I'm sure more than one comic came out this week, but you wouldn't know that form my Twitter feed, where all anyone is talking about is Pax Americana, the latest chapter of Multiversity by Grant Morrison, Frank Quitely and Nathan Fairbairn. Using the old Charlton Comics characters that inspired Dave Gibbons and Alan "The Original Writer" Moore's classic graphic novel Watchmen, Pax Americana tells a story that is in turn inspired by Watchmen, creating a meticulously structured comic with layers so dense that it's blowing minds all across the comics scene.
And one of the most important parts about the comic is color. That's true of any comic printed in color, of course, but in this particular issue, color becomes a major theme, creating a backdrop for the story that's tied into ideas about spiral dynamics, something that's verbosely explained by the Question about three quarters of the way through the book.
If that sounds complicated, well, it is, and our own David Uzumeri is hard at work on annotations explaining it all. Until then, we're fortunate enough that Fairbairn has taken to his Tumblr to break down his coloring process and how he worked with Quitely to create the incredible visuals of Pax Americana.
This week, Batman Incorporated #13, by Grant Morrison, Chris Burnham and Nathan Fairbairn, wraps up Morrison's seven-year tenure on the character. It brings everything to a definitive close that leads to both the character's new era in the New 52 and to the core of the Batman myth itself. It closes not just one loop, but a number of loops, between the present and various points in the past -- the beginning of this volume, the beginning of Morrison's run and, indeed, to the very beginning of the character, way back in Detective Comics #27 in 1939. It's a heartfully written, beautifully drawn true creative collaboration between three of the best talents in comics, and can probably be best described as a frustrated and slightly resigned labor of love. I've been following this run since it started, and there's a solid argument to be made that this particular run, this particular story, has been the bedrock of my entire comics journalism career. So let's look back on the past seven years of headshots, time travel, evil gods, lapdancing pigs, father-son bonding, heartbreak, good art, bad art and, above all, mystery. Let's look, for the first time, as a whole, at Grant Morrison's run on Batman, and talk about the Hole in Things.
Debuting at this weekend's New York Comic Con, the second full-color edition of the Scott Pilgrim graphic novel series will be available in an Evil Edition featuring another of Ramona Flowers' evil ex-boyfriends on the cover: Lucas Lee. As was the case with volume 1 of the Scott Pilgri
We were pretty enamored with the art on the first issue of the rebooted Crossgen series Mystic by writer G. Willow Wilson, artist David López and colorist Nathan Fairbairn. Judging from the exclusive preview Marvel p
Debuting in August is Mystic, the new Marvel Comics series written by G. Willow Wilson, the critically acclaimed co-author of the graphic novel Cairo and the Vertigo series Air. Joined by penciller David López and colorist Nathan Fairbairn, Wilson tells
The artists of Comic Twart create on a weekly basis some of the best illustration work you can find in the business. As you can see from our numerous posts of the the site's output -- which is based on contributors drawing different characte
Here at ComicsAlliance, we've been fans of the Comic Twart blog since day one, and this week, the best online art jam on the web celebrates its official one year anniversary!
As you can see by Evan "Doc" Shaner's anniversary piece above, the site has seen a gang of incredible artists teaming up to pick one character or theme to draw every week, from Zorro to the films of Alfred Hitchcock, with everything from Archie to Batman to Futurama in between.
So today, in celebration of a year of awesome art, I've picked out a handful of my favori
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