Mark Buckingham’s art hasn't just made Fables a classic — it has made it, and comics in general, accessible to reluctant readers the world over. His work on the long-running Vertigo series chronicling the lives of exiled fairy tale characters is simple, but never simplistic, and visually strong without ever sacrificing complexity. From Buckingham’s pen flow wooden soldiers of truly oaken resolve, smart-mouthed witches, rumpled detectives and alcoholic, anthropomorphic pigs, all living and loving in the little slice of New York City they've made their own.
Buckingham has helped propel the Bill Willingham-written series to the bestseller lists over and over again, inspired decadent cosplay and made Fables the kind of work that's beloved by your bag-and-boarding friends and your mom alike. Now, as the story nears its end, Buckingham is preparing to say goodbye the world he so richly imagined. ComicsAlliance found him at San Diego Comic-Con to discuss the fond farewell and what the future holds.
Chip Kidd is a one of American publishing's foremost graphic designers, a respected novelist and author in his own right, and a life-long comic book fan. He's worked with DC Comics on a number of different projects over the years, writing histories, creating logos, designing books, and even authoring stories like 2012's Batman: Death By Design graphic novel with Dave Taylor. Recently, he produced a "remix" of the first-ever Batman story (which was originally slated to be published in DC's "Detective Comics #27 Special Edition" giveaway, but ended up as a feature in the deluxe hardcover Batman: A Celebration Of 75 Years instead).
While at San Diego Comic-Con last month, we got a few minutes to drop by DC's booth and talk with Kidd about Batman, his design work, and his current (and upcoming) projects.
March: Book One was easily one of the best graphic novels of 2013. Not only did it begin a story of immense historical consequence-- the mid-20th Century fight for civil rights in the American South-- it also told that story from a strong, personal perspective. That perspective came from U.S. Rep. John Lewis of Georgia, who serves as the reader's guide through some very weighty material.
Now, the pressure's on. Lewis, his co-writer Andrew Aydin, and artist Nate Powell are getting set to release March: Book Two in early 2015, and their challenge is to follow up a lauded text -- one that's been used in a good many classrooms since publication -- with a second chapter that gets more violent and shows just how difficult the struggle for civil rights really was.
ComicsAlliance chatted with Powell and Aydin for a few moments at Comic-Con International in San Diego to talk about that challenge, the difficulties of depicting such intense violence, and creating what's being regarded as an official historical text.
Lucy Knisley is a long-time favorite of ours here at ComicsAlliance – she's produced an astoundingly diverse body of work that includes travelogue comics, pop-culture commentaries, NSFW sex-positive prints, Harry Potter fan art, Adventure Time stories, and is probably best-known for Relish, her acclaimed "cooking memoir" graphic novel from First Second books.
Last month, First Second announced her next original graphic novel, an autobiographical wedding planning story entitled Something New. While at San Diego Comic-Con last month, we got the chance to sit down with Kinsley and talk about her artistic inspirations, her thoughts on attending the convention, and her recent and upcoming works.
Despite all the big publishing news to come out around or during last month's San Diego Comic-Con, the new comic book that remains most anticipated by many superhero fans -- and by others who don't yet know they're waiting for it -- is Batgirl. Perhaps the one DC or Marvel comic that really does deserve a new #1 issue, Batgirl's youthful and stylish revamp at the hands of Cameron Stewart, Babs Tarr and Brenden Fletcher was met with massive electronic response when it was announced just ahead of the San Diego show, generating all but countless pieces of fan-art as well as some criticism from current readers for seemingly abandoning the darker aesthetic values of the three-year-old New 52 title.
There's a lot to unpack about the new Batgirl and we only had a few minutes with her new creative team in which to do it at SDCC. Read on for remarks by series co-writer and layout artist Cameron Stewart, co-writer Brenden Fletcher, and finishing artist (and, perhaps, spiritual guide) Babs Tarr.
The last year of Cartoon Network's Regular Show has brought some pretty huge changes to the lives of everyone's favorite park groundskeepers who just happen to be a raccoon and a bluejay. The departure of Margaret and the reintroduction of CJ, the secret origin of Skips and the introduction of Thomas the Intern have all shaken up life around the park, and it doesn't seem like it's going to stop any time soon.
To find out more, I went to San Diego Comic-Con and spoke to J.G. Quintel (show creator and the voice of Mordecai), Sean Szeles (writer and director), Matt Price (writer), Bill Salyers (Rigby), Minty Lewis (storyboard artist and the voice of Eileen) and Roger Craig Smith (Thomas) at Comic-Con International. Find out more about Eileen's rise to prominence, hear hints about Thomas's upcoming role in the spotlight, and witness J.G. Quintel's reaction when I tell him how upset my 63 year-old mother was when Skips' girlfriend died in that flashback. Seriously.
DC Comics' upcoming Gotham Academy by Becky Cloonan, Brenden Fletcher and Karl Kerschl is one of those ideas that's so good that it's amazing that it took a full 75 years of Batman comics for it to actually happen. Set in a prestigious private school in the middle of Batman's hometown, Gotham Academy will debut this October following the adventures of two young students at a private school in a city known mostly for its truly staggering population of supervillains.
One assumes that hijinks will ensue, but to find out more, ComicsAlliance's Juliet Kahn spoke to Cloonan, Fletcher and Batman group editor Mark Doyle at San Diego Comic-Con.
Mile High Comics did not have a great San Diego Comic-Con this year. According to a report written by company president Chuck Rozanski, Mile High stood to lose about $10,000 just by having a booth (technically, seven booths) at this year's show.
That's a massive amount of money for a retailer, even one as huge as Mile High. The loss was so big that Rozanski threatened to never come back to Comic-Con again. Ultimately, Rozanski decided that he will come back next year as an "emotional response" to an outpouring of support from fans and comics pros, but his major problem with the show remains the same: Publisher exclusives.
As you know from our weekly Best Cosplay Ever feature, we are big fans of cosplay at ComicsAlliance. The comics, sci-fi, gaming and fantasy communities’ talents for homemade disguises, craftsmanship, and sartorial superheroics are definitely on display this weekend at San Diego Comic-Con, and in addition to the great photography of Pat Loika, we availed ourselves of the film crew shared by CA and our sister sites ScreenCrush and Arcade Sushi to capture some cosplayers on film, showing off their work and talking about what this increasingly popular and influential hobby -- or art form, if you like -- means to them.
Faith Erin Hicks is one of North American comics' most versatile talents, a writer/artist who's gained critical acclaim and commercial success, and raised her profile with each successive project she's released over her 15+ year career.
This year's San Diego Comic-Con was particularly eventful for Hicks, as she announced her new graphic novel series from First Second books and won an Eisner Award for Dark Horse's collection of her The Adventures Of Superhero Girl webcomic. We caught up with her in San Diego the morning after the Eisner awards to talk about current projects.
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