The release of Rocksteady Studios' Batman: Arkham Knight has come and gone, and left a divisive trail in the Batmobile's wake. Whether you found the missions focused on the tank-like Batmobile tedious or thought the inclusion of Batman's iconic ride was a brilliant gamble on Rocksteady's part, the developer is still planning on supporting the game with even more Batmobile goodies. While the Batgirl story DLC is dropping this month (this week for Season Pass holders, next week for everyone else), Rocksteady has teased the next batch of add-ons with some new images.
Where the Batgirl missions will be handled by Arkham Origins studio WB Montreal, the remaining content will be handled exclusively by Rocksteady. We know the next six months of DLC will introduce new villains, skins, challenge maps, race tracks, Batmobile models and story missions, but we know little details about what that means. For all we know, the only story missions will be the Batgirl content arriving this week, and the remainder just be different skins, Batmobiles and race tracks. Case in point, the upcoming August drop, which features seven new skins, and the classic Tim Burton era Batmobile.
Superman Lives is one of those great projects that might have been, like Alejandro Jodorowsky’s Dune or Richard Stanley’s The Island of Dr. Moreau — like both of those films, Superman Lives now has its very own documentary examining the film that never was and the speculation surrounding it. A new clip from The Death of Superman Lives: What Happened? features never before seen footage of Nicolas Cage’s costume test in which the actor wears a version of the Superman suit.
Tim Burton's Batman movies might not be my favorite version of the character, but there's one thing they definitely have going for them: The set design is amazing, and while Anton Furst's designs for Batman '89 have definitely had their time in the spotlight, Bo Welch's designs for Batman Returns are a little less well-known.
Fortunately, pal Andrew Weiss found a design portfolio while combing through back issues of Starlog at the Internet Archive, and passed them along so that we could have a look at a nightmarish urban hellscape of rocket penguins and fascist architecture. It's... it's a little more enjoyable than it sounds. Check it out below!
Of all the strange habits that my friends have, combing through back issues of Starlog on the Internet Archive is probably at the top of the list in a walk. Occasionally, though, sifting through promo pieces for V and Alien Nation turns up something gold, which is exactly what happened this week. While reading the November, 1988 issue of Starlog, Andrew Weiss came upon a contest that offered readers a trip to London to visit the set of Tim Burton's Batman '89. All you had to do was write in and explain why you wanted to meet Batman.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate comes to a startling conclusion about Catwoman.
Just how many times have we watched a young Bruce Wayne witness the murder of his parents? No origin story for the Caped Crusader has been without it, and FOX's Batman prequel series, 'Gotham,' is no different. As the new drama premiered this week, kicking off with the brutal death of Mr. and Mrs. Wayne, a new supercut has hit the web of all the time's we've seen this scene onscreen -- and it's quite a number of times.
The Batmania of 1989 affected all of commercial entertainment, but perhaps nowhere was the impact felt more than in comic shops and bookstores. The wild success of Tim Burton's movie drove fans to seek out anything Bat-related, and DC Comics was prepared. The publisher had tasked two of its finest creators with producing a comic book adaptation of the film, and Jerry Ordway and Dennis O'Neill's comic became a sensation in its own right. The book was released in two editions (a 'floppy' for newsstands, and a squarebound edition for the book and comic shop market), and both became instant best-sellers.
For reasons explained below, the project was not altogether successful in creative terms, but Batman '89 is nevertheless one of if not the most proliferated comics of its type, occupying space in the collections of a whole generation of readers and fondly remembered as featuring some of Ordway's most exquisite artwork in an already very distinguished career. As part of ComicsAlliance's exhaustive remembrance of of all things Batman '89, we spoke with Ordway about his fascinating and uniquely challenging experience adapting the silver-screen superhero epic back into uncommonly beautiful book form.
Michael Uslan's name might not be known to most comic book fans, but he is probably one of the most important figures in the cinematic history of superheroes. He obtained the film rights to Batman in the late 1970s, spent ten years fighting to bring a project to fruition, and since the completion of Batman '89 twenty-five years ago has been credited as producer or executive producer on every major cinematic Bat-project since (including Batman: The Animated Series, Mask Of The Phantasm, the Christopher Nolan trilogy of Dark Knight blockbusters, and the upcoming Batman v Superman: Dawn Of Justice film). He's a life-long comic fan, a pop-cultural historian, a conversationalist, and an author (his memoir, The Boy Who Loved Batman, is an essential read for anyone interested in comics and comic-influenced media).
As the man largely responsible for Batman '89 existing at all, there's no person better suited to tell not just the story of the film's production, but the long and winding path the project had taken over the preceding decade on its way to success. But besides the unusual story behind Uslan's relationship with the Dark Knight on film, the producer told us about his broader goals for Batman and comic books in general, which went far beyond simply making a successful motion picture.
On the occasion of the film’s 25th anniversary, ComicsAlliance represents our in-depth commentary and review of Tim Burton’s Batman ’89, the father of modern superhero cinema. Originally published in 2011 as part of our exhaustive Cinematic Batmanology series (which also included a massive five-part analysis of Christopher Nolan’s The Dark Knight), this piece by Chris Sims and David Uzumeri strips the fan favorite Batman ’89 down to the bone to get at what works, what doesn’t work, and what’s just plain crazy about Burton’s enduringly influential film.
There have been five men to portray Batman in the character's eight live-action feature-length films, from Adam West in Batman '66 to Christain Bale in 2012's The Dark Knight Rises. All five actors came with their strengths and weaknesses, but the best was Michael Keaton, who played the DC Comics superhero in 1989's Batman and 1992's Batman Returns.
In the first major scene of Batman '89, Keaton famously grabs a terrified mugger by the collar, holds him off the side of a building, pulls him close to his face, and hisses, "I'm Batman." As a 12-year old watching that moment on a VHS tape in my living room, I believed Michael Keaton. And I still believe him as a grown man watching it on DVD in my office 25 years later, even after having seen a half-dozen different Batman movies since.
I realize declaring Michael Keaton's performance as Batman to be not only my favorite Batman but the best Batman is a somewhat controversial statement, even (especially?) among my fellow writers at ComicsAlliance, but allow me to make my case.
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