The last year or so of Archie comics has been defined by one thing: the supernatural. Not only did we get Afterlife With Archie, which saw Sabrina the Teenage Witch dabbling in necromancy and inadvertently bringing about a zombie apocalypse that saw Jughead ripping out throats at a school dance, but it was so popular that we got a separate ongoing series about Sabrina dealing with the Lovecraftian horrors that result from witchcraft.
To the casual reader, this might seem like it's a pretty big departure from the usual Archie storylines about sharing milkshakes and having too many dates to the movies, but those of us who really know Archie Comics know that it's been there all along. Or, at the very least, it's been there since 1962, in that story where Betty Cooper literally sold her soul to the Devil so that she could make out with Archie.
Censorship is a serious issue. It's one of the reasons that we here at ComicsAlliance always show our support to organizations like the Comic Book Legal Defense Fund and rally behind creators who have been subjected to governmental restrictions on their work.
Occasionally, though, there are incidents of people pushing to get books banned that slide right past concerning and directly into the world of hilarious ineptitude.
Such is the case with Reverend Phillip Missick of Texas's amazingly named King of Saints Tabernacle Church, who pushed for the Cleveland, TX public library to remove manga like Matsuri Hino's Vampire Knight from its library, owing, of course, to it being a demonic product of Satan that would drag otherwise saintly children directly into the gaping maw of Hell itself. That, of course, is nothing new. What makes it amazing is that he didn't stop there, going so far as to declare pretty much everything around the manga to be the product of Satan, including a few Harry Potter toys, a bouquet of dried roses, and the actual room itself to be "occultic and demonic."
Batman's villains are unquestionably the greatest bad guys in comics. The best of them are compelling, complex characters in their own right that can work in a variety of stories, and even the second-stringers tend to be, at the very least, visually interesting
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