One of the noticeable differences between DC and Marvel is the number of prominent superheroes that wear capes. Compare any group shot of any number of Marvel superheroes to any group shot of DC superheroes and chances are good that there will be more capes on the DC side. There's a litany of reasons why this could have taken root in the intrinsic creative works of both companies, but one of the strongest is the role of one artist and creator in the building and evolution of both publishers into what we know of them today: Jack Kirby.
Welcome to Recon:Vergence, a weekly look at what’s going on throughout DC’s new reality-smooshing event storyline, Convergence. This week: Chaos in the stadium as worlds collide and we head towards the final confrontation.
Of all the concepts Jack Kirby created in his time at DC in the '70s, the most underrated by far is Kamandi: The Last Boy On Earth. If you're not familiar with it, it's essentially Planet of the Apes mixed with cold war fears about the end of the world, filtered through Kirby's signature over-the-top bombast until it came out as the story of a young man who emerged from a bunker after the Great Disaster into a shattered world overrun by animal people and sinister sci-fi concepts. And also, he had an amazing head of hair.
It's been one of my favorite Kirby books for a while, and now, it's getting the deluxe format treatment in the form of one of IDW's Artist's Editions, which once again raises the question of just how much money they are trying to get from me, personally. The answer, it seems, is all of it.
This week sees the start of DC Comics' big The Multiversity event series, and if the related books on sale over at ComiXology -- ostensibly to get everyone up to speed -- are anything to go by, then that thing's going to be chock full of weirdos. Seriously, I already knew they were going to be throwing Captain Carrot in there, and for some reason people can't get enough of that one story where Batman becomes a Dracula, but there are some deep cuts in there, like that one Chuck Dixon comic where the Justice League are all cowboys, and this weird thing from the '90s called Kingdom Come, where Superman fights Cable.
And then there's Kamandi.
But should Kamandi start crossing over into the main DC Universe, it won't be the first time. For that, you have to go back to Bob Haney and Jim Aparo's Brave and the Bold #157, for a story where Kamandi was sent back in time, and ended up being brainwashed, made invulnerable, poisoned with snake venom, joining up with the mob and punching Batman in the face. It... It's a weird one.
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This week, a viewer writes in with a question about where to start with the King of Comics, Jack Kirby. With a career that spanned six decades and a masterpiece (or three) in every era, the sheer amount of work that Kirby produced can be daunting for a new reader. Fortunately, we've got some suggestions.
Click past the cut to see today's links.
It's a hit. Shockingly enough, zombie fans slinked and dragged their way to Brad Pitt's new movie World War Z this past weekend. I just got done writing about Masters of the Universe villain Hordak and his Evil Horde. Now I'm writing about Jack Kirby's The Horde, which judging by the WWZ trailer, looked very similar to his unfinished apocalyptic disaster novel.
ComicsAlliance's own Caleb Goellner was the first person to point out the similarities between Pendleton Ward's Adventure Time and Jack Kirby's Kamandi: The Last Boy on Earth to me. As such, he is solely responsible for t
Thudding onto shelves everywhere this week is Kamandi Omnibus Volume 1, a hardcover collection of the first twenty issues of Jack Kirby's massive post-apocalyptic epic adventure. Under-appreciated in its time, the classic series has a chance to find a new audience thanks to Kamandi's recent appearances in Wednesday Comics, Co