On sale March 5, Day Men #3 will be the first issue of the BOOM! Studios vampire noir to be released since December. The reason for the delay is of course the uncommonly intricate nature of Brian Stelfreeze's artwork, which is rarely seen in serial projects at all, much less in an ongoing series. Co-writer and BOOM! Editor in Chief Matt Gagnon has referenced the "insane amount of effort" Stelfreeze brings to each issue, some of which is certainly apparent in these Day Men #3 images you're seeing here for the very first time.
With only one issue released so far, the BOOM! Studios series Day Men has already attracted serious Hollywood attention in the form a reported seven-figure deal for the film rights. Drawn by Brian Stelfreeze and co-written by Matt Gagnon (also BOOM! Editor-in-Chief) and Michael Allan Nelson, Day Men imagines vampires as clans of supernatural crime families secretly controlling everything in the world. The titular Day Men are specially trained human agents tasked with doing the vampires' dirty work during the day.
Because there have been some unfortunate circumstances with respect to films based on comics whose original creators are not compensated to their or their families' liking (or even credited), we reached out to the BOOM! and the Day Men team to see if the news was indeed good from their points of view.
Last week comic book publisher BOOM! Studios announced it had acquired Archaia Entertainment with a view to positioning the company behind award-winning books like David Petersen’s Mouse Guard and the Jim Henson’s A Tale of Sand by Ramón Pérez as a fully functioning imprint, with Archaia’s staff and corporate culture intact. It was good news for both Los Angeles-based publishers, but not necessarily for the reasons many industry insiders assumed. In their first joint interview since the news broke, both company’s Editors-in-Chief Matt Gagnon and Stephen Christy told ComicsAlliance how the merger came to be, why it made sense to them from a number of angles, and what readers and professionals can expect from the new union -- not only with respect to the publishing line, but to creator deals and broader media as well.
Penciller, inker, colorist and painter Brian Stelfreeze is a longtime favorite of art and illustration enthusiasts. Beloved by a generation of readers for his memorably stunning run of painted covers for Batman: Shadow of the Bat in the 1990s, Stelfreeze's work is at once luscious and razor sharp, flying off the page (or screen) in hypnotic, ultra high contrast black and white or in a frenzy of electric, eccentric color. He's contributed in some capacity to seemingly every major American publisher in the
Now in his fifth year at the Los Angeles-based company, Editor-in-Chief Matt Gagnon has seen BOOM! Studios grow from what he's described as a "scrappy upstart" company that began in CEO Ross Richie's spare bedroom to what he's proud to say is now a top ten comic book publisher in the direct market. There have been ups and downs in that time, such as BOOM!'s bold steps into same-day digi
Recognized as one of the only (the only?) American cartoonists making original manga for the Japanese market, Peepo Choo creator Felipe Smith is one of the best crazy-sex-and-violence comics guys around. His latest project is an action-c