Today is Inauguration Day, and Donald Trump is the 45th president of the United States. And really, it's obvious why he won. After eight years with one of the most qualified and accomplished presidents in generations, what America really needed was a vain, egotistical, thin-skinned braggart with a long history of bullying and abusive statements, absolutely no experience in public service, and a track record of astonishing failure.
If you voted to Make America Great Again, here are some comics to dig into while you wait for all those manufacturing jobs to come back, and for those pesky SJWs to finally be put in their place.
Glastonbury Festival is known worldwide as one of the most expansive and ecclectic music festivals, with the best and most varied selection of music from superstar artists to emerging acts. This year saw Adele blow everyone away on the Pyramid Stage, LCD Soundsystem triumphantly return on the Other Stage, and a whole host of other amazing acts throughout the weekend.
If you're a major audiophile and you want to bring a little crossover into you love of comics, we've assembled a list of some of the five best music or music inspired independent comics to check out while you run out the clock until the next Glastonbury.
They say two things you should never discuss in polite conversation are religion and politics. It used to be sex, religion, and politics, but we all have raging porn addictions now, so, realistically, that topic is no longer off limits...
DC Entertainment's final panel of the day focused on the Vertigo imprint, moderated by editor Karen Berger and featuring creators Sean Muprhy, Mike Allred, Rafael Albuquerque, Mark Buckingham,, Mike Carey, Jeff Lemire, Dan Abnett, Bill Willingham, Scott Snyder, and Dustin Nguyen, as well as editors Shelly Bond and Will Dennis. Sean Murphy discussed his Punk Rock Jesus series, Jeff Lemire promised a "not sad" ending to Sweet Tooth, and this guy named Neil Gaiman is doing a prequel to a comic book he started in 1989 called Sandman with J.H. Williams III.
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