AMC’s adaptation of Garth Ennis and Steve Dillon’s Vertigo series Preacher is proving to be very popular with audiences, despite the many tweaks and changes that the television series has made to the original comic’s story. The tale of Jesse Custer, Tulip O’Hare, and Cassidy has proven to be more adaptable and malleable than many fans may have thought, and the new approach to the show’s core concept opens up different avenues to update the classic Western tale.
If you love Preacher and you already know the comic from cover to cover, we’ve got five of the best independent comics for you to try next that tackle similar themes of cowboys, vampires, and how humanity relates when faced with a god.
Bitch Planet tells the story of women who are judged “non-compliant” and sent to an extra-planetary penal colony, the "Bitch Planet” of the title. A rare and welcome example of feminist science fiction in comics, it debuted in December 2014 from writer Kelly Sue DeConnick and artist Valentine De Landro, published by Image Comics.
Dark Horse comics has announced plans to publish the Kickstarter-funded anthology The Secret Loves of Geek Girls in October 2016. The book, which already got a lot of buzz during its Kickstarter funded campaign, is edited by Hope Nicholson and features a mix of prose and comics about relationships and sex by more than 50 creators.
The comics world is full of questions, from, “Who would win in a fight?” to, “Who came up with that weird idea?” Here at ComicsAlliance, we spend a lot of time thinking about all of it, from the big questions that matter a lot to the small ones that probably don’t matter at all but are still kinda fascinating. With The Question, we’re going to give our writers the opportunity to answer some of these brain-ticklers, because if we’re thinking about these things, you might be thinking about them too.
This time we asked our writers; what's your favorite comic by women about women? This year's Ignatz and Eisner wins suggest that women in comics are beginning to get the recognition they deserve, both as creators and as an audience. But there have always been great comics by women and great comics about women, and some comics that are both, and they exist across genres, borders, and cultures.
It remains a bleak time for the female comic audience, and for other minority audiences. The recent debacle with Hercules is merely the latest of Marvel’s many ghastly faux pas; for every two steps forward, it seems to take two steps back: it publishes more female titles only to end the majority of them with Secret Wars, and it tantalizes us with Hercules only to promote the status quo inside of continuity.
It is easy to lose faith in the publisher’s ability to reform from within, but Marvel has had the key to equal, positive representation for over fifty years now.
San Diego Comic-Con has begun, bringing over 130,000 people to enjoy the pop culture extravaganza taking place inside and outside the convention center. There is a lot to see and do every day during SDCC. More likely than not, if you don't go in with a plan for experiencing the things that you most want to check out, you'll miss them!
Yesterday we learned that Kelly Sue DeConnick will not continue on Captain Marvel when the title returns after Secret Wars --- an unsurprising move given her creator-owned successes and her increasing involvement in movie and TV production through her Milkfed Criminal Masterminds shingle. Today we've learned who'll replace her on the next iteration of Captain Marvel; the writing team of Tara Butters and Michele Fazekas, best known to Marvel fans as the showrunners on the Agent Carter TV show. They're joined by artist Kris Anka, who also worked with the writers on a tweaked costume design for the captain.
Sad news for those who loved Kelly Sue DeConnick’s Captain Marvel tenure: the end is in sight.
“Captain Marvel” has been a number of people. Only two of them, Carol Danvers and Monica Rambeau, have been women, and only one of those has been blessed with such auspicious circumstances: when Carol Danvers became Captain Marvel, her title benefited from both a new, quite obviously more considered costume, and a woman writing the adventures, with a social media platform that permitted no obstacles. Carol Danvers’ Captain Marvel inspired the Carol Corps: when you’ve got your own highly visible, economically dedicated grassroots fan club, you have arrived.
Pre-orders started yesterday for an awesome new line of Espionage Cosmetics nail wraps inspired by Kelly Sue DeConnick and Valentine De Landro's Bitch Planet and Matt Fraction and Chip Zdarsky's Sex Criminals. Nail wraps, for those who aren't familiar with them, are adhesive nail art that can be applied at home easily. Each style was approved by the creative teams on the books and is tastefully but clearly inspired by the excellent comics they're based on. Plus, not only do they have really cool designs, they're also glow-in-the-dark.
Kieron Gillen and Jamie McKelvie's The Wicked And The Divine, published by Image Comics, has been optioned as a possible TV series by Universal Television. The show will be produced by Milkfed Criminal Masterminds, the shingle recently launched by Kelly Sue DeConnick and Matt Fraction. Milkfed signed a two-year development deal with Universal in February that also included an option to develop Fraction and Chip Zdarsky's Sex Criminals.
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