That fan response to Marvel's Spider-Gwen one-shot Edge of Spider-Verse #2 was so profound can be chalked to a number of important factors that we've covered before, but perhaps none as crucial as the exhilarating visuals created by artist Robbi Rodriguez and colorist Rico Renzi. The duo earned praise from us and others for introducing a kind of crackling, almost reckless sense of energy and fun into an already aesthetically diverse Marvel Universe (or alternate universe, as the case may be).
But this came as no surprise to readers of FBP: Federal Bureau Of Physics, the Vertigo series Rodriguez and Renzi launched last year with writer Simon Oliver. FBP's mantra is "the impossible is always possible" thanks to its universe's occasional and frequently catastrophic breakdown of all known laws of physics. It's a premise that allows artists to be artists, and Rodriguez and Renzi dive wildly into their talents for hugely expressive, hypercolored images that -- along with routinely gorgeous covers by Nathan Fox -- have made FBP one of the most visually compelling American comics around at the moment.
Coco Chanel once opined that “fashions fade, only style remains the same.” In channeling the latter through the former, Gwen Stacy’s Spider-Woman disagrees to great effect in the self-contained Edge Of Spider-Verse #2, on sale now and nominally part of Marvel's Spider-Verse crossover event. The electric color palette and the asymmetrical hairdos and the wildly winged eyeshadow might look dated in a few years’ time, sure, but these pages bleed a fluorescent adolescent attitude found across time and space, from 19th century Spain’s hipster majos to Siouxie Sioux. This is a Gwen that owes as much to Peter Parker as she does to Tank Girl. This is a Gwen—and a comic—with style.
If you weren't already sold on writer Jason Latour (Southern Bastards) and artist Robbi Rodriguez (FBP) doing a re-imagining of Gwen Stacy in which she is a new version of Spider-Woman in Edge of Spider-Verse #2, what if I offered you this to sweeten the deal: Gwen is the drummer in a band, they're called the Mary Janes, and they have a song that ruminates on Mary Jane Watson's classic "Face it tiger, you just hit the jackpot" line from Amazing Spider-Man #42.
Wait, you thought Gwen Stacy was dead, right? Edge of Spider-Verse is a prelude to Marvel's Spider-Verse event, which brings in "every Spider-Man ever," including versions from alternate universes, to fight a common threat. This version of Gwen Stacy is one of those alternate universe characters. Possessing her own spider-powers and a rad costume, she's already been a hit with Spidey fans based on the few images seen so far.
Deadline reports that Justin Marks, writer of the upcoming live-action Jungle Book movie and of the screenplay for Street Fighter: The Legend of Chun-Li, is adapting a treatment written by Oliver. David S. Goyer, who has been a driving force behind a good many DC Comics movie properties over the past several years, will produce.
2014 promises to bring a flood of amazing work from a raft of talented cover artists, writers, web cartoonists, interior artists and mangaka. ComicsAlliance has looked at the new projects on the horizon and made a pick of 14 comic creators who we think will make an impact in 2014. Our hope is that this is just the tip of the iceberg, that there are 140 amazing creators on the cusp of creating something great in 2014 -- but these are our picks of the creators to keep an eye on.
It's fairly commonplace for comics to change creative teams or other details early on in their runs, but it's pretty rare for a comic to change its actual title between the first and second issues.
That's exactly what's happening with Simon Oliver, Robbi Rodriguez, and Rico Renzi's Vertigo series formerly known as Collider, though. Starting with issue #2, which comes out August 28, the series will be known as FBP:Federal Bureau of Physics.
Collider #1 is an attractive package. And I say package because that's really what this feels like. The way comics work, or at least the way they should work, is with every piece -- script, art, color, and lettering -- working in sync, and when everything is right, you have a good story. Sometimes great visuals carry a mediocre script, and vice versa, but that's not ideal. In Collider, the newest Vertigo series, you have a comic that works: a script from Simon Oliver, art from Robbi Rodriguez, colors from Rico Renzi, letters from Steve Wands and a cover by Nathan Fox, melding together to tell a fun story about weird physics, dangerous jobs, and the inevitability of change.
Collider is a new ongoing Vertigo series starting next month that sees its authors returning to a high concept hook that may be familiar to readers of their previous work, but from all appearances seems to be a considerable step up in style from the already enjoyable comics they've created before.
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