slowly freaking out over the Mondo gallery's tribute to Batman's 75th anniversary. Every time a new set of art was revealed, the show looked better and better, and now that it's actually open down in Austin, our suspicions have been confirmed: The art for this show is incredible.
Not only do they have the portraits inspired by Batman '66 and the beautifully designed posters inspired by the movies and classic episodes of Batman: The Animated Series, but the gallery features work from comic book artists Francesco Francavilla and Jock, too. Fittingly enough, the two collaborated on an amazing piece based on "The Black Mirror," the excellent Scott Snyder story they both contributed to, but Francavilla also took on a poster inspired by Kelley Jones and Doug Moench's classic Elsewords Batman & Dracula: Red Rain, and Jock produced a pair of pieces based on Frank Miller's Batman: Year One that I'm pretty sure I desperately need to own.
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