Superman is notoriously difficult to kill. It's kind of his thing, and even though people have been trying to pull it off for 77 years now, they've never really managed to. Even the most famous example of someone coming close had to involve an unstoppable giant bone monster in bike shorts and a spurious understanding of evolution, and even that didn't really work --- the main result was less shuffling off this mortal coil and more hanging around for a couple of years in dire need of a haircut.
But there is one person who might have a pretty good shot. Someone who knows all of Superman's weaknesses, and who has the resources to provide a squad of hitmen with everything they'd need to put a Kryptonite nail into the Man of Steel's coffin. That man is Clark Kent, and in Len Wein, Dick Dillin and Joe Giella's "A Matter of Light and Death," which opens with Clark hiring a trio of crooks to off his own alter-ego, and just keeps getting weirder from there.
It wasn't that long ago that DC's Convergence event gave a few creators the chance to return to characters that they made their mark on in past eras, and in January, it seems like that's an idea that's bleeding back into the DC Universe --- or at least to the Louisiana swamps of the DC Universe. On January 6, Swamp Thing relaunches with a new six-issue miniseries, coming courtesy of writer Len Wein, who co-created Swamp Thing with Bernie Wrightson back in 1971, and artist Kelley Jones.
Digital comics make for a pretty fantastic holiday gift. They're easy to buy, you don't have to leave the house to get 'em, and you can send 'em to friends and family across the country for free without having to fight your way through crowds at the post office. So as the time winds down before Christmas finally gets here on Friday, DC and Comixology have launched a "DC 101 Sale" --- and whether you're picking up some last-minute gifts or just looking for something for yourself, it's well worth checking out.
The usual problem --- well, "problem" --- with these "101" sales is that they're usually full of stuff that you've already read, but this time, there are some fantastic deep cuts on sale that you shouldn't miss, all of which are dropped down to a mere six bucks. But if you want the single best deal in the entire collection, then you need to get Tales of the Batman: Len Wein.
On July 30th, 1974, Wolverine made his first full appearance in The Incredible Hulk #181, and comics history was forever changed. For some reason. Somehow, a funny-looking, funny-talking, pint-sized, hairy Canadian, who literally scratches people, became one of the most popular characters in comics. How did the guy with whiskers on his mask become the epitome of toughness?
Created by Len Wein and John Romita, and brought to life by Herb Trimpe, Wolverine could have easily become another throwaway character. With his bright yellow-and-blue costume, he looks at least as ridiculous as every other one-and-done character, save for the arresting hook of those razor-sharp claws.
Legendary writer/editor Len Wein was born on this day in 1948. Over the course of a career that began in 1968, he built a reputation as one of the most reliable and consistent creators the medium has ever seen, and he was one of the first of a generation of creators that set out to work in the comics industry instead of simply treating it as stopgap employment, making the leap from the fan press to major publishers in the late 1960s, alongside contemporaries such as Marv Wolfman and Gerry Conway.
Over the course of his career he's written some of comics' best-loved storylines, created and/or developed a number of the medium's most memorable characters, and been a constant and friendly presence at conventions and fan gatherings, known for his clever plot twists, infectious smile, neatly-trimmed beard, and neatly-turned phrases.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at Wonder Woman.
A more appropriate name for DC Comics' Convergence event, at least the miniseries that will accompany the main series for two months next spring, may be "Nostalgia Trip."
DC has been rolling out titles and creative teams for the 40 planned series week by week. The first batch focused on the publisher's pre-New 52 continuity. The second focused on the 1990s (including WildStorm), and the third seemed to center on the 1980s.
The fourth and final group of miniseries, which DC announced Tuesday, covers a much wider time period: All of DC's pre-Crisis On Infinite Earths continuity. And there's another twist: They all take place on defined and listed alternate Earths which existed before the company's last line-wide reboot in the 1980s.
The Tangent universe is a recurring feature in the third week of titles for DC's spring 2015 Convergence event, cropping up by name in the solcitations for the Flash, Justice League of America, and New Teen Titans two-part minis -- and "tangent" seems like an apt term to describe DC's impenetrable two-month event that offers all the confusion and frustration of a reboot with none of the narrative consequence.
Besides the Tangent universe, the other unifying theme of the third wave of books is that dig into DC's pre-Crisis On Infinite Earths past, with writer Marv Wolfman returning to the New Teen Titans, Len Wein taking another swing at his own creation, Swamp Thing, Diana Prince back in her modish 1968 white jumpsuit, and the return of the mid-80s Detroit Justice League.
There are a lot of great things about the Batman '66 ongoing series, but I think my favorite is how it's been expanding the Dutch-angled, pop-art universe of the original TV show beyond its three-season run. There have been new adventures for the show's roster of special guest villains, new locations, and even new characters in the form of additions like the Arkham Institute's Dr. Holly Quinn and the massive, atomic-powered Bat-Robot.
On top of all that, the not-at-all surprising success of the Batman '66 revival has expanded the universe in one of the most interesting ways by finally giving us one of the biggest missed opportunities in the character's history: A full adaptation of Harlan Ellison's unproduced Two-Face story.
I've known that this story was out there for a while because it always comes up in discussions of great superhero stories that never happened, and finally getting to read it in this week's Batman '66: The Lost Episode was a fantastic experience -- not just because the story itself was fun, but because the way it was presented was amazing.
You probably haven't heard since they haven't really been making a big deal of it, but this year marks the official 75th Anniversary of Marvel Comics. Sort of. It actually marks the 75th anniversary of the publication of Marvel Comics #1, which introduced the world to the Human Torch and paved the way for the company that would eventually become the modern Marvel Comics which really came about in 1961, but you know what? That's a good enough reason for a party.
To that end, this week saw the release of the Marvel 75th Anniversary Celebration, an anthology that caught my eye mostly because it features legendary and still hugely popular Batman: The Animated Series co-creator Bruce Timm adapting a Captain America story written by Stan Lee in 1941, and that is definitely something that I want to read. But with 55 pages in the anthology, there's a heck of a lot more in there besides, including the return of Alias by the original creative team of Bendis, Gaydos and Hollingsworth, and essays by comics journalists including our own Andrew Wheeler, making this one of those rare anthologies where it's all pretty good stuff.
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