Comics carry a sense of physical prestige. When you pick one up from the shelf, it usually isn’t just lying there, blowing in the wind – it’s often wrapped up in a too-tight plastic bag, boarded with a thin piece of cardboard to ensure you don’t crease a single hair on Superman’s immaculate head. The experience is designed to make you consider each comic as a precious item, something best kept mint so you can sell it and get your grandkids through college in a few decades from now.
The thing is, sometimes we need to be reminded that comics are not immaculate, and actually there’s no reason not to mess them up a little in the course of reading. Some of the most enjoyable moments in comics over the last few years have been those moment where the storytellers step back, wave an arm towards the story they’re telling, and say, “Hey, let’s take a pair of scissors to this, eh?”
As has become a tradition for Valiant over the last couple of years, the publisher's Free Comic Book Day offering closes with teasers for new books launching later in 2015. This year's comic teased returns for Archer & Armstrong, Eternal Warrior, and Harbinger; it looks as though Valiant is bringing it all back harder than an S Club 7 reunion tour.
While other superhero comics publishers are mining their pasts for big crossover events this spring and summer, Valiant is blasting ahead into the future, specifically, its characters' end times.
The new, four-issue event series Book of Death, written by Robert Venditti and with art by Robert Gill and Doug Braithwaite, promises to reveal how characters including Ninjak, Bloodshot, X-O Manowar, Toyo Harada and others will bite it, be redeemed, be replaced, or otherwise change in the future.
Listen, folks: I was already on board for what James Asmus, Fred Van Lente and Kano were doing in the pages of The Delinquents from the moment that I found out it was a superhero team-up about going on a quest for hobo treasure. That is literally the only thing I needed to know before I decided to read it. But then the writers went one better by giving the third issue what may actually be the single best opening line of all time.
Seriously, if you have read a comic that starts out with a better piece of dialogue than "Well first off, what makes you so sure your sugar daddy was behind that ass menagerie?" I would like to read it, and I am not even close to kidding.
Ever since they were relaunched by Valiant Entertainment, Archer and Armstrong and Quantum and Woody have been two of my favorite books on the market, and it's no stretch to say that it's because they take a very similar approach to a classic superhero trope. They're both the stories of mismatched pairs, buddy comedies that throw in strange conspiracies, bizarre mysteries and wanton destruction into a blender and end up with a smoothie made of highly enjoyable comics. So naturally, it was only a matter of time before they joined forces to form a mismatched pair of mismatched pairs, which is exactly what happens in this week's first issue of The Delinquents.
And as you might expect, it gets pretty weird. Like, "mysterious treasure map made from the skin of a hobo's ass" weird.
Two classic Valiant Comics characters, Rai and Doctor Mirage, are set to make a splash in the new Valiant universe later this year, with the publisher introducing a slew of new titles in its Valiant First initiative all the while. There's a new team-up, a major crossover event, and a few spinoffs in the mix.
Valiant is planning to release seven new #1 issues between May and September. Creators include Matt Kindt, Clayton Crain, Robert Venditti, Doug Braithwaite, Jen Van Meter, Kano, Fred Van Lente, James Asmus, Trevor Hairsine, Joe Harris and more. Check out the full list of new titles and some exclusive art after the jump!
It was only a few weeks ago that I was writing about how Daredevil was my pick for the best super-hero comic of 2011, so the fact that it's kicking of 2012 as my undisputed favorite title on the stands shouldn't really be a surprise. But that's the thing about this book: Just when you're getting used to how good it is, just when you think you're
Iron Man recently celebrated its 500th issue with an extra-length story that serves as a great single story, a remarkable character study of Tony Stark that returns to a common theme of Iron Man's adventures: Stark's fear of the technology he creates falling into the wrong hands and doing more harm than good
We've tried to be strong, dispassionate fanboys-and-girls in the face of Marvel's incredible onslaught of tantalizing hype for Invincible Iron Man #500, which began in earnest during October's New York Comic Con. It was at the convention that Marvel confirmed that Matt Fraction and Salvador Larroca's series would continue the original numbering of the classic Iron Man seri
As much as I dug Robert Kirkman's humorous continuation of Mark Millar's Ultimate zombie reveal in "Marvel Zombies" 1 and 2, I feel like the series really found its footing in volumes 3 and 4, when the mechanized Aaron Stack (A
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