Q: Do you think Darkseid deserves to be considered the ultimate bad guy of the DC Universe? What are his achievements? -- @Lionel_Leal
A: I don't want to turn this into "Ask Chris About Jack Kirby's Fourth World" --- as opposed to my usual strategy of spending an entire week talking about the moral significance of Batman's utility belt or whatever --- but over the last few years, Darkseid has been a more prominent fixture of the DC Universe than any other time in his forty-year history. I think it probably started with how he was treated on Superman: The Animated Series and Justice League, but just in the past three years we've seen him as the villain that launched the New 52, and the villain who's probably going to show up in a movie about the Justice League at some point. So with all due respect, LL, it's not really a matter of "Darkseid deserves."
Many of comics' most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we'll help you navigate the very best stories of DC Comics' most beloved characters decade by decade. This week, we're taking a look at Superman.
The Marvel Unlimited app is a gigantic, messy cache of awesome and terrible old comic books: a library of 13,000 or so back issues of Marvel titles, available on demand for subscribers with tablets or mobile phones. Like any good back-room longbox, it’s disorganized and riddled with gaps, but it’s also full of forgotten and overlooked jewels, as well as a few stone classics. In Marvel Unlimited Edition, Eisner-winning critic Douglas Wolk dives into the Unlimited archive to find its best, oddest and most intriguing comics.
Two spin-offs of Guardians of the Galaxy launch in recent weeks: The Legendary Star-Lord and the already-surprise-hit Rocket Raccoon. Marvel Unlimited's got a fairly thorough, if not quite complete, selection of most of the Guardians' previous appearances, especially the ones in the Annihilation/Annihilation: Conquest/Annihilators sequence. But their prehistory is worth digging into, too, and there's some choice proto-Guardians material in the archive.
Canada is comics’ secret super-power. As far back as 1938, when Toronto-born Joe Shuster created Superman with Cleveland’s Jerry Siegel, Canada has been a vital partner -- a Wild Child to America's Sabtretooth. (Age of Apocalypse version.)
”We have so many great artists and writers to choose from, it’s such an embarrassment of riches,” says Ty Templeton, a writer and artist who has worked for most major publishers and on most big name characters, and who knows just about everyone in the business. When he says Canada's creative community boasts an embarrassment of riches, he knows what he's talking about. So on this beautiful and proud Canada Day, we at Comics Alliance have to ask; why hasn't a Canadian creative team ever taken on Canada's best-known superhero team, Alpha Flight?
You might have heard that there's a new Captain Americamovie coming out on April 4. If Marvel's marketing department has gotten its way, this news may very well be tattooed on the inside of your eyelids in phosphorescent ink. Let's say, however, you've never read any Captain America comics before, but now that he's been legitimized as a multi-million dollar film franchise, you're suddenly very interested in that dude with little wings on his head carrying around one of Uncle Sam's rims.
Since being created by Jack Kirby and Joe Simon all the way back in 1941, the hero also known as the Sentinel of Liberty has passed through the hands of some eminently talented writers, artists and editors. Some of these creative teams depicted Cap's adventures for a few months -- some of them for a few years -- before passing the torch to the next creators to keep the flame (or trademark) alive. In comic books, these tenures are called "runs," "series" or "eras," and they're the readers' way of distinguishing one era of a character's saga from the next. Chances are you're not sure where to dive into a a publishing legacy that's spanned more than 70 years, so here is a list, in chronological order, of the Sentinel of Liberty's 10 most interesting and influential comic book runs.
Q: Why do you think the X-Men didn't find their audience until two decades after they were created? -- @godofthunder851
A: I've got a minor quibble with your timing in this question -- it was more like 12 or 15 years, really -- but you've got an interesting point there. I think most comics readers are well aware of that piece of trivia about how the X-Men were about to get the axe before Giant Size X-Men #1 breathed new life into the franchise and set them on the path of becoming what was probably the single most popular and influential franchise of the '80s and '90s, and that's not really how things usually work. In comics, you tend to either come out of the gate to massive, enduring popularity (like Batman or Spider-Man), come out strong and then fade away for whatever reason (like, sadly, Shazam!), or just sort of flounder in the midcard. It's rare that something sticks around on the edge of being canceled for a solid decade before it finds its footing, and nobody bounced back harder than Marvel's Merry Mutants.
But really, what you're asking here is two separate questions: Why didn't the X-Men take off in 1963, and why did they in 1975? So let's look at the history and see if we can't figure it out.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries. This week, we finally tackle one of the cornerstones of the X-Men as we continue with the Dark Phoenix Saga!
Two of my greatest loves in life are Christmas and comics, and so it's always a treat for me when the two cross over in that most wonderful of things: the holiday special. Even when those things are bad, they're still kind of good, because it's Christmas, and you're feeling charitable. But sometimes the introduction of Christmas-themed elements are not what you expect. Here are ten appearances by Christmas folk that might confound you, and that's even without mentioning that time Aquaman saved the baby Jesus from pirates by mind-controlling a giant squid.
Following the conclusion of the publisher's Infinity event, next month Marvel will release Avengers #24.NOW, from creators Jonathan Hickman and Esad Ribic. Meant in part to be a jumping on point for readers, the issue will also serve as the introduction to the publisher's All-New Marvel NOW launch -- Avengers #24.NOW is concurrently being billed as Avengers #1 under this new initiative.
But as part of it's push to promote the new, Marvel is also celebrating its past. Several variant covers to Avengers #24.NOW are being produced, and some are homages to famous past covers, including some of the more memorable cover art from the 50 year history of the X-Men. To that end, Marvel has enlisted artists Mike Deodato, Daniel Acuña, Lee Garbett, and more to create images in homage to the cover work of Jack Kirby and John Byrne, and you can check out some examples below.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
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